If you like searching for old things (and we know you do), be sure to drop in on the inaugural Leslieville Flea. At this flea market you’ll be able to find vintage items, antiques, art, photography, and much more to satisfy your antiquarius needs. It’ll run every third Sunday of the month going forward.
It’s hard to believe, but if North by Northeast was a person, it would be old enough to drink this year. The festival, which started out 19 years ago as a pale imitation of Austin’s South by Southwest, is now a force to be reckoned with in its own right. It’s a place where up-and-coming acts from around the world come to get noticed. It also provides a few of Toronto’s best free concerts in any given year, lined up back-to-back.
Every year, we come out of NXNE with a new favourite band that we refuse to shut up about for the rest of the summer. The only problem is, finding that new favourite band involves sorting through literally hundreds of contenders. We’ve managed to come up with a totally subjective list of acts worth seeing, broken down by genre, to help you separate the wheat from the chaff.
Here are a few key tips that apply to fans of all genres.
Looking to brush up your cultural and history knowledge on all things Toronto? Heritage Toronto 2013 Tours offers you an enormous chance to learn tons and tons about the city you love via walking tours, bike tours, and more. Some of the events on the agenda of this weekly series include tours of Fort York, Korea Town, Don Valley, and Black Creek. It’s running all summer long so don’t miss out!
Theatre, Dance, Opera, Music, Magic, and so much more; the 2013 edition of the Luminato Festival has something for just about everyone. You can read our preview coverage, or keep track of our ongoing coverage right here.
Cats is a challenging musical to stage for a number of reasons. The narrative is thin and strange; the lyrics are drawn primarily from T.S. Eliot’s poetry collection Old Possum’s Book Of Practical Cats, with more borrowed from some other Eliot poems, “Rhapsody on a Windy Night” (which original director Trevor Nunn adapted into the song “Memory”) and “Moments of Happiness.” The result is not so much a story as ideas and character sketches. Old Deuteronomy, patriarch of the Jellicle Cats, calls the creatures together once a year to celebrate, and for one cat to be chosen to ascend to the Heaviside Layer (essentially, to die and be reincarnated). Most of the songs detail the adventures and virtues of a single cat in particular, essentially serving as that cat’s audition for the honour of ascension.
There are a lot of chefs in the kitchen for the Canadian premiere of Sarah Ruhl’s Passion Play, a triptych set in three time periods that tells the stories of amateur actors (played by real actors) involved in staging performances of the story of Christ. Three different Toronto independent theatre companies, all with reputations for innovative staging and creation in their past work, each tackle one of the three acts. Ordinarily, such a complicated arrangement would be to a show’s detriment, but not in this case. While you need to be prepared for a marathon of theatre (the show runs four hours, incluing two intermissions), you’re certainly going to get your money’s worth.
It’s a sure sign of summer when theatre productions start popping up in green spaces across Toronto. Launching into their eighth season, Bard in the Park is happy to present The Merry Wives of Windsor. In this Shakespearean comedy, the vain, yet cowardly, knight Sir Falstaff attempts to pursue two wealthy women in hopes of financial gain. Embarrassment ensues.
Even if you aren’t familiar with the opera Carmen, chances are you’re familiar with at least some of its score (if you are, chances are equally strong that you’ll have a difficult time getting this melody out of your head today). Though initially a flop when it debuted in 1875, Carmen went on to enjoy critical acclaim and has since become one of the most performed operas of all time. It’s now omnipresent in popular culture.
When Miguel Puga first spoke after performing a couple of introductory card tricks, it was in part to apologize for his broken English. The Spaniard, known also as MagoMigue (yes, that’s pretty much Spanish for Magic Mike), may not have the greatest command of the language, but he then proceeded to prove his assertion, as trite as it may sound, that magic possesses a universal power that can transcend ordinary communication. Blessed with a naturally funny presence and an undeniable gift for showmanship, Puga’s expert card manipulations were every bit as impressive as the apparent telepathic abilities he put to good effect on more than one occasion.
Ronnie Burkett has solidified his reputation as Canada’s premiere solo puppeteer with complex full-length plays, like the Memory Dress Trilogy, or last year’s “apocalyptic comedy” Penny Plain. So it’s a rare treat to see him cut loose and perform The Daisy Theatre. It’s a free-wheeling show that’s different each night, with audience participation, special guests, and some new marionettes and stage trappings paid for out of Luminato’s coffers.
Jason Collett’s Basement Revue has long been a local hot ticket for those with an interest in what the lanky musician and his Broken Social Scene pals are up to—with a generous mix of other literary, theatrical, and cultural talents mixed in. The nightly late-night Luminato edition, the Courtyard Revue, staged in the lobby of Canadian Stage’s Berkeley Street Theatre (and spilling out into the open-air courtyard), is offering more of Collett and co-producer Damian Rogers’ carefully selected programming. The difference, however, is that, with a larger venue and profile due to Luminato, some of the acts look to be more than one-night-only tryouts.