The team behind Henri Fabergé’s Feint of Hart brings back many of Boyce Naval Academy’s students and staff for a special holiday staging of “holiday classic” Cock-Up on St. Creskin’s. Headmaster General Lorette and co. will transform “the entirety of Comedy Bar” into a festive open house, with musical accompaniment by members of Dwayne Gretzky, and much more.
Laughable is back at Unlovable, with a new earlier start time (8:30 p.m. sharp), and drink specials until the show’s over. Co-hosts Nick Flanagan and Steph Tolev will welcome guests Ryan Belleville, Sandra Battaglini, Gilson Lubin and more to the intimate stand-up showcase.
The name “Mesopotamia” derives from a Greek term meaning “land between the rivers.” The Royal Ontario Museum’s latest major exhibit, which opens on June 22, takes this literally, as visitors flow between painted representations of the Tigris and Euphrates rivers on the floor.
Presented by the British Museum and rounded out with pieces from institutions in Chicago, Detroit, and Philadelphia, “Mesopotamia: Inventing Our World” covers 3,000 years of human development in the cradle of urban civilization. Most of the 170 artifacts on display have never been shown in Canada.
Since its humble beginnings in the back room of Toronto’s Tranzac club back in 2003, Evil Dead The Musical has steadily risen in infamy as a ridiculously fun, tongue-in-cheek, gore-soaked musical experience. From those earliest shows, the musical has gone on to make an off-broadway debut, to win and be nominated for several Dora awards, and to play in dozens of cities around the world, from Montreal and Vancouver to Tokyo and Madrid. It was high time that the show make a triumphant homecoming to a stage in Toronto, and it finally has, at the Randolph Theatre.
It’s not every day that a media tour opens with the injunction not to photograph “the sex blob,” but so began TIFF’s preview of “David Cronenberg: Evolution,” the organization’s first large-scale touring exhibition (for now, it’s stationed at the TIFF Bell Lightbox’s HSBC Gallery). It’s an exhaustive, stunning look at some of the wildest, most perverse creations of a pioneer of the body-horror genre—who also happens to be Canada’s most internationally renowned filmmaker.
Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art.
The films of Joel and Ethan Coen can be deliriously funny, wickedly macabre, and downright bizarre, often in the span of a single scene. Leading up to the release of their newest effort, Inside Llewyn Davis—a look at the folk scene in ’60s-era Greenwich Village, opening in Toronto on December 20—TIFF is offering audiences a chance to catch up on the duo’s uniformly excellent back catalogue. The ten-film retrospective is called Joel and Ethan Coen: Tall Tales.
The rare retrospective to get a victory lap soon after its first run, TIFF’s recent spotlight on the eighteen acclaimed films from Japan’s much-admired animation studio gets a second lease on life with Spirited Away: The Films of Studio Ghibli. A major hit with families when it showed at TIFF Bell Lightbox last spring, the retrospective returns with some key modifications, including a couple of prized screenings of 1988’s Grave of the Fireflies, which was unavailable for the last round.