Introduction to Square Dancing

Put square dance on your list of things to master this year. Photo by Byron Godfrey.

Put square dance on your list of things to master this year. Photo by Byron Godfrey.

  • The 519 Church Street Community Centre (519 Church Street)
  • 7 p.m.

If you’ve ever wanted to be hip, you should probably be jumping on this free Introduction to Square Dancing offer, courtesy of the Toronto Triangle Squares. Before you start on the excuses, know that no costume, partner, or previous experience is required. Just show up, learn some steps, eat some snacks, and have fun!

Details: Introduction to Square Dancing

Little Women

  • Scarborough Village Theatre (3600 Kingston Road)
  • 8 p.m.

The Scarborough Music Theatre brings Louisa May Alcott’s classic Civil War story to the stage for a short run. Little Women follows the lives and struggles of four young sisters as they grow up while their father is off at war. Directed by Michael Jones, this musical features spirit-lifting and tear-jerking performances by Lauren Lazar, Katie Wise, Carina Cautillo, and Sarah DaCunha.

Details: Little Women

“Poetic Poverty; Experiments in Living”

Poetic Poverty; Experiments in Living examines the life of starving artists. Image courtesy of Erin Loree.

Poetic Poverty; Experiments in Living examines the life of starving artists. Image courtesy of Erin Loree.

  • Creatures Creating (822 Dundas Street West)
  • 8 p.m.

Those who work in the arts are well acquainted with the balancing act between creative work and life-sustaining day jobs. “Poetic Poverty; Experiments in Living” explores the notion of the starving artist, and why it’s a life so many choose to lead. This two-week show features works by Erin Loree, Stella Cade, Kevin Columbus, and more.

Details: “Poetic Poverty; Experiments in Living”

Ongoing…

The Guggenheim Comes to the AGO

KRocca_THE IMITATION GAME-8346

While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).


Want more TIFF coverage? Torontoist‘s film festival hub is right over here.
Details: TIFF 2014 Scenes: Tuesday–Thursday Nights, Featuring Good Kill, Maps to the Stars, The Imitation Game, Jauja, Laggies, and More

TIFF Promises to Love Godard Forever

Still from Pierrot le fou.

Still from Pierrot le fou.

  • TIFF Bell Lightbox (350 King Street West)
  • All day

“Photography is truth,” Michel Subor’s young draft-dodger announces in Jean-Luc Godard’s Le Petit Soldat, “And cinema is truth 24 frames per second.” Though that statement is often misattributed to the French filmmaker himself rather than to his character, the sentiment seems to hold true enough for Godard. On the strength of his wide-ranging, by turns playful and socially committed, and equal parts aesthetically and politically revolutionary filmography, one might even say that Godard’s life’s work has been dedicated to elevating the cinema to the esteemed status in which philosophers hold first principles like truth.

That effort to haul the cinema out of its infancy and into a kind of artistic maturity is the subject of TIFF Cinematheque’s newest and fullest retrospective in some time, a two-season programme entitled Godard Forever, which is intended to span the length of the filmmaker’s remarkable, varied career—from the jazz-infused improvisation of Breathless to the Marxist montage of recent work like Film Socialisme. The first half of that retrospective, a fifteen-film programme dedicated to what most consider Godard’s golden age—the period from 1960′s Breathless to 1967’s apocalyptic, decade-capping Weekend—runs this season, highlighting the period in which Godard famously moulded existing genres like Hollywood gangster pictures and musicals into his own unique creations.

Details: TIFF Promises to Love Godard Forever

Life Is Good, When it’s This Cabaret

Photo by Seanna Kennedy.

Photo by Seanna Kennedy.

  • Lower Ossington Theatre (100 Ossington Avenue)
  • All day

It’s 1931 in Berlin, and the Nazis are on the brink of supremacy. But there remains another side to the city—one that’s decadent, permissive, and artistic. And that’s the world we meet when we’re beckoned into the extravagant and sleazy Kit Kat Klub by eccentric Emcee and his troupe of saucy dancers, performing “Willkommen.”

Cabaret’s primary plotline begins with the arrival of American writer Cliff Bradshaw (David Light). Without a real agenda, he’s come to Berlin to work on his novel and teach English. A patron of the Kit Kat Klub, he catches the eye of the star performer Sally Bowles (Kylie McMahon). A natural stunner, Sally is a bubbly young Brit with a powerhouse voice, a dancer’s grace, and a reputation for flitting from man to man like a bumblebee in a flowerbed. It’s not long before she and Cliff fall in love—though the question of whether he’ll be able to satisfy her wild side constantly hangs over their heads. The sweetness lacking in their relationship can be found in the romantic pairing of the boarding house landlord Fraulein Schneider (Adeen Ashton Fogle) and Jewish shop owner Herr Schultz (Don Berns). As appealing as they are, though, these middle-aged lovebirds are just as susceptible to trouble and heartbreak as their younger counterparts.

