Results tagged “jasonanderson”

Since an enlarged heart is such a dangerous medical condition, how on earth do Pixar get away with causing people's hearts to swell so much with each of their new releases? With Wall*E, the tale of a lonely little robot that falls in love, we're worried our chests will burst right there in the cinema! It just sounds too adorable. Critical response is (as to be expected) positive, though there is a dissenting opinion from the Sun's Liz Braun, who calls it "a movie for boys."

It's an interesting week for film, with direct competition between two kinds of films—one that wants to make you feel like a kid again by bludgeoning you with special effects and nostalgic licence, and another that wants to make you feel like a kid again by simply recalling, well, what it was to be a kid.

Well, there have been a lot of films made about the ongoing conflict in Iraq and its effect on soldiers, and here’s another one! Stop-Loss is probably the glossiest, most-Hollywood looking attempt so far (no mean feat, considering Paul Haggis has had a shot already) and it remains to be seen if anyone in America really wants to be reminded that its sending its army off to fight a war that the majority of them didn’t want, especially when in many cases the soldiers don’t want to go. Haggis’s attempt at examining the psychological fallout of the Iraq war In The Valley of Elah absolutely sucked a big one at the box office, and honestly we don’t see this having much of a bigger impact, even though Ryan Philippe is generally considered nicer to look at than Tommy Lee Jones.

Couple of things going on with the films released this week. With Shutter, most interesting is that it’s based on a Thai horror film, but has been, in its Western remake, transplanted to Tokyo. Reasons? Well, either “all of Asia is basically the same thing, right?” or “people always think of scary pale girls with long black hair as being Japanese, anyway.”

Is anyone else disappointed that the dystopian future promised in 1980s films isn’t here? If there’s one thing we’ve learned here at Torontoist, is that en masse, humans are terrible at predicting our future. It’s always so much more mundane than we expect it to be. The perfect example being The Running Man.

Hello! Although you probably didn’t notice, this Torontoist writer was away for a week, and as a result we failed to do something very important. Specifically, to congratulate Norm Wilner on becoming NOW’s senior film critic. We're not doing this just because we know Wilner keeps an eye on Torontoist to see if he gets a mention, but because we like his work so much that we can’t think of anyone better to step into John Harkness’s (non-literal) shoes.

We managed to see Cloverfield a few weeks ago, and with the release of Diary of the Dead (above) this week, we have to say it's rather timely to discuss our opinion of it. As tired as this quote is, there's really no better way to describe Cloverfield than to take from Macbeth's famous soliloquy: "Full of sound and fury, signifying nothing."

Hello, and welcome to another installment of everyone’s favourite film column in which the writer makes up their opinions on the weeks films largely based on what trailers they’ve seen on TV.

It’s wild outside, huh? So wild that it allows us to segue into talking about must be astonishingly terrible.

Though there are only three new films on release this week, it would be unfair to bemoan the shortage when one film, , is of a high enough quality that it might as well be the only film released. During TIFF 2007 Christopher Bird handed it a 5/5 and called it "a masterwork in every way that matters."

We’re going to take a break from our usual Torontoist style in this post because the passing of John Harkness, the film critic for Now magazine since its inception in 1981, is something that has particular importance for me. As the writer of Torontoist's weekly “Film Friday” column, which, as you know, very often quotes the reviews from local critics, I have probably quoted John Harkness more than anyone.

Blade Runner is no longer showing at the Regent, which in many ways is lucky, as otherwise it was going to turn into a weekly, Rocky Horror Picture Show-style event for us—well, without all of that tedious audience interaction, which now we think about it, would make it not very like the Rocky Horror Picture Show at all. If you’re still hungry for more vintage Harrison Ford, though, they are showing Raiders of the Lost Ark at the Bloor this weekend. [edit: According to our comments, Blade Runner is apparently still showing at the Regent (we were under the impression it was a two week engagement) which means we may still turn it into a Rocky Horror Picture Show thing. Without all that Rocky Horror Picture Show.]

If there’s one thing Torontoist likes to do, it’s moan about stuff, but on the face of it, that Palme d’Or winner 4 Months, 3 Weeks and 2 Days receiving a theatrical release here is something that should be received without complaint. After all, journalists have praised the film, including Norm Wilner at Metro, who calls the film "marvellous filmmaking." But really, it just gives us a chance to moan about the lack of a theatrical release for Reprise (also distributed by Mongrel Media) again. Nice to see they have faith in a Romainian flick about abortion that won an award in France, but not, you know, just about the best film ever that won an award right here in Toronto.

The After Dark Film Festival! Happening all week! The only film festival where Uwe bloody Boll could have his film accepted! We talked about it here! Check it out!

Darryl’s Hard Liquor and Porn Film Festival (covered by Amanda Buckiewicz earlier this week) is at the Bloor Cinema this Saturday, October 13 at 8 p.m, but if you’re a person of milder tastes (soft liquor and corn?) this week’s festivals of interest include the Toronto Latin Film Festival, the Macedonian Film Festival, the DNA Film Festival (it’s a busy week for festivals!), and the ImagiNATIVE Film Festival, which continues to win us over every year with its brilliant poster designs.

