It was 363 days ago that Torontoist trekked down from North York to the NFB Cinema at John and Richmond for a 9:00-on-a-Monday-morning press screening of Boy A, ahead of its world premiere at TIFF. It was worth the schlep. Surprised to learn from the credits that it was a TV movie produced for Britain's Channel 4, we said of the drama about a young adult being assigned a new identity upon his release from prison that "nothing in the film (save perhaps its crisp digital-video aesthetic) suggests that it's anything less than a first-rate independent feature production....Let's hope it gets the theatrical release it deserves." Well, on the second day of the 2007 Festival, before it had even publicly screened, worldwide rights to the film (excluding UK TV) were snapped up by The Weinstein Company. And today it comes out in Toronto—at the AMC, no less (where, apparently, is it playing in 35mm). Do not, however, watch the trailer. It gives away the whole damn movie, up to and including the final scene. As does Ebert's review. As with most movies, the less you know going in, the better.
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Results tagged “thebandsvisit”
Continue reading "Film Friday: Every Film In Its Right Place"
We managed to see Cloverfield a few weeks ago, and with the release of Diary of the Dead (above) this week, we have to say it's rather timely to discuss our opinion of it. As tired as this quote is, there's really no better way to describe Cloverfield than to take from Macbeth's famous soliloquy: "Full of sound and fury, signifying nothing."
Continue reading "Film Friday: Daddy's Little Girl Ain't A Girl No More"
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