Results tagged “jonathangoldsbie”

We've been at City Hall a fair number of times, but it wasn't until this week that we had the rather delightful experience of being met by a beatboxing duo at the front door or rocking out to OutKast in the Council Chamber. The occasion for this upending of formality? A town hall meeting, hosted by a network of organizations known collectively as the Beautiful City Alliance. The coalition is working to convince city council to direct revenue from the billboard tax it plans to introduce this summer towards art in the public sphere and is stepping up its campaign efforts as the vote on that tax approaches. The town hall, attended by some two or three hundred artists and activists, as well as several city councillors, was part informational meeting and part pep rally, with a bit of spontaneous art production thrown in for good measure.

Remember last week, when Marc Lostracco took a look at Astral's final street furniture prototypes and promised that "Torontoist's Jonathan Goldsbie will have a more in-depth analysis of the new street furniture next week"?

Photo by Jonathan Goldsbie.

With Rogers' plan to move Citytv, OMNI Television, and the Fan 590 to the southeast corner of Dundas Square, those familiar with the current streetfront studios on Queen Street have wondered if the former Olympic Spirit building will be opened up in a similar way.

When first we came across this graffiti on the wall of a U of T bathroom, it was merely a staredown: "Zombie Winston Churchill vs. Robot Hitler." When next we returned, they had obtained allies: "Vampire Stalin" and "Werewolf Mussolini," respectively. The sudden late addition of wild card "Ninja FDR," however, tipped the balance of power, but the "Ref: Mummy Castro" stepped in to keep him in check.

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the renovated Fox Theatre and its battle! against! the! killer! dvds!

These pictures were not taken mid-transition.

At first we assumed it was Scientology. After all, who else has the money to produce and purchase space for such glossy anti-pharmaceutical ads, which have been popping up all over transit shelters and buses in Ontario and Montreal? Google wasn't much help, and their Blog Search just pointed us to other people as perplexed as we were. And poor spellers with domination fantasies.

"This advertising space and/or building for lease"

This is probably not the issue these signs are trying to address.

On Friday night at 10:30, the Toronto Public Space Committee's Art Attack will "descend on the streets to re-imagine bus shelters as sensational structures of snow," converting the two ad-adorned boxes at Queen and Jones into something a little more whimsical.

Selected quotes from "Toronto's Type and Tile Heritage" by Edward Keenan, from the November 14th issue of Eye Weekly:

"Read a Book"

"Upper Canada Lower Bowel Clinic Inc."

Many of you may remember 25-year old Jason Jones, who was on the front page of the Toronto Star last February as a graphic indictment against "the miserable state of dental care for our working poor." The resulting outcry led to demands that the indigent and working poor have better access to dental care. Jones' story had a happy ending: offers poured in from readers to help pay for the dental work he desperately needed,...

TTC EMPLOYEES WANTED PAY: 26.58/hr JOB REQUIREMENTS: • Able to be rude and unhelpful • Must be constantly late • Willing to waste tax payer moneyTTC service, union wages, and graffiti. If this post gets fewer than thirty comments, we'll be very sad. Thanks to Corinne Alstrom for the tip! And thanks to the people who helped decipher the hard-to-read middle bullet point. Photo taken by Jonathan Goldsbie, at the southwest street-level entrance to...

Poor OCAP. They can't even complain about the police watching them without the police watching them. At noon on Wednesday, the Ontario Coalition Against Poverty held a press conference (not a rally or an action or a march but a press conference) at the northeast corner of Dundas and Sherbourne, and there was about one police officer for each person in attendance (around twenty). As eight or so cops casually observed the conference from across the street, Beric German of the Toronto Disaster Relief Committee speculated on how much each one was being paid: "About fifty dollars an hour?"

The Toronto Star. July 18, 2007. Joe Fiorito column: The other day I noticed a Red Rocket, defaced from stem to stern with a depiction of a bottle of vodka and the comely legs of a party girl whose dress was hiked up around her thighs. Let me count the ways this is wrong. But first, my bona fides. I grew up during the sexual revolution. I also learned a variety of useful lessons...

Sunday afternoon is the Toronto Public Space Committee's third annual Human River Walk, a trek along the course of the buried Garrison Creek, from Christie Pits to Fort York in a parade of blue, symbolically bringing the river back above ground for one beautiful afternoon. Along the route, there will be music, performances, and stories about the history of the creek, the neighbourhoods, the trees, and Toronto's stormy relationship with its water. But, above all, it is a parade and much fun for the whole family—really!

