Archive for 'Robin Hatch'
Ward's Island native Ivy Mairi's soulful voice rings strong on her second release.
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Robin Hatch
An entertaining mix of folk and rock, the Wooden Sky's newest effort is chock full of thoughtful lyrics, and catchy melodies.
By
Robin Hatch
Local rockers wax nostalgic for New Wave in their shameless dream-pop tribute to Scarborough.
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Robin Hatch
We're still wishing for a full-length album, but in the meantime this 7-inch release is pretty great.
By
Robin Hatch
Local folk rockers Fort York crank out country fun on their first full-length LP.
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Robin Hatch
Christopher Stopa, co-owner of Bakerbots Baking, was surprised when a demo he recorded a decade ago went viral as a "Lost Radiohead Track."
By
Robin Hatch
Local comedian Gregory Cochrane gets serious about '90s alternative rock on the first full-length release from his latest project.
By
Robin Hatch
It took moving to the UK for formerly local songwriter Cold Specks to win the hearts of Canadians with her debut seven-inch, "Holland."
By
Robin Hatch
The Kingston band's latest LP is an eclectic mix of Canadiana sounds, with a hint of electronica.
By
Robin Hatch
Old Spice spokesperson Isaiah Mustafa graced our humble city with his presence today, for a meet-and-greet at the Eaton Centre.
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Robin Hatch • Photo by Lodoe-Laura Haines-Wangda
Bry Webb's debut solo album has all the makings of a Canadian indie classic.
By
Robin Hatch
Listeners can vote online for the sixth annual CanCon-heavy music awards.
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Robin Hatch • Photo by Corbin Smith
The Darcys combines the best parts of '90s alternative rock and Canadian indie shoegaze in one of Arts and Crafts' best releases to date.
By
Robin Hatch
Prince Perry's new full-length is a fun, relaxing, and self-aware celebration of both classic reggae and third-wave ska.
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Robin Hatch
The latest Cuff the Duke LP regenerates an early-1950s country aesthetic, combined with the best parts of 1990s Canadiana.
By
Robin Hatch
The latest release from Toronto's Muskox succeeds at fusing progressive rock, jazz, and folk music through accentuated use of the banjo.
By
Robin Hatch
By
Robin Hatch
By
Robin Hatch
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