Slightly different beginning to our Film Friday today, because we’d like to highlight the fact that our favourite film in ages, Reprise (pictured above), was released on DVD this week. We really feel it should have been given the same kind of cinematic release it’s getting right now in the UK, rather than an astonishingly bare-bones DVD transfer with burned-in subtitles, but what are you going to do? You really have to see it anyway. It was one of our top picks from TIFF 2006, and is still as vital as ever (and Eye’s Jason Anderson agrees).

Tonight the Drake Hotel hosts the second edition of its Nonfiction series. The big idea is that a bunch of journos sit around at the bar swapping stories that never made it to print, like one imagines Charles Foster Kane's newspapermen might have done. Only for a $5.30 cover, civilians are allowed to come listen.

We’ve mentioned the Bicycle Film Festival a few times before, but we’re going to give special mention to it again today because tonight at 7 p.m. is the screening of the festival’s first shorts programme, featuring Warriors: The Bike Race.

Recently, Torontoist went canoeing in Algonquin Park (we got 34 mosquito bites). However, arguably the most amusing thing to happen during our entire trip was passing a billboard on our way into the park advertising a "Dock in a Box." We instantly became distracted by a lengthy fantasy that the company knew exactly what it was doing and included a YouTube video on its website about how it created the Dock in a Box (you know—"One, we cut a hole in the box; two, we put our tech in the box!"), but were recently disappointed to find that there’s nothing funny at all on the company website.

This week Torontoist decided to work out for itself exactly when The Simpsons was good. Because it’s just been so long, so depressingly long, since we’ve seen a episode that didn’t make us want to open a vein. Seriously. Using the powers of science (well, Wikipedia) we’ve decided it was good between seasons three and ten, peaking in (roughly) season seven.

We’ve been looking for a way to talk about King Kong again for a while now. It’s unlikely you’ll remember, but Torontoist’s first Film Friday column was actually published in the week Peter Jackson’s remake hit cinema screens, yet that’s not (specifically) the reason we’ve been in the mood to mention it again.

Recently, Torontoist has probably been playing too many videogames. Not that that’s a problem, per se, but when you’ve become such an adrenaline junkie that you’re absent-mindedly tapping a non-existent "A" button to get past this bothersomely long “cut-scene” you’ve been watching only to remember that you’re actually watching The Omen, you have to admit that you’ve probably got a problem, and should probably cool off with some of Pedro Costa's longest films, showing at Cinematheque Ontario this week.

ARR! Pirates of the Caribbean: At World’s End hits this week and as the third second sequel to hit this summer it’s got some stiff competition. Nice to see though that they’ve made sure it beats Spider-Man 3 in at least one respect, in that at 2 hours and 47 minutes long, it’s a good half hour longer. It’s nearly as long as Inland Empire (which is finished at the Royal now, so we promise we won’t mention it again) and apparently, almost as confusing. Reviewers have mostly come to the conclusion that they didn’t have a clue what was going on, but we think NOW’s Deirdre Swain put it most eloquently: “It would take the sharpest sword in the armoury to cut through this sailor's knot of a plot; I couldn't explain it if I wanted to.”

“What’s going on this week in cinema, Torontoist?” you might be asking, as you normally would when faced with another Film Friday column. “Well,” we'll respond, “If you want to know what is hot, you only have to look at a couple of earlier posts this week.”

This week, the biggest news in movies is that Warner Bros. has decided to stop all advance promotional screenings of its films in Canada, in attempt to stem the flow of pirated movies from Canada. Yo ho ho! Unfortunately, they’ve likely decided that Canada is a hotbed of disgusting movie pirates on some pretty wonky data. Though apparently there’s no law against recording movies in a theatre onto a camcorder in Canada, which is kind of crazy.

OMG! This week sees the release of Kickin' It Old Skool, a Jamie Kennedy vehicle. He plays a breakdancer who awakes from a 20-year coma and something that Jamie Kennedy probably considers hilarity ensues. We here at Torontoist Towers are astounded at the idea that somebody greenlighted a film with Jamie Kennedy in it. Absoultely gob-smacked.

So, although we’ve only just spent a whole post gushing about Sprockets, we can’t really forget about the other excellent stuff that’s going on this week. The Images Film Festival closes this weekend, and we’ve been told Live Images 4: Quasar, tonight at the Music Gallery (197 John) at 9:30 p.m. is the hot ticket, as it features “an army of modified 16mm projectors and a quadraphonic sound system to envelop the audience in a pulsating array of light and sound particles.” Stick that in your pipe and smoke it, IMAX!

Now here is an interesting thought, readers. Grindhouse, Quentin Tarantino and Robert Rodriguez’ homage to classic trashy double bills comes out this week, and, if you want to see it, you have to see it in a multiplex, because not one of the independent cinemas here (or we imagine anywhere else) are showing it.

Interesting and depressing news today in the Toronto Star, with the revelation that there are no plans to release the Aqua Teen Hunger Force Colon Movie Film for Theatres in Canada. Why is that, hmm? The article states (quite correctly) that it’s one of the most popular shows on The Detour on Teletoon (where you can watch it at 10:15 p.m. weeknights) so why they’re not giving it at least a limited release here confounds us.

Going to see all three films in Nicolas Winding Refn's Pusher Trilogy, one after another in one night, is one of this Torontoist’s most treasured cinema memories, and although we did it at 2005’s Toronto International Film Festival, anyone who missed that chance can now do it at the Brunswick Theatre (296 Brunswick Avenue) tonight and tomorrow night starting 7 p.m. It’s $10 for one film or $15 for the lot, so obviously you should see all three.