Details: Life Is Good, When it’s This Cabaret

Winterlicious 2014

  • All day

Time once again for the City of Toronto’s annual cold-weather enticement to get people out to fine dining establishments, the Winterlicious Festival. Over 200 restaurants have signed up to offer lunch and dinner prix-fixe menus over the official two-week period (many of them continue the pricing for longer), and the City’s also arranged for a number of different culinary events as well. For a full listing of the restaurants participating, visit the City’s website.

Details: Winterlicious 2014

From Geisha to Diva: The Kimonos of Ichimaru

Ichimaru playing the shamisen. Image courtesy of the Art Gallery of Greater Victoria.

Ichimaru playing the shamisen. Image courtesy of the Art Gallery of Greater Victoria.

  • Textile Museum of Canada (55 Centre Avenue)
  • 11 a.m.

Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup.

Details: From Geisha to Diva: The Kimonos of Ichimaru

Of Mice and Morro and Jasp

Morro and Jasp take on Steinbeck's Of Mice and Men. Photo courtesy of U.N.I.T. Productions.

Morro and Jasp take on Steinbeck's Of Mice and Men. Photo courtesy of U.N.I.T. Productions.

  • Factory Theatre (125 Bathurst Street)
  • 8 p.m., 1 p.m.

Morro and Jasp are clown sisters created and played by Heather Marie Annis and Amy Lee, comedians and Factory Theatre writers-in-residence. In their newest adventure, they fall on hard times and take up acting in hopes of making ends meet. Of Mice and Morro and Jasp sees them attempt to bring the classic John Steinbeck tale to the stage. Will they succeed?

Details: Of Mice and Morro and Jasp

The Way Back to Thursday

Rob Kempson and Astrid Van Wieren star in The Way Back to Thursday. Photo by Michael Cooper.

Rob Kempson and Astrid Van Wieren star in The Way Back to Thursday. Photo by Michael Cooper.

  • Theatre Passe Muraille Mainspace (16 Ryerson Avenue)
  • 7:30 p.m.

Cameron and his grandmother share a special tradition: every Thursday night, they escape into the golden age of film together. A musical about unconditional love, The Way Back to Thursday takes us through the changes in this relationship as Cameron grows older and more distant.

Details: The Way Back to Thursday

Così fan tutte

  • Four Seasons Centre for the Performing Arts (145 Queen Street West)
  • 7:30 p.m.

What do you get when you combine Mozart and Atom Egoyan? Così fan tutte, a wryly comedic opera. Also known as The School For Lovers, it sees two couples struggle with issues of faith, desire, and temptation. The Canadian Opera Company welcomes the return of Egoyan, who will be directing this winter season opener.

Details: Così fan tutte

Idiot’s Delight: Not Exactly Theatre for Dummies

Dan Chameroy and Raquel Duffy. Photo by Cylla von Tiedemann.

Dan Chameroy and Raquel Duffy. Photo by Cylla von Tiedemann.

  • Young Centre for the Performing Arts (50 Tank House Lane)
  • 7:30 p.m.

The word “idiot” was originally used in ancient Greece to describe a person unconcerned with public affairs like politics, but dedicated to following private pursuits. The setting of Robert E. Sherwood’s 1936 romantic comedy Idiot’s Delight, a failing luxury hotel in the Italian Alps called the Hotel Monte Gabriele, initially seems to be full of idiots: newlyweds on their honeymoon, a group of burlesque singers and their manager, a blissfully genial waiter, and a couple of ornery managers sour over the lack of business. And when a spark flies between a beautiful and mysterious Russian and a smooth-talking American showbusinessman, while the other guests dance, drink, eat, and sing, there’s another piece of juicy plot that can be used to distract themselves, and the audience, from the war that’s literally raging outside the hotel windows.

Details: Idiot’s Delight: Not Exactly Theatre for Dummies

Heartbeat of Home

  • Ed Mirvish Theatre (244 Victoria Avenue)
  • 8 p.m.

The producers of Riverdance have spawned yet another on-stage extravaganza. With a talented cast of 38, Heartbeat of Home is a high-energy show, combining Irish, Latin, and Afro-Cuban music and dance. Torontonians get the honour of seeing the production’s North American debut—take it in before it’s gone!

Details: Heartbeat of Home

Avenue Q’s a Cure for the Blues

Princeton, Rod, and Lucy the Slut are some of the characters you'll meet on Avenue Q. Image courtesy of Avenue Q.

