At the end of Tim Buck 2, the audience is invited to participate in a brief debate over a motion that asks for the right to suspend the civil rights of a few to protect the security of everyone else. The opening night crowd appeared nervous to take a direct part in the proceedings, as many Toronto Fringe audiences often are when given the opportunity, but their applause for those arguing the “no” side showed where its sympathies lay. Given the piece’s base focus on a rehearsal of a play in support of jailed 1930s Communists, it was doubtful there were going to be too many viewers on the right side of the political fence.
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