Tomorrow night, scores of arts collectives and community groups will be putting on impressive exhibits, performances, and workshops as part of Scotiabank Nuit Blanche. The Toronto Public Space Committee thought it would be neat to do something, too, but guess which word in the event title made the TPSC uncomfortable.

Photos of signage on yet another recycled hoarding at York Mills station taken by Jonathan Goldsbie.

When Monkey Warfare premiered at TIFF last year, Torontoist's Mathew Kumar gave it a less-than-positive review. (Its director and star were none too pleased.) When it opened at the Royal in December, however, I commented, "I personally love Monkey Warfare....I've been urging everyone I know to see it; the film fills me with a glee that makes me want to shout its title from the rooftops....On a number of levels, the film is an ode to my dual passions of film and public space advocacy in Toronto; I feel like it's a movie made for me and my friends....While I would stop short of calling it the film of my life, Monkey Warfare succeeds at being something that few films I have ever seen actually manage to be: anthemic."

Right now, if you turn on your TV to channels 2, 3, 6, 8, 15, 24, 62, or 104 (presuming you have cable), you will see the leaders of the provincial political parties having at each other. Or, more accurately, you will see Dalton McGuinty, John Tory, and Howard Hampton having at each other. You will not see Green Party of Ontario leader Frank de Jong having at anyone.

It’s the final day of the festival, which is always rather maudlin one—although for those of us who try to cover it, the festival is largely a far too hectic, busy period of time, once things start to slow down the sudden lack of pressure is terribly deflating. Never mind—we’ll have some wrap up coverage for you next week. Tonight’s closing gala is Emotional Arithmetic, reviewed by Jonathan Goldsbie at the very beginning of our TIFF 2007 coverage. He called it a “highly-polished drama” but noted that it “plays out exactly as one would expect and is only rarely revelatory.” Head along to Roy Thompson Hall tonight to catch your last glimpse of the glamour and pageantry of the festival.

Well, this is it. The Toronto International Film Festival begins tomorrow, and this is the last of our previews, with coverage of Vanguard films Boy A (pictured above) and Help Me Eros from Jonathan Goldsbie and Mathew Kumar, and reviews of a selection of Short Cuts Canada shorts from Mathew Kumar (in which he has the audacity to hand out a 0/5).

Our Toronto International Film Festival preview coverage is a little different this year. While last year, our reviews came from our film editor, this year we were lucky enough to have our reviews come from many of our Torontoist writers. Today we have our Gala Presentation and Contemporary World Cinema preview, with reviews of Emotional Arithmetic, Jane Austen Book Club, Sleuth, The Band’s Visit, Breakfast With Scot, The Counterfeiters and Jar City from Christopher Bird, Beth Bohnert, Jonathan Goldsbie, Kevin McBride, Marco Moldes and Johnnie Walker, with Christopher Bird awarding our first 5/5 mark of the festival to The Counterfeiters (pictured above).

On Monday, the TTC unveiled a survey that, in lieu of other public consultation, would be used to help the organization determine what cuts it may need to make this year. (For more on the TTC's potential budget shortfall, see our interview with Adam Giambrone, the TTC's documentation included with the survey, and Steve Munro's excellent summary of the situation.) The problem is, the survey really isn't that great: it's too vague, too incomplete, and a little bit biased. In short, it's not enough.

When the TTC started mapping out its new future under Adam Giambrone, this probably wasn't what it had in mind.

When it premiered at TIFF last year, Radiant City, ostensibly a documentary about urban sprawl, stirred up a bit of controversy. Its portrayal of the soul-rotting effects of the suburban environment on one aggressively average family was met with a variety of bemused reactions, some positive, others less so. (End of Suburbia this wasn't.) Torontoist's Mathew Kumar, for example, savaged it in his spoiler-happy review. But three months later a panel of "filmmakers, festival programmers, journalists, and industry professionals" decreed it one of the ten best Canadian films of the year. And when it opened in New York last May, even the hard-to-please Village Voice seemed to like it, deeming it "enlightening and disturbingly funny."

While researching the proper name for the device shown above, we stumbled across this page on the City of Toronto's website. (It's a "pushbutton," "push-button," or "push button," depending on which paragraph you believe.) And, what do you know, the more mundane elements of transportation infrastructure are fascinating stuff.