Results tagged “juno”

The last time Torontoist made mention of local punks The Little Millionaires, it was a few days after a rousing night of rocking and rolling at Sneaky Dee's. This time out, however, it seemed like a good idea to give some advance warning of the band's next Toronto show. So get your black t-shirts ready! This Thursday, February 7, the band will be opening for recent Juno nominees The Saint Alvia Cartel (another Torontoist favourite) at the Mod Club, along with Hamilton screamo-punks The Reason.

Photo by Lina Aristizabal.

The Academy of Motion Picture Arts and Sciences announced the nominations for the Oscars this morning. Canada done good.

Feeling “Christmassy” yet? We aren’t either (we've just assumed you weren’t, apologies if you are, or something), and there isn’t that much on at the cinema yet to start ramping up the festive joy. It’s a Wonderful Life is showing at the Fox starting tomorrow and Bad Santa is going to be on at the Revue this Wednesday. To be completely honest, if you’re going to check out anything at those cinemas, we recommend you go and see King of Kong (which we talked up last week) when it’s on. The Fox is showing This is England, too. Not Christmassy at all, but fantastic.

The Toronto International Film Festival Group announced their top ten Canadian features for 2007 last night, along with (for the first time) their top ten list of Canadian short films. The top ten Canadian features were: L’âge Des Ténèbres (Denys Arcand), Amal (Richie Mehta), Continental, Un Film Sans Fusil (Stéphane Lafleur), Eastern Promises (David Cronenberg), Fugitive Pieces (Jeremy Podeswa) , My Winnipeg (Guy Maddin), A Promise To The Dead: The Exile Journey Of Ariel...

">believe that, as dance music artists, "there's much better places for us to be," (this is said right at the 4:16 mark, of all times) Toronto's other homegrown house producers have taken the entire electro world by storm in the last few months. One needs only to point one's browser to the website Beatport, which has quickly become the DJ world's number one website for downloading high-bitrate dance music, and look on the "Top Downloads" panel on the lower right. In that period of time, there has been at least one track by a Toronto-based artist on the Top 10, and in the last five months, at least one Ontarian (if you include Windsor-raised Richie Hawtin, a.k.a. Plastikman.) Here is a brief look at three Toronto artists who have been conquering dancefloors around the world with their popular tracks on Beatport:

This weekend, resist the urge to do the same old bar hop and try a more sophisticated means of indulging your party ADD: the art show hop. Okay, so we just invented that term, but the city does have three rad art happenings going on almost simultaneously this Friday, November 30. And we say, why choose? To start your adventure, knock back a whiskey for warmth and head down to the Harbourfront, where the...

If you're downtown and looking for a lunch-hour chill-out tomorrow (Wednesday), head over to Indigo in the Manulife Centre at Bay and Bloor. At 12:15 p.m., Juno Award winner, Grammy recipient, Officer of the Order of Canada, and Canada's Walk Of Fame starholder Diana Krall will be sitting behind a piano and performing songs from her latest release, The Very Best of Diana Krall. If you didn't get your autograph fix during TIFF last week, Krall will stick around after the show to sign copies of her CD.

No Film Friday again today, as we’re still too busy with the festival A few of the films that played at the festival are out already, with Neil Jordan’s The Brave One, David Cronenberg’s Eastern Promises and Julie Taymor's Across the Universe all on general release. Not even new release Mr. Woodcock escapes a connection—it’s directed by Craig Gillespie, director of festival film Lars and the Real Girl.

Today’s Reviews:

Today's Review:

Out of respect for the funeral of Richard Bradshaw, the Toronto International Film Festival Group chose not to hold their traditional big final press conference in Nathan Phillips Square yesterday, and so with slightly less fanfare than usual we received a massive lump of press releases from the Festival announcing that they’ve announced absolutely everything about the festival there is to announce, pretty much.

Everyone loves the thrill of discovering a hot new band, but there's something equally exciting about watching a bunch of grizzled, middle-aged rock 'n' roll veterans show the kids that they can still hold it down.

respect her if we get it. In other news, Jim Cuddy won the Juno for best adult alternative album, which means he did the best job of taking actual alternative music, dropping it to quarter-speed and setting it to acoustic guitar.

Sadly, the days of the nickelodeon movie theatre is long gone. The coming of sound made the in-house orchestra/performer obsolete, taking away the live accompaniment that had been necessary for silent films. Luckily, you can try to recover this part of the nickelodeon experience as Andrew Downing's Melodeon perform an original score to The Shock (1923) at the Music Gallery on March 23rd. As their name implies, Melodeon is led by Andrew Downing, a Juno-Award winning double-bassist jazz musician from Toronto. The group solely play live scores to silent movies, including A Trip To The Moon (1902) and The Cabinet of Dr. Caligari (1919).

If you've never heard Montreal's Patrick Watson, you'd likely assume that he's a solo artist. You'd be partially correct, however, Patrick Watson is also a band. It can be a bit confusing. What's not confusing, though, is that this band is on it's way up in the music world and are beginning to turn heads. Their debut label release Close To Paradise (Secret City Records) has been drawing all kinds of attention, from a Juno nomination to a song on Grey's Anatomy (upcoming episode), and even a spot opening for the late, great James Brown. Watson's vocals have repeatedly been compared to another late, great, Jeff Buckley -- soaring and melodic, but with a twist of pop and a generous heap of classical piano. We suggest listening to the album with headphones on.

Hasn't there always been more eclecticism in underground music than at street level? For instance, consider the idea of rodents running free on the sidewalk, along side shoppers and street vendors. It just wouldn't happen. Underground, though, people are more accepting of the mousey population. And the more open-minded the environment, the more diverse the spoils. Case in point, subway music.

K.D. says: "I started to realize that [caring about image]was disposable and fraudulent . . . it's dealing with the hair, the makeup, the high heels. It removes you from the essence of who you are and what you have to offer." We say: rock on.

Smokers: Right.

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