Ongoing…

A Journey Into the Forbidden City

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While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).


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Details: TIFF 2014 Scenes: Tuesday–Thursday Nights, Featuring Good Kill, Maps to the Stars, The Imitation Game, Jauja, Laggies, and More

Vulnerability, Suffering, and Strength

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  • Art Gallery of Ontario (317 Dundas Street West)
  • All day

“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon

“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore

These quotations, which welcome visitors to Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.

Details: Vulnerability, Suffering, and Strength

TIFF Unveils Bruce LaBruce’s Skin Flicks

Still from L.A. Zombie.

Still from L.A. Zombie.

  • TIFF Bell Lightbox (350 King Street West)
  • All day

Anyone seeking proof that all it takes for a radical to become part of the establishment is a little bit of endurance need only look to “Skin Flicks,” TIFF Cinematheque’s retrospective of the films of Toronto zine impresario, radical, occasional pornographer, and queercore filmmaker Bruce LaBruce.

A farm boy who left his rural digs for a more urban life in Toronto in the mid-‘80s, LaBruce first turned heads on the scene with his publication (along with partner and Fifth Column frontwoman G.B. Jones) of the seminal queer punk zine J.D.s, which distinguished itself from punk culture through its queer vision, and from mainstream LGBT culture through its aggressive DIY aesthetic and radical politics. From that fertile underground world came the first of LaBruce’s experimental Super 8 shorts, including Boy, Girl—ground zero for later thematic obsessions such as neo-skinheads and surveillance.

Details: TIFF Unveils Bruce LaBruce’s Skin Flicks

Harbourfront Centre’s Canada Day Celebrations

  • Harbourfront Centre (235 Queens Quay West)
  • All day

There’ll be public celebrations all over the country this weekend, but in downtown Toronto anyway, the most extensive are the Harbourfront Centre Canada Day Celebrations. Kicking off Friday and running right through to the fireworks display on Monday night, there’ll be live music—including performances from the finalists in its Soundclash Music Award Showcase—and a hip hop showcase by Maoestro Fresh Wes; a daily market; and plenty of programming for kids and adults of all ages.

Details: Harbourfront Centre’s Canada Day Celebrations

Bent Lens: Pride on Screen

  • TIFF Bell Lightbox (350 King Street West)
  • All day

Every part of our city will be drenched in WorldPride this summer, including the TIFF Bell Lightbox. Bent Lens: Pride on Screen comprises nearly two months of screenings, exhibits, and speaking engagements that reflect the broadness of our LGBT community. Check out films under the stars in David Pecaut Square, take in a conversation with Laverne Cox of Orange is the New Black, and much more.

CORRECTION: June 16, 2014, 3:50 PM This post originally stated that the outdoor screenings of Bent Lens will focus on Derek Jarman and Bruce LaBruce, but that is not the case.

Details: Bent Lens: Pride on Screen