It's an interesting week for film, with direct competition between two kinds of films—one that wants to make you feel like a kid again by bludgeoning you with special effects and nostalgic licence, and another that wants to make you feel like a kid again by simply recalling, well, what it was to be a kid. We refer to the big-screen adaptation of the lets-be-honest-it-was-pretty-terrible-but-now-amusing-in-a-kitsch-way Speed Racer (phew) and the release, finally, of the......

Well, there have been a lot of films made about the ongoing conflict in Iraq and its effect on soldiers, and here’s another one! Stop-Loss is probably the glossiest, most-Hollywood looking attempt so far (no mean feat, considering Paul Haggis has had a shot already) and it remains to be seen if anyone in America really wants to be reminded that its sending its army off to fight a war that the majority of......

Couple of things going on with the films released this week. With Shutter, most interesting is that it’s based on a Thai horror film, but has been, in its Western remake, transplanted to Tokyo. Reasons? Well, either “all of Asia is basically the same thing, right?” or “people always think of scary pale girls with long black hair as being Japanese, anyway.” Okay, that’s not really that interesting (who cares about Asian horror films......

Is anyone else disappointed that the dystopian future promised in 1980s films isn’t here? If there’s one thing we’ve learned here at Torontoist, is that en masse, humans are terrible at predicting our future. It’s always so much more mundane than we expect it to be. The perfect example being The Running Man. Instead of audiences being unsatisfied unless they’re watching the most ridiculously violent reality TV shows possible, here people are absolutely satisfied......

Hello! Although you probably didn’t notice, this Torontoist writer was away for a week, and as a result we failed to do something very important. Specifically, to congratulate Norm Wilner on becoming NOW’s senior film critic. We're not doing this just because we know Wilner keeps an eye on Torontoist to see if he gets a mention, but because we like his work so much that we can’t think of anyone better to step......

We managed to see Cloverfield a few weeks ago, and with the release of Diary of the Dead (above) this week, we have to say it's rather timely to discuss our opinion of it. As tired as this quote is, there's really no better way to describe Cloverfield than to take from Macbeth's famous soliloquy: "Full of sound and fury, signifying nothing." It's particularly relevant because Cloverfield and Diary of the Dead are similar......

Hello, and welcome to another installment of everyone’s favourite film column in which the writer makes up their opinions on the weeks films largely based on what trailers they’ve seen on TV. This week we didn’t watch much (busy watching our IT Crowd Series 2 and Metalocalypse DVDs) so the only one which managed to break our consciousness was the three seconds or so we caught of a trailer for In Bruges, a Belgium-set......

It’s wild outside, huh? So wild that it allows us to segue into talking about Strange Wilderness first, for some reason. It surprises us that the last Happy Madison film that we saw was (the quite sweet, really) 50 First Dates. Strange Wilderness is only of interest to us because it has quite possibly the worst trailer we’ve ever seen on TV. It’s absolutely meaningless. It explains nothing about the (surely) threadbare plot of......

Though there are only three new films on release this week, it would be unfair to bemoan the shortage when one film, Persepolis, is of a high enough quality that it might as well be the only film released. During TIFF 2007 Christopher Bird handed it a 5/5 and called it "a masterwork in every way that matters." Much like in our praise of There Will Be Blood, we do have to hesitate with......

We’re going to take a break from our usual Torontoist style in this post because the passing of John Harkness, the film critic for Now magazine since its inception in 1981, is something that has particular importance for me. As the writer of Torontoist's weekly “Film Friday” column, which, as you know, very often quotes the reviews from local critics, I have probably quoted John Harkness more than anyone. There’s a funny story in this,......

Blade Runner is no longer showing at the Regent, which in many ways is lucky, as otherwise it was going to turn into a weekly, Rocky Horror Picture Show-style event for us—well, without all of that tedious audience interaction, which now we think about it, would make it not very like the Rocky Horror Picture Show at all. If you’re still hungry for more vintage Harrison Ford, though, they are showing Raiders of the......

If there’s one thing Torontoist likes to do, it’s moan about stuff, but on the face of it, that Palme d’Or winner 4 Months, 3 Weeks and 2 Days receiving a theatrical release here is something that should be received without complaint. After all, journalists have praised the film, including Norm Wilner at Metro, who calls the film "marvellous filmmaking." But really, it just gives us a chance to moan about the lack of......

The After Dark Film Festival! Happening all week! The only film festival where Uwe bloody Boll could have his film accepted! We talked about it here! Check it out! Another crowded week for festivals, though, and sometimes we have to wonder how even Toronto can support this many in a week. We’ve got the ImagiNATIVE Film Festival and Toronto Latin Film Festivals finishing up, the Student Shorts Film Festival and the Estonian Documentary Film......

Darryl’s Hard Liquor and Porn Film Festival (covered by Amanda Buckiewicz earlier this week) is at the Bloor Cinema this Saturday, October 13 at 8 p.m, but if you’re a person of milder tastes (soft liquor and corn?) this week’s festivals of interest include the Toronto Latin Film Festival, the Macedonian Film Festival, the DNA Film Festival (it’s a busy week for festivals!), and the ImagiNATIVE Film Festival, which continues to win us over......

Slightly different beginning to our Film Friday today, because we’d like to highlight the fact that our favourite film in ages, Reprise (pictured above), was released on DVD this week. We really feel it should have been given the same kind of cinematic release it’s getting right now in the UK, rather than an astonishingly bare-bones DVD transfer with burned-in subtitles, but what are you going to do? You really have to see it......

