Intro to Salsa

Photo by Marc Robin from the Torontoist Flickr Pool.

Photo by Marc Robin from the Torontoist Flickr Pool.

  • Steps Dance Studio (1216 Yonge Street)
  • 7 p.m.

No, we’re not suggesting you get friendly with some tasty chip dip (but that does sound like a good idea). Steps Dance Studio wants to help you spice up your life with its free Intro to Salsa classes. No experience or partner are necessary: just show up, take a tour of the studio, try a basic lesson, and maybe even commit to more classes when it’s all over.

Details: Intro to Salsa

Ongoing…

The Guggenheim Comes to the AGO

20131126-AGO The Great Upheaval- Masterpieces from the Guggenheim Collection-2168- Photo_by_Corbin_Smith
  • Art Gallery of Ontario (317 Dundas Street West)
  • All day

Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art.

Details: The Guggenheim Comes to the AGO

Life Is Good, When it’s This Cabaret

Photo by Seanna Kennedy.

Photo by Seanna Kennedy.

  • Lower Ossington Theatre (100 Ossington Avenue)
  • All day

It’s 1931 in Berlin, and the Nazis are on the brink of supremacy. But there remains another side to the city—one that’s decadent, permissive, and artistic. And that’s the world we meet when we’re beckoned into the extravagant and sleazy Kit Kat Klub by eccentric Emcee and his troupe of saucy dancers, performing “Willkommen.”

Cabaret’s primary plotline begins with the arrival of American writer Cliff Bradshaw (David Light). Without a real agenda, he’s come to Berlin to work on his novel and teach English. A patron of the Kit Kat Klub, he catches the eye of the star performer Sally Bowles (Kylie McMahon). A natural stunner, Sally is a bubbly young Brit with a powerhouse voice, a dancer’s grace, and a reputation for flitting from man to man like a bumblebee in a flowerbed. It’s not long before she and Cliff fall in love—though the question of whether he’ll be able to satisfy her wild side constantly hangs over their heads. The sweetness lacking in their relationship can be found in the romantic pairing of the boarding house landlord Fraulein Schneider (Adeen Ashton Fogle) and Jewish shop owner Herr Schultz (Don Berns). As appealing as they are, though, these middle-aged lovebirds are just as susceptible to trouble and heartbreak as their younger counterparts.

Details: Life Is Good, When it’s This Cabaret

From Geisha to Diva: The Kimonos of Ichimaru

Ichimaru playing the shamisen. Image courtesy of the Art Gallery of Greater Victoria.

Ichimaru playing the shamisen. Image courtesy of the Art Gallery of Greater Victoria.

  • Textile Museum of Canada (55 Centre Avenue)
  • 11 a.m.

Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup.

Details: From Geisha to Diva: The Kimonos of Ichimaru

“Poetic Poverty; Experiments in Living”

Poetic Poverty; Experiments in Living examines the life of starving artists. Image courtesy of Erin Loree.

Poetic Poverty; Experiments in Living examines the life of starving artists. Image courtesy of Erin Loree.

  • Creatures Creating (822 Dundas Street West)
  • 12 p.m.

Those who work in the arts are well acquainted with the balancing act between creative work and life-sustaining day jobs. “Poetic Poverty; Experiments in Living” explores the notion of the starving artist, and why it’s a life so many choose to lead. This two-week show features works by Erin Loree, Stella Cade, Kevin Columbus, and more.

Details: “Poetic Poverty; Experiments in Living”

Così fan tutte

  • Four Seasons Centre for the Performing Arts (145 Queen Street West)
  • 7:30 p.m.

What do you get when you combine Mozart and Atom Egoyan? Così fan tutte, a wryly comedic opera. Also known as The School For Lovers, it sees two couples struggle with issues of faith, desire, and temptation. The Canadian Opera Company welcomes the return of Egoyan, who will be directing this winter season opener.

Details: Così fan tutte

Idiot’s Delight: Not Exactly Theatre for Dummies

Dan Chameroy and Raquel Duffy. Photo by Cylla von Tiedemann.

