Results tagged “torontofilmfestival”

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This week our attention is almost completely owned by Cinematheque Ontario’s offerings, even with the thought of Christina Ricci chained to a radiator in Black Snake Moan grasping at us.

Ah, another week, another Film Friday. But wait! There’s something special this week to break up the monotony! An extra special review of the (heavily delayed) Pulse brought to us by our superhuman photographer and co-editor David Topping. What do you have to say about it, David?

Torontoist isn’t paid by the word, which is why we can allow ourselves long, rambling posts where we complain about the things that annoy us. Sorry, did we say “allow ourselves?” We meant “subject you to”. And here we go again.

It’s an interesting and potentially important time for English language Canadian filmmakers, with several Canadian films managing to reach cult hit status, such as It’s All Gone Pete Tong and The Life And Hard Time of Guy Terrifico. With only five percent of movies seen by Canadians made by Canadians (according to the program guide) and the writer of It’s All Gone Pete Tong Michael Dowse expressing a wish for Canadian content quotas for cinemas as well as TV and radio, the 3rd annual Canadian Filmmaker’s Fest, held with the support of he Toronto Film Festival Group's Film Circuit, is timely.

Well, we’ve already mentioned the Australian Film Festival today, but, of course, there’s still space for our little round up of cinema’s new releases and indie and rep film for the week.

Sometimes, on Torontoist’s laziest days, it will drag itself out of bed just long enough to flick on the BBC’s 6 music internet radio service, the BBC’s gift to the world’s fans of British indie music, to listen to the 6 music breakfast show, which for ages was almost always preceded by a Don Letts introduction, (if it wasn’t someone doing a bad impression of David Bowie doing the intro.) Which, to be honest, is probably the most exposure Torontoist has had to Don Letts.

, has very little syrup for the pancakes, so to speak.

Happy New Year, film fans! Or, perhaps, not. For we’ve slammed like so much booze filled new year vomit upon the tarmac of the post-Christmas lull, in which basically nothing of interest is released in any format. Certainly this week fans of more high brow cinema will have to hang on like those last few drips of chunky bile saliva for Cinematheque Ontario’s winter programme, starting on January 13th, which we’ll probably talk about then, and which features yet more Mikio Naruse, but lots of other exciting stuff like a limited run of The Passenger, the long lost hidden by Jack Nicholson flick.

Kung Fu Fridays starts again tonight after a hiatus for the Toronto Film Festival, with a blistering October Schedule and a new location. Due to the (recently) traditional Royal Cinema being hired out regularly for festivals and so on this month, tonight the biweekly dose of Kung Fu action is being shown at the Revue Cinema at 400 Roncesvalles Ave (that’s 3 blocks south of Dundas West Station, for anyone unfamiliar with it). And tonight’s dose of Kung Fu action is a big draw for any of the crowd who caught the legendary Sammo Hung in SPL during the Toronto Film Festival – Kung Fu Master, directed by Wong Jing and with martial arts direction from Hung himself (also in a starring role, along with Jet freakin’ Li). The story is naturally going to be a pile of nonsense, but who cares when you can watch some of the legends of Hong Kong cinema kick seven bells out of each other with the raucous Kung Fu Friday audience? If you’ve never been to a show before tonight is the time to start.

The Toronto Film Festival is fully over and has been for nearly a week, with staff having made their way back from their temporary offices in hotels and malls, volunteers returned to their usual jobs or schools, and stars returning to… their lives of going to parties and hanging out with other stars (not a big change there, then). Now all the films are over and the red carpet has been rolled away, most of us are quite happy to forget about the festival for another year, and indeed, many of us got kind of tired of it by the end. So Torontoist is here to take a look at some reasons why we should still be in love with the Toronto Film Festival.

New contributor Mathew will be posting regular on all things TIFF. Here goes:

. The Gilliam flick, filmed largely in Saskatchewan, will no doubt be the headliner as it makes its world premiere at the 30th annual film fest. As of this moment, there'll be eight world premieres this year. Cate Blanchett will also be in the house. Get prepared here.

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