Well, there have been a lot of films made about the ongoing conflict in Iraq and its effect on soldiers, and here’s another one! Stop-Loss is probably the glossiest, most-Hollywood looking attempt so far (no mean feat, considering Paul Haggis has had a shot already) and it remains to be seen if anyone in America really wants to be reminded that its sending its army off to fight a war that the majority of them didn’t want, especially when in many cases the soldiers don’t want to go. Haggis’s attempt at examining the psychological fallout of the Iraq war In The Valley of Elah absolutely sucked a big one at the box office, and honestly we don’t see this having much of a bigger impact, even though Ryan Philippe is generally considered nicer to look at than Tommy Lee Jones.
Results tagged “paulhaggis”
It’s not been a week since the Toronto International Film Festival left us, and this week’s new releases make it hard for us to move on despite a couple of TIFF premieres leading the way.
Well, after what could be considered a bit of a drought, there’s enough movies to choke a horse on release in Toronto this week; and that’s a horse which had previously won speed movie-eating competitions.
It's Raining Men Of The Year, Can I Borrow A Couple Giambronies?, $105 Fine For Snow Shovel Slacking
Toro Magazine, free to Globe and Mail subscribers, released its Men of the Year issue yesterday.
Couple of big, big press releases from the hard working TIFF press office today, with a slate of film announcements in their Gala and Special Presentation programmes.
Nielsen numbers came back from Sunday's big show and the numbers aren't good. Some 38.8 million Americans watched, which is 8% lower than last year and only the second time audience numbers dipped below 40 million. Some will pin it on the serious and indie-aspects of almost all the major films (Crash, Brokeback, Syriana, et al) others critiqued Jon Stewart. Torontoist blames Gothamist for doing such a hilarious job liveblogging the thing. Who needs TV when you've got Gothamist film gurus Jen Chung and Karen Wilson?
