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Televisualist: Line and Mars and Battlestar

Each week, Torontoist examines the upcoming TV listings and makes note of programs that are entertaining, informative, and of quality. Or, alternately, none of those. The result: Televisualist.
televisualist82.jpg

Monday

Ever since HBO Canada made it harder for TMN to fill out the television portion of their schedule, people have been hoping that maybe the channel could start producing “HBO-quality” Canadian-made shows. (Of course, this ignores the fact that Arli$$ and John From Cincinatti were HBO shows, but whatever.) The Line is the channel’s first serious attempt at homegrown television in the HBO mold, but…it feels like the show’s producers wanted to make “The Wire, but in Toronto!” Which, well, that’s what it is. Canadian television executives want to make HBO-quality shows without the HBO-quality budget, which is why The Line has almost embarrassingly bad audio at times (you can almost hear the white person in the background saying, “And now we need a rap song here!”), extremely uneven performances, and a weird, non-organic mix of comedy and drama throughout the first few episodes. There are certainly good performances scattered through this mess (especially Wes “Used To Be Maestro Fresh-Wes” Williams as a truly bad-ass drug dealer), but the key word is “scattered.” Torontoist feels bad panning it, because this is the sort of thing we genuinely want to see succeed, but…just because we want it to be good doesn’t mean that it is, you know? (TMN, 10 p.m.)
The History Channel has something called “Death Or Canada,” which just makes us think of that Eddie Izzard bit about cake. Presumably it is not the same thing, because this show is two hours long and probably very serious in some way. (8 p.m.)

Tuesday

Peachtree airs Star Trek: Insurrection, presumably because everybody saw the new trailer for the J.J. Abrams Trek movie and it was just too awesome to handle, so they cleverly chose to calm everybody down by airing the one where Riker shaves his beard, Worf gets a zit, F. Murray Abraham is the villain, and Picard is saved by the power of love or something like that. Like most Trek films, it seems like an episode of the show rather than a movie. Hopefully Abrams understands that, when one goes to see a Star Trek film, one goes to see a bazillion starships blowing the crap up out of each other. Right? (8 p.m.)
Paris Hilton’s British Best Friend. …No, no, not going to talk about it, thanks. (MuchMusic, 8 p.m.)

Wednesday

Life on Mars got cancelled, so “enjoy” the acting talents of Jason O’Mara while you can! And if anybody ever figures out why they felt the need to remake the British series, please explain it to us. It probably would have been cheaper to re-air the sixteen episodes of the two British seasons, and more people would have watched it. (Global, 10 p.m.)
ABC may have lost Life on Mars, but waiting in the wings? Better Off Ted, which they want people to think is like The Office, but in fact is absolutely nothing like The Office, because it is about a guy running the mad-science division of a giant soulless company named Veridian Dynamics. If you can get past this shameless bit of dishonest marketing, the show actually looks somewhat promising; the jokes in the pilot are a bit hit-and-miss, but they’re mostly more hit than miss. (“We want to weaponize a pumpkin.” “Then so do I!”) Plus, the actors are all game, and it has Portia de Rossi in it, and we have been waiting for Portia to get a new gig since Arrested Development got cancelled, and she does not disappoint. (ABC, 8:30 p.m.)

Thursday

CBC’s Doc Zone airs “The Great Food Revolution: The Battle To Get On Your Plate,” which presumably is about food policy and nutrition in some way, but it’s not even up on the Ceeb’s website so we can’t actually be sure. Way to advertise your potentially interesting television show, CBC! (8 p.m.)
The Simpsons rerun of the week: “$pringfield,” wherein Mr. Burns opens a casino and Marge discovers her (frequently later referenced) gambling addiction. “No, Lisa, you’re not a monster. The only monster here is the gambling monster that has enslaved your mother, and I call him Gamblor! We must save your mother from his neon claws!” (CFMT, 7:30 p.m.)

Friday

The last ever Battlestar Galactica and after last week’s episode? Well, we still can’t be sure whether or not humanity will survive, but it looks like there’s pretty good odds that the last ever episode of Battlestar Galactica will feature a whole shit-ton of space battle explosions, and you can’t go wrong with that. You see, Star Trek? This is how you do it. Incidentally, in addition to the final episode tonight, Space is also playing a “Finale Special” immediately before it, as well as running a mini-marathon of the second half of the final season all afternoon. (Marathon begins at 11 a.m., Finale Special at 8 p.m., actual finale at 9 p.m.)
Teletoon airs Gremlins 2: The New Batch, which is a great movie that doesn’t see enough play. But come on, if you’re the sort of person to appreciate Gremlins 2, you’re just gonna be watching Battlestar anyway. (9:30 p.m.)

