Results tagged “theend”

Urban Planner: June 30, 2009

THEATRE: To celebrate Multiculturalism Day (which just passed on June 27) and the launch of a new theatre project, High Rise: 19 stories in 19 storeys (set in Jamestown/Rexdale), the good people at Expect Theatre are throwing a launch party for this ambitious three-year project. Nineteen youth who live in the area were given video cameras with which to record the community they live in, capturing the hardships and the triumphs that people in this diverse community experience. This raw material will provide the base for the project. At the launch there will be performance by award-winning artist d'bi young, a chance to share your story with film director Joel Gordon, and community members can have their picture taken by photographer Steve Carty. The Jamestown and Rexdale areas of Toronto are among the most ethnically diverse areas in the city, many of the residents being immigrants living in public housing. This theatre piece will combine several different media to produce a show in 2011, with a workshop starting next year. Albion Library (1515 Albion Road), 5–7 p.m., FREE.

The Baldwin Steps, the set of stairs at Davenport and Spadina Roads that leads up to Casa Loma, are so recognizable that they've warranted their own Wikipedia article and feature as a battle backdrop in Scott Pilgrim Vs. The World. Depending on the time of day and season, the Baldwin Steps––also called the Casa Loma Steps, or The Death Climb At The End of Spadina––can be romantic, creepy, trying, or picturesque. Now a group of visual artists have put together Toronto Upstairs, a group show at the Sideshow Gallery with artworks that "explore the staircases leading up from Davenport Road as transitional space, and contemplate and express the upness of here."

Recently, Torontoist went canoeing in Algonquin Park (we got 34 mosquito bites). However, arguably the most amusing thing to happen during our entire trip was passing a billboard on our way into the park advertising a "Dock in a Box." We instantly became distracted by a lengthy fantasy that the company knew exactly what it was doing and included a YouTube video on its website about how it created the Dock in a Box (you know—"One, we cut a hole in the box; two, we put our tech in the box!"), but were recently disappointed to find that there’s nothing funny at all on the company website.

If headliner Christian Bök can’t do it, no poet can. Christian is the author of two outstanding poetry collections from Coach House Books: the 'pataphysical encyclopedia, Crystallography, and the best-selling Griffin award-winning Eunoia, which employs only one vowel in each of its five chapters. From Chapter E (for Rene Crevel):

2007_04_25brianjosephdavis.jpgIf Torontoist wasn’t looking after the kids tonight, we’d be checking out The End of the Internet. The End is scheduled tonight at The Press Club (850 Dundas Street West) for precisely 9 p.m. The upstart, performance-based reading series, which has been ending the Internet for almost a year now, is hosted by man-about-town Louis Calabro.

CS Richardson is a prize-winning book designer who has worked in publishing for over two decades. His work has been showcased at both the Leipzig and Frankfurt Book Fairs.

Our title this week of course refers to Catch and Release, a film which has been so endlessly trailered on TV (and we don’t even watch that much) that Torontoist feels like we could recite the whole bloody film right now. “The man I was going to marry is dead! I’m sitting wearing my wedding dress and moping – it’s a girl thing! Kevin Smith is fat and talentless, but friends with Ben Affleck so he can be in this! I’ve fallen in love with you now, sexy and stereotypical unshaven male lead! The End!”

Hometown favourite Sloan play the Kool Haus tonight in support of their newest album, Never Hear The End Of It. The show's being billed as their 10th Anniversary at the venue.

Sloan is back. And not just because their new album is released today. Spanning 30 tracks and 76 minutes, Never Hear The End Of It almost makes Torontoist want to use clichéd terms like “return to form.”...

It’s an interesting and potentially important time for English language Canadian filmmakers, with several Canadian films managing to reach cult hit status, such as It’s All Gone Pete Tong and The Life And Hard Time of Guy Terrifico. With only five percent of movies seen by Canadians made by Canadians (according to the program guide) and the writer of It’s All Gone Pete Tong Michael Dowse expressing a wish for Canadian content quotas for cinemas as well as TV and radio, the 3rd annual Canadian Filmmaker’s Fest, held with the support of he Toronto Film Festival Group's Film Circuit, is timely.

Go on down and make sure these one-person shows are accompanied by more than the sound of one hand clapping. Check out the schedule of events and Scene Changes’ full run-down.

for the title alone. Fortunately, the film looks to be interesting beyond the title as well, as it "explores the American Way of Life and its prospects as the planet approaches a critical era, as global demand for fossil fuels begins to outstrip supply."

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