Results tagged “special”

When the Polaris Prize gala went down last year, the music-loving public was mostly kept out: only musicians, music industry folk, and media were invited. Those who missed the gala missed not only the awarding of the $20,000 prize to Patrick Watson (who needed the cash because of a $16,000 bill his band just got for crashing a rental car), but also a great show, with six of the nominated acts––Watson, The Besnard Lakes, Joel Plaskett Emergency, Miracle Fortress, Julie Doiron, and Chad VanGaalen––playing short sets of songs from their nominated albums.

Torontoist is ending the year by naming our Heroes and Villains of 2007––the people, places, and things that we've either fallen head over heels in love with or developed uncontrollable rage towards over the past twelve months. Get your dose, starting Boxing Day and running into the new year, three times a day––sunrise, noon, and sunset.

Torontoist is ending the year by naming our Heroes and Villains of 2007––the people, places, and things that we've either fallen head over heels in love with or developed uncontrollable rage towards over the past twelve months. Get your dose, starting Boxing Day and running into the new year, three times a day––sunrise, noon, and sunset.

It’s that time of year again: the time when ironic bloggers across the world post links to the Star Wars Holiday Special, quip about how terrible it is, and boast about not being able to watch it all the way through (usually linking to the five-minute-long version of it on YouTube).

It's true. Torontoist fave Daniel MacIvor has given up doing those kinds of plays. You know, those one-man marvels directed by Daniel Brooks and chock-full of magic realism, gorgeous minimalist design, and MacIvor's own captivating performances? He's had enough of those and has moved on to "play plays." You know, linear narratives with multiple actors, realistic locations and resolvable conflicts? And that's exactly what we get with How It Works, which is being performed...

For anyone who missed this year's Massey Lecture last Friday at U of T, don't fret. The City of Words, by celebrated writer, essayist, novelist, and anthologist Alberto Manguel, will be broadcast on CBC Radio One's IDEAS each night at 9:00 p.m. beginning Monday, November 5 running to Friday, the 9th.

On Sunday afternoon, over 150 independent publishers, writers, artists and bloggers from across the continent will pack Toronto’s Gladstone Hotel for Canzine, Canada’s largest celebration of small press publishing and alternative culture.

November 14 to 18 marks the return of the Reel Asian International Film Festival. Last night, the Japan Foundation played host as filmmakers and media types gathered at a press conference to kick off the 11th annual incarnation of the fest. And with more than 70 independent works from all over the world, this year’s Reel Asian Festival will be worth cracking open that golden piggy bank for.

It’s the final day of the festival, which is always rather maudlin one—although for those of us who try to cover it, the festival is largely a far too hectic, busy period of time, once things start to slow down the sudden lack of pressure is terribly deflating. Never mind—we’ll have some wrap up coverage for you next week. Tonight’s closing gala is Emotional Arithmetic, reviewed by Jonathan Goldsbie at the very beginning of our TIFF 2007 coverage. He called it a “highly-polished drama” but noted that it “plays out exactly as one would expect and is only rarely revelatory.” Head along to Roy Thompson Hall tonight to catch your last glimpse of the glamour and pageantry of the festival.

No Film Friday again today, as we’re still too busy with the festival A few of the films that played at the festival are out already, with Neil Jordan’s The Brave One, David Cronenberg’s Eastern Promises and Julie Taymor's Across the Universe all on general release. Not even new release Mr. Woodcock escapes a connection—it’s directed by Craig Gillespie, director of festival film Lars and the Real Girl.

Today’s Contest:

We’re pleased to announce that we’ve teamed up with the Toronto International Film Festival Group to run a contest each day until the end of the festival for tickets to next-day screenings.

Today’s Reviews:

Today’s Reviews:

Today's Review:

No Film Friday today as we’re too busy with the festival, but we can let you know that this week sees releases of some pretty decent-sounding films: 3:10 to Yuma, Shoot ‘Em Up and Hatchet. Er, and also The Brothers Solomon, starring Will Arnett and directed by Bob Odenkirk but apparently dire. Let's Go To Prison wasn't great either. Sob.

