To commemorate the 200th anniversary of the Battle of York, the City of Toronto and the Canadian Armed Forces are hosting a number of different events to help honour those who lost their lives. Among the lineup are a concert, readings, a play called “The Capitulation of York”, and a huge military parade that cannot be missed. Click here for a full list of the day’s events.
How are those knees doing? The CN Tower Climb invites you to take them for a workout and participate in this annual fundraising event. Yes, there are a lot of stairs but honestly, it’s much easier than it looks. Plus, you can feel good knowing that the money raised is going to the World Wildlife Fund. Start training! The public climb is Saturday; there’s also a team event two days prior, on Thursday, April 25. Check in at Gate 8 at the Rogers Centre.
Now’s your chance to get in on the DIY culture that’s been booming these past few years. SHE SAID BOOM: Feminist Zine Making Symposium is a multi-day event that culminates with a zine-making workshop (where you’ll learn the ins and outs of creating a zine) to collaboratively create a feminist zine. Following the day of creating and workshops, there’ll be a launch and dance party with performances and readings (and a chance to buy said zine).
PULP, in case you haven’t heard of it, is a paper playground where anyone can do artsy things to the walls. It makes sense then that they are holding a paper art party (with over 20 paper artists) where you can let your creative self run free. Featuring an appearance from the Lemon Bucket Orkestra! Proceeds from the event will go towards Architecture For Humanity Toronto and future projects by PULP: Reclaimed Materials Art and Design.
Brian Mifsud, a Toronto actor and filmmaker is screening his first film called A Man is a Man is a Man. The film is a comedy that explores the theme declared in its title and shows that a man is a man no matter the colour of his skin. The screening will also be following by a Q&A by the cast and crew.
When’s the last time you attempted to reconceptualize the dimensions of space? If it’s been a while, you might consider checking out a new exhibition called I Thought There Were Limits, which aims to do just that. This particular exhibit is unique in that the artwork forms a relationship with the site itself (in this case, the Justina M. Barnicke Gallery). The work on display is brought to you by curator Julia Abraham (as part of the MVS degree in Curatorial Studies at the University of Toronto). The artists include Karen Henderson, Yam Lau, Gordon Lebredt, Kika Thorne, and Josh Thorpe.
For someone well known for her expressive and awwww-inducing drawings of pugs, U.K.-based illustrator Gemma Correll came to her love of the animal late. “I was always a cat person growing up, so I think the pug was like my gateway dog,” she said at Magic Pony, an art and design shop on Queen West that is currently hosting The Mr. Pickles Fan Club, the first Canadian exhibition of her work.
Spring in Toronto is marked by an influx of bikes on the streets, people returning to our parks, and, of course, the Hot Docs festival.
While the weather has so far not fully cooperated with the first two of those activities, rain and cold weather aren’t a hindrance to catching some world-class documentaries. The festival turns 20 this year, but a quarter-life crisis is nowhere in sight. The largest non-fiction film shindig in North America continues to impress, with 205 documentaries screening over 10 days, including 44 world premieres, and films from 43 countries. It’s a lot, but we’re here to help!
On Thursday, the Gladstone Hotel kicked off Grow Op, a four-day-long expo of 26 art installations intended to challenge the way visitors think about public spaces. This marks the event’s inaugural year, though the hotel intends to make it an annual thing.
In 1897, Austrian playwright Arthur Schnitzler wrote a play so scandalous that at first he only shared it among his friends. It wasn’t publicly staged until 1920 and, unsurprisingly, it caused an uproar. The ruffled feathers had to do with La Ronde‘s frank discussion of sexual relationships—in particular, those between members of different social classes. But while the acts themselves were originally left up to the audience’s imagination, Soulpepper Theatre’s current, modernized adaptation goes all the way with its sex scenes.
Real-life mother and son, Asha and Ravi Jain, share the stage to tell their true, amusing story of cultural and generational clash in A Brimful of Asha. While on a trip to India, Ravi’s parents decide it’s time to introduce him to potential brides, despite his lack of desire to get married.
Sam Shepard’s plays are famously all about man as a caged animal, prowling and brooding around his enclosure (usually a North American domicile), eventually tearing it apart like an untrained puppy suffering from separation anxiety. He is a man’s man’s writer, the lone wolf in the wilderness that so many young males fantasize about—even, it often seems, Shepard himself.
