We become unreasonably annoyed when bands release self-titled (non-debut) albums. With the obvious exception of Beatles-biting Weezer-style colour-coding, this approach strikes us as lazy and uncreative—at best, a misguided attempted at minimalism. We feel the same way about the title of the new Star Trek movie (i.e. "Star Trek"). "Fast & Furious," however, seems to breach through to a new level of demented beauty; following on The Fast and the Furious, 2 Fast 2 Furious, and The Fast and the Furious: Tokyo Drift, the streamlined title of the new one has become a discussion point in and of itself, with most reviews making sure to allude to it. Certainly that's the only thing about the movie that interests us. Well, that and that it's the fifth feature from director Justin Lin, whose 2002 debut Better Luck Tomorrow (sort of like Goodfellas set in a high school) once marked him as one of the most promising American filmmakers of the early part of the decade. Too bad what happened.

Newsstand: November 19, 2009

The Toronto Sun reports that Toronto has now
One of the