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events

Urban Planner: January 24, 2014

In today's Urban Planner: photos of a reggae icon, rock ‘n’ suds, and a roots-rock frontman goes solo.

Bob Marley. Photo by David Burnett.

  • Photography: Photojournalist David Burnett was on assignment in Jamaica in 1976 when he first met Bob Marley and photographed him for Time magazine. A follow-up story a year later for Rolling Stone yielded more shots of the reggae icon, but only a couple of the pics were published. “Bob Marley: Soul Rebel” is an exhibit based around Burnett’s book of the same title, and Burnett will be on hand for a 5 p.m. signing session at the opening, with music by DJ Brett Millius to follow. Analogue Gallery (673 Queen Street West), 5 p.m., FREE. Details
  • Music: Last year’s Big Smoke Festival was a little too successful: the combination of craft beer and buzz-worthy local bands drew packed, noisy crowds, and fest producer Tallboys Craft Beer House ended up with a few irate neighbours. So for the third annual edition, Tallboys has teamed up with live music venue the Garrison to present two nights of rock ‘n’ suds. The afternoons (from 5 p.m. onward) will feature tastings of nine different Ontario brewers (a ticket includes a tasting glass and two drink tickets), and from 9 p.m. onwards both nights, bands like Cai.ro, Army Girls, and Warm Myth will take the stage. The Garrison (1197 Dundas Street West), 5 p.m., $15. Details
  • Music: The frontman of beloved local roots-rock act Great Lake Swimmers, Tony Dekker, plays two intimate solo shows at Helicon Hall. Dekker will be joined by friends during his sets—there’ll be an early show at 7 p.m., and a late show at 9:30 p.m. Heliconian Hall (35 Hazelton Avenue), 7 p.m., $20. Details

Ongoing…

  • Art: Virginia Woolf once remarked that “on or about December 1910, human character changed.” Whether it actually did is debatable, but the curators of “The Great Upheaval: Masterpieces from the Guggenheim Collection 1910–1918” use that year to start their exhibition of works from a tumultuous decade of innovation in European fine art. Art Gallery of Ontario (317 Dundas Street West), all day, $16.50–$25 (includes general admission). Details
  • Film: Jean-Luc Godard’s effort to haul the cinema out of its infancy and into a kind of artistic maturity is the subject of TIFF Cinematheque’s newest and fullest retrospective in some time, a two-season programme entitled Godard Forever, which is intended to span the length of the filmmaker’s remarkable, varied career—from the jazz-infused improvisation of Breathless to the Marxist montage of recent work like Film Socialisme. The first half of that retrospective, a fifteen-film programme dedicated to what most consider Godard’s golden age—the period from 1960′s Breathless to 1967’s apocalyptic, decade-capping Weekend—runs this season, highlighting the period in which Godard famously moulded existing genres like Hollywood gangster pictures and musicals into his own unique creations. TIFF Bell Lightbox (350 King Street West). Details
  • Theatre: Head back in time to 1930s Berlin with the Lower Ossington Theatre’s production of Cabaret, a musical based on the book by Christopher Isherwood. While the Nazis rise to power in the city, the story centres on activities at the seedy Kit Kat Klub and the blossoming relationship between a young English performer and an American writer. Lower Ossington Theatre (100 Ossington Avenue), 8 p.m. Details
  • Art: A week-long visual art and design bonanza taking place at venues across the city, the Toronto Design Offsite Festival features exhibitions, screenings, parties, talks, and tours—all of which showcase “the best in Canadian design.” It’s a not-for-profit festival, so most of the programming is free; you’ll want to check out the festival schedule for a full list of events, locations, and participating artists, companies, and galleries. All day. Details
  • Theatre: Glendon College presents the second stage production to come out of its newly formed drama club, Lionheart Productions Coeur de Lion. Written by Justin Ruttan, Dark Lady: The Musical is a fantastic romp through the life of a drag performer, set to the music of Cher. More than just a theatrical glitterbomb, the story sees the protagonist grapple with loss, love, and self-discovery. Theatre Glendon (2275 Bayview Avenue), 7 p.m., $10, $5 for students. Details
  • Theatre: Every revolution needs a leader. And though the movement to bring the classic 1980s musical Les Misérables back to Toronto is markedly different than the quest for political accountability and social equality, it has its hero just the same. After the official opening performance at the Princess of Wales Theatre, the audience likely would have followed London-based, Richmond Hill-raised performer Ramin Karimloo (as the story’s golden-hearted protagonist, Jean Valjean) anywhere he would lead. Princess of Wales Theatre (300 King Street West), 7:30 p.m., $35–$130. Details
  • Theatre: Cameron and his grandmother share a special tradition: every Thursday night, they escape into the golden age of film together. A musical about unconditional love, The Way Back to Thursday takes us through the changes in this relationship as Cameron grows older and more distant. Theatre Passe Muraille Mainspace (16 Ryerson Avenue), 7:30 p.m., PWYC-$32.50 + HST. Details
  • Theatre: What do you get when you combine Mozart and Atom Egoyan? Così fan tutte, a wryly comedic opera. Also known as The School For Lovers, it sees two couples struggle with issues of faith, desire, and temptation. The Canadian Opera Company welcomes the return of Egoyan, who will be directing this winter season opener. Four Seasons Centre for the Performing Arts (145 Queen Street West), 7:30 p.m., $24-$365. Details
  • Theatre: You can surmise a couple of things from the title of Stewart Lemoine’s play, receiving its Toronto debut 18 years after its Edmonton premiere. Like The Exquisite Hour, which producing company the Theatre Department launched with in 2012, Pith! is not much more than a hour—brevity being the soul of wit, after all. Pithy does in part mean concise, but “pith”? Well, it can mean “the essence,” and this play is concerned with getting to the essence of play, and by extension, a play.

