Results tagged “torontointernationalfilmfestival”

The Toronto International Film Festival Group's "other" film festival, Sprockets—an international film festival for children—has put out a call for young cinephiles and filmmakers to get involved in the twelfth annual film festival (which is to run from April 18th to 24th) with submissions for the Jump Cuts Young Filmmakers Showcase and applications to join the Sprockets Young People's Juries now being accepted. Jump Cuts offers Ontario filmmakers in grades three through twelve the opportunity to have their films shown on the big screen, and the Young People's Juries choose the festival award winners, so if you know a young film fan who'd be interested in either, head along to the Sprockets website for full details.

WORDS: Breaking Dawn, the final installment of author Stephenie Meyer's vampire/romance book series Twilight, is being released at midnight. A masquerade-themed party at Indigo this evening celebrates the book launch, with Breaking Dawn-inspired activities, music, and prizes for the best costume. Plus, you get to buy the book—which will certainly suck—as soon as it goes on sale at 12:01 a.m. Indigo Books (55 Bloor Street West), 8:00 p.m., FREE.

It’s almost time for the Toronto International Film Festival for Children, Sprockets (it runs this year from April 12th to 18th) and the complete line-up of films has been announced. Once again this year all film journalists will find it impossible to mention the festival without bringing up Mike Myers (after all, it’s was one of the best SNL sketches ever, really) but far more relevantly, this year Sprockets features 68 films from 26 countries in 15 languages, maintaining its position as one of the most amazing opportunities for children from ages as young as three to connect with the visual language of other cultures.

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the model used by Cinematheque Ontario.

Waves eroding the tip of the Toronto Islands. A project to keep it from eroding will cost around $14 million, thus reminding us all once again that attempting to combat the effects of Mother Nature is a horribly costly experience, as anybody who has ever bought a jar of Oil of Olay knows full well.

We’re going to take a break from our usual Torontoist style in this post because the passing of John Harkness, the film critic for Now magazine since its inception in 1981, is something that has particular importance for me. As the writer of Torontoist's weekly “Film Friday” column, which, as you know, very often quotes the reviews from local critics, I have probably quoted John Harkness more than anyone.

Every November and December, a handful of current and former Toronto International Film Festival employees make the trek to the United Arab Emirates to help run the Dubai International Film Festival. Its fourth year having wrapped up on Sunday, DIFF—like most everything else about Dubai—is an experiment in accelerated postmodernization, an attempt to create a world-class film festival (this year's opening movie was Michael Clayton, with George Clooney in attendance) from scratch.

The Toronto International Film Festival Group announced their top ten Canadian features for 2007 last night, along with (for the first time) their top ten list of Canadian short films. The top ten Canadian features were: L’âge Des Ténèbres (Denys Arcand), Amal (Richie Mehta), Continental, Un Film Sans Fusil (Stéphane Lafleur), Eastern Promises (David Cronenberg), Fugitive Pieces (Jeremy Podeswa) , My Winnipeg (Guy Maddin), A Promise To The Dead: The Exile Journey Of Ariel...

Atonement played this year at the Toronto International Film Festival, where we didn’t have a chance to review it (along with 250-odd other films) but, for five lucky readers that won’t matter, as we’re giving away five double passes for a promotional screening of Atonement on Wednesday December 5th at 7 p.m. at the SilverCity Yonge and Eglinton, before it opens in theaters on Friday December 7th.

It’s not been a week since the Toronto International Film Festival left us, and this week’s new releases make it hard for us to move on despite a couple of TIFF premieres leading the way.

Today’s Contest:

Photo by Blainekendall.com from the Torontoist Flickr Pool.

We’re pleased to announce that we’ve teamed up with the Toronto International Film Festival Group to run a contest each day until the end of the festival for tickets to next-day screenings.

Photo by TerraS.

Our most anticipated part of the Toronto International Film Festival’s new Future Projections programme, the Into the Pixel exhibition, had its opening reception last night at the at the Ontario College of Art & Design's Great Hall, where it will remain until the end of the festival.

A 13-year-old boy at St. Mary's Catholic Secondary School in Toronto was arrested after he was found to be carrying an illegal 200,000 volt stun gun in his backpack.The Star quotes school board chair Oliver Carroll as saying that "everyone was shocked." Presumably Carroll was not speaking literally.

It begins! Tonight the Toronto International Film Festival opens officially with Jeremy Podeswa’s Fugitive Pieces, so if you want to start soaking up the atmosphere of the festival head down to Roy Thompson Hall before 8 p.m.

Well, this is it. The Toronto International Film Festival begins tomorrow, and this is the last of our previews, with coverage of Vanguard films Boy A (pictured above) and Help Me Eros from Jonathan Goldsbie and Mathew Kumar, and reviews of a selection of Short Cuts Canada shorts from Mathew Kumar (in which he has the audacity to hand out a 0/5).