Princeton, Rod, and Lucy the Slut are some of the characters you'll meet on Avenue Q. Image courtesy of Avenue Q.

  • Lower Ossington Theatre (100 Ossington Avenue)
  • 8 p.m.

Let’s face it: being a twenty-something can kinda suck. Pumped full of confidence and aspirations, we flee the family nest…and fall flat on our faces. Avenue Q uses songs (written by Robert Lopez and Jeff Marx) and puppetry both to lament and poke fun at this difficult time. Much like Sesame Street, it has a cast made up of human actors who interact with a variety of furry creatures, who themselves have hands up their butts. Think that description is tasteless? This might not be the show for you—these puppets are crude and lewd, and have a taste for alcohol and porn. Don’t say you weren’t warned.

Details: Avenue Q’s a Cure for the Blues

London Road

  • Bluma Appel Theatre (27 Front Street East)
  • 8 p.m.

In 2006, the quiet town of Ipswich, England, was turned upside down by the discovery of five dead women. During this time, playwright Alecky Blythe recorded extensive interviews with the nearby residents. Set to music, these audio clips form the script to London Road, a raw piece of theatre illustrating tragedy’s ability to fortify a community.

Details: London Road

Once On This Island

Chris Sams and Jewelle Blackman star in Once On This Island. Image courtesy of Acting Up Stage Company.

Chris Sams and Jewelle Blackman star in Once On This Island. Image courtesy of Acting Up Stage Company.

  • Daniels Spectrum (585 Dundas Street East)
  • 8 p.m.

The Acting Up Stage Company brings the French Antilles to Toronto audiences with its new musical, Once On This Island. Set to an exuberant Caribbean score, we see the gods test the dark-skinned Ti Moune by sending her on a quest after she falls in love with a higher-class, light-skinned man.

Details: Once On This Island

The Ugly One Plays Both Faces Well

Naomi Wright and Hardee T. Lineham discuss the drastic facial reconfiguration of David Jansen's Lette in Theatre Smash's production of The Ugly One. Photo by James Heaslip.

Naomi Wright and Hardee T. Lineham discuss the drastic facial reconfiguration of David Jansen's Lette in Theatre Smash's production of The Ugly One. Photo by James Heaslip.

  • Tarragon Theatre (30 Bridgman Avenue)
  • 8 p.m.

German theatre has gone over really well in Toronto in recent years. Playwright Roland Schimmelpfennig’s contribution to Volcano Theatre’s Africa project was widely praised, and twinwerks//zwillingswerk’s production of Felicia Zeller’s Kaspar and the Sea of Houses earned the company an outstanding production award at the 2011 SummerWorks (and a trip back to 2012′s festival). Now, Theatre Smash returns with Marius von Mayenburg’s The Ugly One, a clever slice of absurdism that works well on several levels. There’s light humour when the titular character discovers that everyone finds his face repugnant, and darker tones when his new, beautiful face becomes coveted obsessively by those around him.

Details: The Ugly One Plays Both Faces Well

Flesh and Other Fragments of Love: A Rocky Production

Nicole Underhay and Maria del Mar in Flesh and Other Fragments of Love. Photo by Cylla von Tiedemann.

Nicole Underhay and Maria del Mar in Flesh and Other Fragments of Love. Photo by Cylla von Tiedemann.

  • Tarragon Theatre (30 Bridgman Avenue)
  • 8 p.m.

In Tarragon Theatre’s current mainstage production, Flesh and Other Fragments of Love, there are both a marriage and a body on the rocks, and the prognosis isn’t good for either of them. While the human figure appears pale, cold, and lifeless, the marriage is slightly more alive, and the play chronicles its last dying breaths. Surprisingly, though, the young female cadaver is by far the more interesting of the two.

Details: Flesh and Other Fragments of Love: A Rocky Production

Arrabal

Juan Cupini and Micaela Spina star in Arrabal. Photo by Eugenio Mazzinghi.

Juan Cupini and Micaela Spina star in Arrabal. Photo by Eugenio Mazzinghi.

  • Panasonic Theatre (651 Yonge Street)
  • 8 p.m.

Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.

Details: Arrabal

Tribes

  • Berkeley Street Theatre (26 Berkeley Street)
  • 8 p.m.

Even though Billy was born deaf, his family strived to raise him the same way they would have a hearing-able child. Tribes sees him learn what it is to hear and be heard when he meets Sylvia, a young woman who is gradually becoming deaf herself. Presented by A Theatrefront Production, Canadian Stage, and Theatre Aquarius, this emotional play stars Stephen Drabicki and Holly Lewis.

Details: Tribes