Results tagged “thenewyorktimes”

Bob Hambly's 500th drawing for the magazineSince January 2006, quirky black-and-white brushstroke illustrations have graced the back page of the The New York Times Magazine. The work is that of Toronto-based designer and OCAD teacher Bob Hambly, who just completed his 500th illustration—a bus—for the prestigious Sunday newspaper supplement.

Earlier this week, The New York Times ditched their Times Select subscription thing, a move that saw content previously available for about $8 a month––like some well-liked columnists, for instance––unlocked and made free for everyone. Best of all, though, was the huge amount of material from the newspaper's archives that was set free, dating all the way back to 1851.

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Or, How I Learned to Stop Worrying And Love My Bike

Friday, we caught the 9:15 pm show of at the Bloor Cinema.

An observant reader let us know that The New York Times Travel section has a piece on Toronto's revitalization as a travel destination, which means somebody at Tourism Toronto has been doing their job.

The only major release particularly worth recounting this week is the Wachowski brothers' V for Vendetta, and though it comes so shortly (you’d almost think they planned it!) after Natalie Portman’s sweary rap from Saturday Night Live went viral, the current reaction seems to be that even dudes who like bald chicks with dodgy English accents should just save up for a trip to Camden instead. The New York Times has a particularly nice piece on the beef Alan Moore, the author of the original graphic novel, has with the film, and it should clearly remind everyone to run out and buy everything he’s ever written, because it’s all the brilliant work of a genius.

, a movement-based piece of puppet theatre based on the life and art of Frida Kahlo. Torontoist has only seen bits of the show workshopped, but we were particularly impressed by a sequence where Frida (played by Brandy Leary, also the company's founder and artistic director) dances a tango with a life-size skeleton. Anandam performed the show to great acclaim at the New York Fringe Festival, making good enough to merit a mention in The New York Times.

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