Comments

  • http://null Greg Clow

    You must not have looked very carefully on the CBC site for info on “The Great Food Revolution”. I went to http://www.cbc.ca/television/ and clicked on “Thursday”, and there was a big-ass link to http://www.cbc.ca/documentaries/greatfoodrevolution/
    And yes, it looks very interesting.

  • http://null Ben

    Hopefully Abrams understands that, when one goes to see a Star Trek film, one goes to see a bazillion starships blowing the crap up out of each other.

    Star Trek isn’t supposed to be about explosions in space. The movies always failed because they tried to be space+action, not because there wasn’t enough space+action.
    Regardless of how many explosions there are in the new Star Trek, it will be horrible. Generally movies which strive for a high number of explosions aren’t any good. e.g. Die Hard 4 vs. Die Hard.
    Having seen the trailer, wherein a young Kirk drives a car off a cliff, it looks to me like the new Star Trek will be something like Transformers set in space.

  • http://undefined Miles Storey

    When does the new Canadian export The Listener start? I’ve seen the pilot and it kinda sucks, but then I don’t like Flashpoint either, though there’s obviously a lot more money in that.
    Last week I saw a 70s film called The Silent Partner with Elliot Gould and Chistopher Plummer. It was set in Toronto for no other reason than it was set in Toronto. A lot of scenes were shot in the then just opened Eaton Centre. The strangest scene was towards the end, exiting the Eaton Centre by the scaffolded church of the holy trinity, there was nothing all the way to the City Hall, where now there’s that big lump of an office building. Looked great.

  • http://null Ilan

    If I were to make a show about Toronto I would make it about things that happen in Toronto that we know about. This is why the Elephant Show (NOT SKINAMARINK TV THANK YOU VERY MUCH) was so hot, it was like, stuff you’d do as a kid – play soccer at Christie Pits, buy stuff at Kensington, dig for treasure on Toronto Island. So if you’re making a Toronto The Wire make it about the f’cking mall-cop security guards we see harassing people, about the homeless guy whose story doesn’t get told, and FFS base it on some ACTUAL JOURNALISM. And Clark Johnson is right in town anyway. He directed the pilot and the finale of the honest-to-goodness Wire. Ask him!
    Doesn’t sound like The Line is the droid we’re looking for, and our princess is in another castle. It’s sad to pass judgement on things that should be awesome. It’s like how I felt when they made Hypernauts and the CG Voltron – Netter “Babylon 5″ Digital and giant robots? TOO BAD YOU FORGOT NOT TO SUCK! Sigh.
    Anyway, good catch on The New Batch and I’m very excited for the Galactica finale. Bummed that the Fox Theatre screening got axed by Syfy Copyright (syyyyfyyyyyyyyyyy).
    And Life “Meet John Simm, he rules your face” On Mars is such a good show. So was State “John Simm continues to rule, except it was made first” Of Play. These shows had great concepts, sure, but they also worked because of the casting, the chemistry, the cadence of their stories and performances. Simply doing a mad-lib transcription substituting Americanisms for the various Englishnesses is… well, it’s hardly sporting. I’m sad that we didn’t get more really good Life On Mars (though Ashes to Ashes continues apace!), and I’m concerned that the film version of State of Play (Affleck! Crowe! Rachael McAdams!) may fall down.
    …clearly I had too much on my mind. Anyway, Insurrection was supposed to suck ’cause it was an odd numbered movie, but it was bad enough that it made Nemesis suck even though it was even. And yet it was still nowhere near as bad as Generations. Which should have been called… I can’t even think of what it should have been called. But I hate it.

  • http://fleischmarket.blogspot.com/ David Fleischer

    Gremlins 2 is a classic.
    It might be the first major Hollywood movie to go all meta and confuse people, long before there were blogs on which people could talk about how meta things are.
    Plus, it has a Hulk Hogan cameo.

  • http://undefined rek

    I’m watching the Listener pilot ep right now and it’s overflowing with Toronto. Higher production value than I expected. Torontoist otta do a piece on the show.

  • http://www.publicspace.ca Jonathan Goldsbie

    “The Line is the channel’s first serious attempt at homegrown television in the HBO mold
    What about Slings and Arrows?