With this year's Toronto International Film Festival kicking into high gear, it seems appropriate to look back to the advertising for its tenth edition, back in the days when it was known as the Festival of Festivals.

If you missed it, yesterday our Toronto International Film Festival preview began with a look at the Gala and Contemporary World Cinema programmes, and if you didn’t know, tickets go on sale tomorrow morning online, at 416-968-FILM or 1-877-968-FILM and at the TIFFG Box Office at the Manulife Centre, 55 Bloor Street—so after you’ve read this, you might want to start queuing.

Our Toronto International Film Festival preview coverage is a little different this year. While last year, our reviews came from our film editor, this year we were lucky enough to have our reviews come from many of our Torontoist writers. Today we have our Gala Presentation and Contemporary World Cinema preview, with reviews of Emotional Arithmetic, Jane Austen Book Club, Sleuth, The Band’s Visit, Breakfast With Scot, The Counterfeiters and Jar City from Christopher Bird, Beth Bohnert, Jonathan Goldsbie, Kevin McBride, Marco Moldes and Johnnie Walker, with Christopher Bird awarding our first 5/5 mark of the festival to The Counterfeiters (pictured above).

It’s always strange to write a Film Friday column in the week before the Toronto International Film Festival, since by this point it’s hard to think about anything else. We’ll be previewing the festival on Monday, so be sure to check back if you can’t think of anything else, either. In the meantime, have you had a chance to enter our Canadian Retrospective contest? You could win one Canadian Retrospective ticket package containing tickets for six screenings featuring nine Michel Brault films. It closes on Sunday!

The arduous, lengthy, and expensive quest to name the Bell Festival Centre is over. The Star described the process for finding a new moniker for the home of the Toronto International Film Festival Group in dramatic terms: "[it] has gone on for years," wrote Martin Knelman, "involving high-priced consulting firms and a committee of board members and gurus, climaxing with a think-tank meeting at a retreat in Cambridge, Ont."

As you surely know, the Toronto International Film Festival is rapidly approaching, now just ten days away. The Toronto International Film Festival Group have offered us one Canadian Retrospective ticket package to give away to a lucky winner––a $65 dollar value containing tickets for six screenings featuring nine Michel Brault films.

Continuing his love affair with Toronto, American horror king George A. Romero will be stopping by the Bloor Cinema this coming Sunday to answer some audience questions and offer a sneak peek at his upcoming Diary of the Dead. The legendary director, who may not have actually invented zombies, is still single-handedly responsible for the modern portrayal of the cinematic undead. Filmed in Toronto (like its predecessor, Land of the Dead), and premiering September 8 at the Toronto International Film Festival, Diary looks to be a promising addition to Romero's renowned series of zombie films from the photos posted earlier this week. Sunday night's chat, hosted by the fine folks at Rue Morgue, will cost $25 at the door or $20 in advance; it'll be a good bet to get out early.

Toronto came in 5th in the livability survey of the Economist Intelligence Unit, behind Vancouver, Melbourne, Vienna and Perth. While we can rightfully be proud of our score, it's kind of like being one of the kids who sits in the front of the room near the teacher while all the cool kids like New York and London are having a lot more fun down in the 40s and 50s.

Out of respect for the funeral of Richard Bradshaw, the Toronto International Film Festival Group chose not to hold their traditional big final press conference in Nathan Phillips Square yesterday, and so with slightly less fanfare than usual we received a massive lump of press releases from the Festival announcing that they’ve announced absolutely everything about the festival there is to announce, pretty much.

The Toronto International Film Festival have announced 73 films today, which is, er, a lot. Too many for us to even pretend to give them even coverage, so as usual we’re just going to pick and choose from today’s announcements, which are made of films from international filmmakers, and tell you about the ones that interest us personally.

Another spate of announcements from the Toronto International Film Festival, with in particular an entirely new programme announced, Future Projections. To feature installations, interactive film projects, and other film-related art work presented outside the cinema space and throughout the City of Toronto, it’s to work as a companion to the Wavelengths programme. Eight of the nine multimedia installations will be offered as free, non-ticketed events, with entry to the Power Plant Contemporary Art Gallery offered free to Festival passholders/ticketholders for the duration of the Festival, and free to the general public on Wednesdays from 5 p.m.–8 p.m.

Taking a page from David Miller's Big Book of Intergovernmental Panhandling, Dalton McGuinty is complaining that Ontario is going to need a hot cash injection from the Feds if we're going to get those manufacturing jobs back from Bangladesh. Q: What do you get when you have an NDP mayor, a Liberal Premier, and a Tory Prime Minister? A: If you pay taxes in Toronto, pretty much nothing!