Tonight the Drake Hotel hosts the second edition of its Nonfiction series. The big idea is that a bunch of journos sit around at the bar swapping stories that never made it to print, like one imagines Charles Foster Kane's newspapermen might have done. Only for a $5.30 cover, civilians are allowed to come listen. The last edition was already somewhat controversial, especially because of the event's somewhat curious and impossible to enforce off-the-record......

We’ve mentioned the Bicycle Film Festival a few times before, but we’re going to give special mention to it again today because tonight at 7 p.m. is the screening of the festival’s first shorts programme, featuring Warriors: The Bike Race. The Warriors is basically one of the most excellent films ever, and in August of 2002, 89 gangs of bicycle riders took an all-night race from the Bronx to Coney Island in a sort......

Recently, Torontoist went canoeing in Algonquin Park (we got 34 mosquito bites). However, arguably the most amusing thing to happen during our entire trip was passing a billboard on our way into the park advertising a "Dock in a Box." We instantly became distracted by a lengthy fantasy that the company knew exactly what it was doing and included a YouTube video on its website about how it created the Dock in a Box......

This week Torontoist decided to work out for itself exactly when The Simpsons was good. Because it’s just been so long, so depressingly long, since we’ve seen a episode that didn’t make us want to open a vein. Seriously. Using the powers of science (well, Wikipedia) we’ve decided it was good between seasons three and ten, peaking in (roughly) season seven. So there, done and dusted. Turns out we’re actually quite forgiving here compared to......

We’ve been looking for a way to talk about King Kong again for a while now. It’s unlikely you’ll remember, but Torontoist’s first Film Friday column was actually published in the week Peter Jackson’s remake hit cinema screens, yet that’s not (specifically) the reason we’ve been in the mood to mention it again. It just happens to be that a few weeks ago, with an evening to kill, we picked up Peter Jackson’s King......

Recently, Torontoist has probably been playing too many videogames. Not that that’s a problem, per se, but when you’ve become such an adrenaline junkie that you’re absent-mindedly tapping a non-existent "A" button to get past this bothersomely long “cut-scene” you’ve been watching only to remember that you’re actually watching The Omen, you have to admit that you’ve probably got a problem, and should probably cool off with some of Pedro Costa's longest films, showing at......

ARR! Pirates of the Caribbean: At World’s End hits this week and as the third second sequel to hit this summer it’s got some stiff competition. Nice to see though that they’ve made sure it beats Spider-Man 3 in at least one respect, in that at 2 hours and 47 minutes long, it’s a good half hour longer. It’s nearly as long as Inland Empire (which is finished at the Royal now, so we......

“What’s going on this week in cinema, Torontoist?” you might be asking, as you normally would when faced with another Film Friday column. “Well,” we'll respond, “If you want to know what is hot, you only have to look at a couple of earlier posts this week.” We refer of course to our posts The Picture of Dorian's Gay (a great title for a post, if we don't say so ourselves) and DIY, Lo-Fi,......

This week, the biggest news in movies is that Warner Bros. has decided to stop all advance promotional screenings of its films in Canada, in attempt to stem the flow of pirated movies from Canada. Yo ho ho! Unfortunately, they’ve likely decided that Canada is a hotbed of disgusting movie pirates on some pretty wonky data. Though apparently there’s no law against recording movies in a theatre onto a camcorder in Canada, which is kind......

OMG! This week sees the release of Kickin' It Old Skool, a Jamie Kennedy vehicle. He plays a breakdancer who awakes from a 20-year coma and something that Jamie Kennedy probably considers hilarity ensues. We here at Torontoist Towers are astounded at the idea that somebody greenlighted a film with Jamie Kennedy in it. Absoultely gob-smacked. Moving on, Stone Cold Steve Austin plays Arnold Schwarzenegger in The Running Man On An Island (The Condemned)......

So, although we’ve only just spent a whole post gushing about Sprockets, we can’t really forget about the other excellent stuff that’s going on this week. The Images Film Festival closes this weekend, and we’ve been told Live Images 4: Quasar, tonight at the Music Gallery (197 John) at 9:30 p.m. is the hot ticket, as it features “an army of modified 16mm projectors and a quadraphonic sound system to envelop the audience in a......

Now here is an interesting thought, readers. Grindhouse, Quentin Tarantino and Robert Rodriguez’ homage to classic trashy double bills comes out this week, and, if you want to see it, you have to see it in a multiplex, because not one of the independent cinemas here (or we imagine anywhere else) are showing it. Now, we understand how distribution works (kinda) and know it’s just easier (and more profitable) to ensure that it goes to......

Interesting and depressing news today in the Toronto Star, with the revelation that there are no plans to release the Aqua Teen Hunger Force Colon Movie Film for Theatres in Canada. Why is that, hmm? The article states (quite correctly) that it’s one of the most popular shows on The Detour on Teletoon (where you can watch it at 10:15 p.m. weeknights) so why they’re not giving it at least a limited release here confounds......

Going to see all three films in Nicolas Winding Refn's Pusher Trilogy, one after another in one night, is one of this Torontoist’s most treasured cinema memories, and although we did it at 2005’s Toronto International Film Festival, anyone who missed that chance can now do it at the Brunswick Theatre (296 Brunswick Avenue) tonight and tomorrow night starting 7 p.m. It’s $10 for one film or $15 for the lot, so obviously you......

You still have a few hours left, but Torontoist's Poetry Contest closes tonight! At the beginning of the new year, Torontoist launched a poetry contest to encourage the penning of new poems about our fair city. After judges Carly Beath, Stephen Cain, and Jay MillAr deliberate, we'll announce the winner plus five honourable mentions on April 10. We hope you've enjoyed our series of previously published Toronto poems, and look forward to presenting the winning......