Dan Chameroy and Raquel Duffy. Photo by Cylla von Tiedemann.

  • Young Centre for the Performing Arts (50 Tank House Lane)
  • 7:30 p.m.

The word “idiot” was originally used in ancient Greece to describe a person unconcerned with public affairs like politics, but dedicated to following private pursuits. The setting of Robert E. Sherwood’s 1936 romantic comedy Idiot’s Delight, a failing luxury hotel in the Italian Alps called the Hotel Monte Gabriele, initially seems to be full of idiots: newlyweds on their honeymoon, a group of burlesque singers and their manager, a blissfully genial waiter, and a couple of ornery managers sour over the lack of business. And when a spark flies between a beautiful and mysterious Russian and a smooth-talking American showbusinessman, while the other guests dance, drink, eat, and sing, there’s another piece of juicy plot that can be used to distract themselves, and the audience, from the war that’s literally raging outside the hotel windows.

Details: Idiot’s Delight: Not Exactly Theatre for Dummies

Same Same But Different

Anthony Malarky and Anita Majumdar from Same Same But Different. Photo by Michael Cooper.

Anthony Malarky and Anita Majumdar from Same Same But Different. Photo by Michael Cooper.

  • Theatre Passe Muraille Mainspace (16 Ryerson Avenue)
  • 7:30 p.m.

Bollywood is the force that brings two stories of self-exploration together in Same Same But Different. After her mother’s life is changed by a run-in with the world of Indian cinema, Aisha—a Canadian-born actress—realizes that she must face her prejudices about nationality and skin colour in order to rise to stardom.

Details: Same Same But Different

Heartbeat of Home

  • Ed Mirvish Theatre (244 Victoria Avenue)
  • 8 p.m.

The producers of Riverdance have spawned yet another on-stage extravaganza. With a talented cast of 38, Heartbeat of Home is a high-energy show, combining Irish, Latin, and Afro-Cuban music and dance. Torontonians get the honour of seeing the production’s North American debut—take it in before it’s gone!

Details: Heartbeat of Home

Arrabal

Juan Cupini and Micaela Spina star in Arrabal. Photo by Eugenio Mazzinghi.

Juan Cupini and Micaela Spina star in Arrabal. Photo by Eugenio Mazzinghi.

  • Panasonic Theatre (651 Yonge Street)
  • 8 p.m.

Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.

Details: Arrabal

Tribes

  • Berkeley Street Theatre (26 Berkeley Street)
  • 8 p.m.

Even though Billy was born deaf, his family strived to raise him the same way they would have a hearing-able child. Tribes sees him learn what it is to hear and be heard when he meets Sylvia, a young woman who is gradually becoming deaf herself. Presented by A Theatrefront Production, Canadian Stage, and Theatre Aquarius, this emotional play stars Stephen Drabicki and Holly Lewis.

Details: Tribes

The Metamorphosis Is a Topsy-Turvy Spectacle

Unnur Ösp Stefánsdóttir as Greta and Björn Thors as Gregor in The Metamorphosis. Photo by Simon Kane.

Unnur Ösp Stefánsdóttir as Greta and Björn Thors as Gregor in The Metamorphosis. Photo by Simon Kane.

  • Royal Alexandra Theatre (260 King Street West)
  • 8 p.m.

The image most commonly associated with Franz Kafka’s most famous work, the 1915 novella The Metamorphosis, is that of a giant insect trapped inside a bare, dirty room with a rotting apple lodged in his back—the bug was formerly a man named Gregor Samsa, and the room was formerly his bedroom. As we all know, this distressing and inexplicable transformation from man to bug happened in an instant, although its emotional and literary after-effects have been haunting English students ever since.

The stage adaptation of The Metamorphosis by the Icelandic company Vesturport Theatre and London’s Lyric Hammersmith, on now at the Royal Alexandra Theatre with Mirvish Productions, is much more watchable than this introduction would suggest. The only bug you’ll see in this version is a trick of light and shadow. And that’s not the only trick up this show’s sleeve (or perhaps antenna?).

Details: The Metamorphosis Is a Topsy-Turvy Spectacle