During TIFF we said, "if you’re as big a fan of Joy Division as Torontoist is, you’ll quickly come to terms with the fact that Control is simply one man’s interpretation of Deborah Curtis’s book Touching from a Distance, and your overall feelings will (probably) lie on how you feel about that interpretation," and we stand by that even now—despite the gorgeous cinematography, which remains the film’s strongest point, we still like 24 Hour......

Out of respect for the funeral of Richard Bradshaw, the Toronto International Film Festival Group chose not to hold their traditional big final press conference in Nathan Phillips Square yesterday, and so with slightly less fanfare than usual we received a massive lump of press releases from the Festival announcing that they’ve announced absolutely everything about the festival there is to announce, pretty much. So what does that entail? Well, in the 32nd Toronto International......

There are literally dozens of blogs covering the Festival this year, and while most of them are personal sites listing what movies they could or couldn't get into, a few stand out. Torontoist will do his best to roundup the blogosphere's TIFF coverage. Everyone, and we mean everyone is talking about Borat but there are other films playing at this festival don't you know? Kenneth Branagh and Stephen Fry's adaptation of Mozart's the Magic Flute......

We've finished up our TIFF Preview, so today we begin our daily coverage of the festival, beginning with this, our picks for the first day. Or as we should perhaps say, the first night, because the festival doesn’t really kick off until this evening, other than one screening (Kenneth Branagh’s The Magic Flute, sneaking in early). It’s rather odd that the opening Gala isn’t literally the first film, but we guess that’s the way it......