It begins! Tonight the Toronto International Film Festival opens officially with Jeremy Podeswa’s Fugitive Pieces, so if you want to start soaking up the atmosphere of the festival head down to Roy Thompson Hall before 8 p.m.

Well, this is it. The Toronto International Film Festival begins tomorrow, and this is the last of our previews, with coverage of Vanguard films Boy A (pictured above) and Help Me Eros from Jonathan Goldsbie and Mathew Kumar, and reviews of a selection of Short Cuts Canada shorts from Mathew Kumar (in which he has the audacity to hand out a 0/5).

If you missed it, yesterday our Toronto International Film Festival preview began with a look at the Gala and Contemporary World Cinema programmes, and if you didn’t know, tickets go on sale tomorrow morning online, at 416-968-FILM or 1-877-968-FILM and at the TIFFG Box Office at the Manulife Centre, 55 Bloor Street—so after you’ve read this, you might want to start queuing.

Out of respect for the funeral of Richard Bradshaw, the Toronto International Film Festival Group chose not to hold their traditional big final press conference in Nathan Phillips Square yesterday, and so with slightly less fanfare than usual we received a massive lump of press releases from the Festival announcing that they’ve announced absolutely everything about the festival there is to announce, pretty much.

The Toronto International Film Festival have announced 73 films today, which is, er, a lot. Too many for us to even pretend to give them even coverage, so as usual we’re just going to pick and choose from today’s announcements, which are made of films from international filmmakers, and tell you about the ones that interest us personally.

Much like the budding romance between Hero and Claudio in the play itself, Wednesday night's open-air premiere of William Shakespeare’s comedy Much Ado About Nothing was threatened by the malevolent influence of outside elements, in this case a light drizzle that foreshadowed an impending downpour.

If today’s column title gets Rachel Sweet’s Hairspray stuck in your head for the rest of the day, good! Because then we’ll have made our point that the version of Hairspray hitting this weekend isn’t as good as the John Waters original. Though the music not being as good is only part of it. There’s also the inherent irony about making a musical in which one of the central themes is integration through a shared love of largely-African American music that features only music written by a couple of white dudes. Hell, the irony of just making a musical about that. Musicals are basically the whitest form of entertainment we can imagine.

The Toronto International Film Festival madness began today with this year’s Canadian press conference—whereas last year we were unprepared for the experience, this year we were ready. We didn’t eat lunch, instead eating our fill of the finger food on offer. Result!

Unlike our hetero male friends, a lot of women just don't get aroused by mainstream porn. You know, the kind where silicone-padded girls are used as receptacles for bodily fluids? Thankfully, there is a growing market for porn for women by women, which has been dubbed "feminist porn."

We here in the Ist-A-Verse know that we're sensational, but it's very rare that we get a chance to be sensationalistic. This week, we've decided to have ourselves a little fun and try our hand at tacky tabloid headlines, using nothing more than our favorite posts from this week.

We here at Torontoist don't usually condone the consumption of mind-altering substances. However, when we find a remixed version of a TVO anti-drug video that is the equivalent of seven hits of acid, we just have to share.

The atmosphere outside of the (Elgin and) Winter Garden Theatre last night was similar -- not quite the same, but similar -- to that of a rock concert. Various people stood in the cold, holding signs that said "Need One Ticket, PLEASE," while the large crowd jostled around three or four groups handing out flyers and pimping petitions. "Mary," yelled one woman, excitedly. "There's a petition to ban Styrofoam!"

Special guest Victoria Kent sent us this article, and, since it's about Final Fantasy and "This Lamb Sells Condos," we're pretty much obliged to post, especially now that we've interviewed Brad J. Lamb, whose advertising slogan inspired Owen Pallett to write the song. Thanks Victoria!