    Jack Vail (Ron Pederson) is a sailor and adventurer who, on a whim, decides to see what sort of adventures can be had in Providence, Rhode Island, in the summer of 1931. He’s just disembarked from a long sea voyage, and craves more genteel company, which he decides he’ll find at a Sunday church service and social. His attention is quickly drawn to a woman in mourning cloth and to her slightly less subdued companion, whom he finds sobbing over a plate of pie outside after the service. She introduces herself as Ms. Nancy Kimble (Amy Matysio), and shares the sad tale of her employer Mrs. Virginia Tillford (Daniela Vlaskalic), who has held out hope for a decade that her husband will return from a trip to South America, where he vanished. Theatre Passe Muraille Backspace (16 Ryerson Avenue), 7:30 p.m., PWYC–$20. Details

  • Dance: The producers of Riverdance have spawned yet another on-stage extravaganza. With a talented cast of 38, Heartbeat of Home is a high-energy show, combining Irish, Latin, and Afro-Cuban music and dance. Torontonians get the honour of seeing the production’s North American debut—take it in before it’s gone! Ed Mirvish Theatre (244 Victoria Avenue), 8 p.m., $35-$130. Details
  • Theatre: Rarely Pure Theatre brings Shakespeare’s As You Like It to the Storefront Theatre, one of the city’s new alternative presentation spaces. The company gives the story, which sees love and friendship complicated by sexual tension and gender confusion, a distinctly Canadian twist by moving the action to a wintery wonderland. The Storefront Theatre (955 Bloor Street West), 8 p.m., $20, $15 students/seniors/arts workers. Details
  • Performing Arts: There’s a lot going on in this city, but we bet this is the only clown and chamber music fusion event you’ll find. Arlecchino Allegro, a cabaret presented by the Toronto Masque Theatre, is best described as “a glittering musical fête gone awry.” Exploring themes of love, laughter, and celebration, the show is a peculiar but amusing mixture of improv, clowns, dance, and music. Enoch Turner Schoolhouse (106 Trinity Street), 8 p.m., $45, $40 for seniors, $20 for those under 30. Details
  • Theatre: Let’s face it: being a twenty-something can kinda suck. Pumped full of confidence and aspirations, we flee the family nest…and fall flat on our faces. Avenue Q uses songs (written by Robert Lopez and Jeff Marx) and puppetry both to lament and poke fun at this difficult time. Much like Sesame Street, it has a cast made up of human actors who interact with a variety of furry creatures, who themselves have hands up their butts. Think that description is tasteless? This might not be the show for you—these puppets are crude and lewd, and have a taste for alcohol and porn. Don’t say you weren’t warned. Lower Ossington Theatre (100 Ossington Avenue), 8 p.m., $49-$59. Details
  • Theatre: With a minimalistic set, some vintage guitars, and a rock n’ roll soundtrack, Deanna Jones takes on the persona of one of music’s most notorious figures. Humourous and introspective, The Keith Richards One Woman Show leads audiences through the highs and lows of the Rolling Stones guitarist’s often ridiculous life. Fixt Point Studio (1550 Queen Street West), 8 p.m., $15. Details
  • Theatre: In 2006, the quiet town of Ipswich, England, was turned upside down by the discovery of five dead women. During this time, playwright Alecky Blythe recorded extensive interviews with the nearby residents. Set to music, these audio clips form the script to London Road, a raw piece of theatre illustrating tragedy’s ability to fortify a community. Bluma Appel Theatre (27 Front Street East), 8 p.m., $24-$99. Details
  • Theatre: The Acting Up Stage Company brings the French Antilles to Toronto audiences with its new musical, Once On This Island. Set to an exuberant Caribbean score, we see the gods test the dark-skinned Ti Moune by sending her on a quest after she falls in love with a higher-class, light-skinned man. Daniels Spectrum (585 Dundas Street East), 8 p.m., $30-$50. Details
  • Theatre: German theatre has gone over really well in Toronto in recent years. Playwright Roland Schimmelpfennig’s contribution to Volcano Theatre’s Africa project was widely praised, and twinwerks//zwillingswerk’s production of Felicia Zeller’s Kaspar and the Sea of Houses earned the company an outstanding production award at the 2011 SummerWorks (and a trip back to 2012′s festival). Now, Theatre Smash returns with Marius von Mayenburg’s The Ugly One, a clever slice of absurdism that works well on several levels. There’s light humour when the titular character discovers that everyone finds his face repugnant, and darker tones when his new, beautiful face becomes coveted obsessively by those around him. Tarragon Theatre (30 Bridgman Avenue), 8 p.m., $13–$53. Details
  • Theatre: In Tarragon Theatre’s current mainstage production, Flesh and Other Fragments of Love, there are both a marriage and a body on the rocks, and the prognosis isn’t good for either of them. While the human figure appears pale, cold, and lifeless, the marriage is slightly more alive, and the play chronicles its last dying breaths. Surprisingly, though, the young female cadaver is by far the more interesting of the two. Tarragon Theatre (30 Bridgman Avenue), 8 p.m., $21 to $53. Details

Happening soon:

Urban Planner is Torontoist‘s guide to what’s on in Toronto, published every weekday morning, and in a weekend edition Friday afternoons. If you have an event you’d like considered, email us with all the details (including images, if you’ve got any), ideally at least a week in advance.

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