Book readings are, in a certain way, transgressive. In bridging the usual remove between author and audience, and in reinstantiating the written word as performance, they breach the boundaries which usually govern our experience as readers. Book readings rely on that transgressive quality for their success: a good book reading is one in which listeners feel genuinely connected to the author they are hearing, and in which the performance conveys something more than whatever is contained in the written work alone.
