Results tagged “ronwhite”

Eat Your Heart Out, Imelda Marcos

It’s not every day that you get to fondle Jeremy Irons’s signed shoe. Or sniff one of the sneakers that Michael Cera wore when he recorded some of the songs for Juno. But Thursday was Torontoist’s lucky day, and we got to gawk at the footwear of the rich and Torontofamous.

Urban Planner: January 8, 2009

FUNDRAISER: Ron White, a major Canadian shoe retailer, has donated over sixteen thousand pairs of shoes to needy Torontonians since starting his annual Shoe Drive thirteen years ago. This year's charity drive launches at White’s flagship store this afternoon with support from Jeremy Irons, among others, and photo opportunities for the public. All six Ron White stores in Toronto will be accepting shoe donations—gently-worn as opposed to well-used—to be cleaned up and passed on to those who need them. Ron White, Manulife Centre (55 Bloor Street West), 1–2:30 p.m., FREE.

As the Luminato Fest continues, two more George F. Walker plays open at the Factory. Escape from Happiness is the sequel to already-opened Better Living, while Tough! is another one of Walker's East End Plays, focusing on a different group of characters. The entire play, which is only about an hour and twenty minutes long, is composed of a single scene: a confrontation between three young people in a park. Tina knows Bobby cheated on her at a party, which makes her especially mad because she's pregnant with his child, something Bobby is about to discover. Tina brings her friend Jill along for back-up, who has a long-standing grudge against Bobby and could happily "kick him to death".

It seems ironic that, given the recent preponderance of plays in this city which employ film and video elements for no particular reason, Directors Cut, the new Crow's Theatre rental in the Factory Studio, a play entirely about the making a movie, has none. Instead, Directors Cut attempts to convey a filmic feel by enclosing the action on the stage within a big rectangular window. You can see what they were going for, but it doesn't quite work - which could also be a comment on the play as a whole.

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