As his most famous work, one of Shepard’s Family Trilogy, True West is a great example: two brothers, Hollywood screenwriter Austin (Mike Ross) and the petty-thieving vagabond Lee (Stuart Hughes), somehow end up house-sitting for their mother while she’s on vacation in Alaska (though only Austin was asked to do so). It’s clear in the script that both men make solo trips outside the walls of their mother’s suburban home, but we never see them apart from each other. That’s because Lee and Austin are two halves of the same man. In fact, it’s common for the two main actors to alternate the roles throughout a run of the show.
If there’s one thing that’s particularly impressive about Second City’s new mainstage show, The Meme-ing of Life, it’s how well balanced it is.
As the title implies, Meme-ing is nominally a show about the internet, and certainly there is a fair bit of internet-centric humour. (One sketch, about a boy who falls into a YouTube-induced coma that can only be cured by reading, is particularly on point.) That said, it isn’t just a series of jokes about cat videos. Instead, it’s a well-thought-out show that manages to offer something for pretty much everyone, without stretching itself too thin.
Belgian-Portuguese dance duo Pieter Ampe and Guilherme Garrido explore the nature of male friendship in the World Stage production of Still Standing You. Pushing themselves to their physical limits, they use their bodies to illustrate notions of touch, tenderness, violence, and struggle. Please note that the show contains full frontal nudity.
Hatch is back! For those not in the know, Hatch is the Harbourfront Centre’s annual performing arts residency, showcasing works by artists from around the city. This year’s event features exhibitions that explore the moments before and after a photograph, talk politics with LGBTQ folks in their honeymoon suite, and more, all month long. Events take place in the Studio Theatre.
Falsettos, a groundbreaking and Tony Award–winning musical, comes to town for a short run, presented by The Acting Up Stage Company. The story takes us to New York City in 1979, where the Sexual Revolution is hot, AIDS is on the rise, and Marvin, a husband and father, has decided to leave his family for a man. Directed by Robert McQueen and starring Darrin Baker, Sara-Jeanne Hosie, Sarah Gibbons, Michael Levinson, Eric Morin, Stephen Patterson, and Glynis Ranney.
There are few playwrights whose names can double as adjectives (think “Shakespearean,” or “Beckettian”). But Race, now on at Canadian Stage, makes us want to coin a new one of those words. That’s because of the opening scene, where a black lawyer named Henry Brown addresses a white man with the line “You want to tell me about Black folks?” while leaning back in his office chair at the end of a long boardroom table. It’s distinctly Mamettian.
The American playwright David Mamet is known as much for his portrayal of fast-talking, morally ambiguous businessmen as he is for “Mamet speak,” his unique style of verbose, curse-filled, overlapping dialogue or long-winded speeches. His 2010 script Race is no different—in fact, it might be his most Mamettian to date. It certainly doesn’t beat around the bush when it comes to its subject matter (as the title suggests). Discourse surrounding race, privilege, language, and cultural history consumes the entire play.
Edward Roy and Gavin Crawford star as two 50-something spinster sisters in the gender bending A Few Brittle Leaves. Residing in a suburb of London, Viola and Penelope are faced with the inevitability of aging and the question of whether to abandon their search for love. That is, until the new vicar comes to town and turns their world upside down.
David Yee examines life’s interconnectivity in Carried Away on the Crest of a Wave. The play follows an escort in Thailand, a housewife in Utah, and a Catholic priest in India, and how their lives are simultaneously brought together and torn apart by the 2004 Indian Ocean tsunami.
Classic comedy series Theatresports is back for another season of improv hilarity. Now in its 30th year, this comedy tournament continues the tradition of allowing the audience members to choose the content of the scene and letting them judge the results; finals will be held at the end of May. Among the planned guests are comedic greats including Lisa Merchant and Craig Anderson (Canadian Comedy Award winners), Kerry Griffin (Second City alum), and many more.
Emily Pearlman and Nicolas Di Gaetano of Mi Casa Theatre, in town for a week to do some filming with the proprietors of Videofag, are capping their visit with a two-night stand of their vaudeville show Live From The Belly of A Whale: A Concert With Stories. It’s the Ottawa-based pair’s first performance back in Toronto since their 2010 SummerWorks show Countries Shaped Like Stars, which ranked among our very favourite things at that fest.