Results tagged “newsom”

Musicologist is not sure The Drake is a large enough venue for the arrival of Baby Dee on Wednesday, February 6. The multi-disciplined artist is a classically trained harpist, organist, legendary Cleveland street and circus performer, and collaborator with such brilliant acts as Antony and the Johnsons. The 54-year-old performer brings a wealth of musical and artistic experience to the stage, and her transgendered politics are surfaced through her healthy variation of wistful harp and piano-driven pieces (often reminiscent of 70s singer-songwriters) and (most evidently on her recent release, Safe Inside the Day) ones resembling those of a cabaret score. It is difficult to not love Baby Dee for her eccentricity and musicianship, but most critics and new listeners have qualms with her sparse, unfocused voice. Similar to Joanna Newsom or Tom Waits, one must look beyond Baby Dee's unique voice and understand where it comes from—a less-than-perfect voice with heart is better than a big one with no emotion.

Torontoist is one of fourteen cities in the worldwide Gothamist network. Once a week, the editors of each site—from LAist to Londonist—compile some of their most interesting posts into a brief blurb. It's Elsewhere In The Ist-A-Verse, and it appears, across the network, every Sunday.

The slow move from Torontoist to FinalFantasyist is nearly complete. Owen Pallett is pretty great and all, but to date we've talked about his song "This Lamb Sells Condos"; the video for that song; the inspiration for that song; the prize that Pallett won for the album that the song appears on; the love that Canadian bloggers have for him; the love that we, specifically, have for him; previewed and reviewed his library show (and a regular show); and shown his cover of Joanna Newsom's "Peach Plum Pear" some love. Even though we're running out of ideas for Final Fantasy article titles, there's yet another interesting Pallett project that we thought that we'd share -- one that, as the press release handily tells us, "IS NOT A CONCERT!"

If you're not completely burnt out from Nuit Blanche, there are plenty of quality shows to check out this week, including Joanna Newsom, Massive Attack, and Myspace darling Lily Allen. Alternatively, you Hip fans can skip out on the live music this week and save up your change for all four (yes, FOUR) of the recently announced shows at the Phoenix a few weeks from now. Can Gord Downie and pals really justify the $60 admission fee these days? Could they ever? On a similar note, Guns N' Roses are coming to the ACC in November -- should they be asking fans to shell out up to $85 to see a bloated Axl Rose trying to slither around the stage, caterwauling 'Sweet Child O' Mine'? Wouldn't that just be painful to watch? Are we asking too many questions? Okay, we'll stop.

Tsk, tsk. Late two weeks in a row. Someone needs a good spanking. Next week we'll get our act together and put Torontoist before busy schedules and get this puppy out on time. Pinky swear.

Talk about sevotion! The man formerly known as (smog), now known as Smog, has quite a group of devotees. Though his two-part set at last night’s Lee’s Palace triumph was largely filled with dongs from his new album, A River Ain’t Too Much To Love, there were few complaints rendered from the adoring masses. Mr Smog proved not only that a river ain’t too much, but interest in the Drag City hero’s new album ain’t too little. Most of his first guitar-only set was the first half of the new album, and without drums. Along to absolutely mesmerizing guitar lines from his plaid-shirt wearing guitarist, Smog performed some quick spurts of a Howdy Doody dance and very little talking. (By the end of the concert he did make one remark, citing the quality of his vocals on this occasion.) Part two of the set brought on some quote-unquote hits, like Dongs of Sevotion’s "Dress Sexy at My Funeral" and the Nick Hornby favorite "Cold Blooded Old Times" off of Knock Knock.