Leave it to CanStage to somehow, in the midst of extreme internal upheaval what is maybe their darkest financial hour, be simultaneously running two of their strongest shows by far in recent memory. In fact, Palace of the End (which closes tomorrow night) and The Clean House (which runs until March 8) aren't just good shows for CanStage, they would be amazing shows for anywhere. Hopefully, they can win the audiences they deserve, but it's certainly disheartening to finally see the company do something really, really right while knowing what's in store for the future. The abrupt departure of new Artistic Director David Storch a few weeks ago was enough of an unpleasant surprise. But further news reported in The Toronto Star was even more alarming. A total of 10 CanStage staff members have apparently been laid off, including dramaturge Iris Turcott, who, like Storch, will henceforth bear the dubious title of "consultant."
Results tagged “seanamckenna”
Last night at the beautiful Winter Garden Theatre, the winners of the 28th Annual Dora Awards were announced in a ceremony hosted by the hilarious Rick Miller (of MacHomer and Bigger Than Jesus fame). The Doras are basically Canada's version of the Tonies, except you can't watch them on TV and see Molly Ringwald and John Stamos jazz-hand their way through a radical new interpretation of Hello, Dolly! As one might expect, the whole affair is generally more sedate and even less people care about the results. But we do! It's also somewhat validating to see shows that Toronto reviewed positively get the respect they deserve (and occasionally shocking to see the same respect lavished on things we thought were crap). Now, there were a lot of awards being handed out last night, so let's be a jerk and ignore the hard work of all the behind-the-scenes people and focus on the flashier trophies.
Canstage's publicity department might have you convinced that the only thing on their plate right now is the upcoming Rocky Horror production heading to the Bluma at the end of the month, but tucked away at the Berkeley is a real theatrical gem that deserves its own audience. Lucy, written by local actor/playwright Damien Atkins, is about a thirteen-year-old autistic girl who has to go live with a mother who abandoned her as a baby so that she can attend special schooling. At first, her mother has no idea how to cope with the demands of caring for an autistic child, but as the play develops, so does their relationship and the mother (played by Seana McKenna) realises she and Lucy may have more in common than she first thought.
Last Sunday, Mirvish decided to take a break from its typical assortment of musicals and "plays" and the remount of an acclaimed Stratford production of Tennessee Williams' Orpheus Descending opened at the Royal Alex. And it's really good.

Newsstand: November 19, 2009