Results tagged “house”

Each week, Torontoist examines the upcoming TV listings and makes note of programs that are entertaining, informative, and of quality. Or, alternately, none of those. The result: Televisualist.

Fool’s Gold Records, known for their dirty, cut-up, fidgety electro artists, recently signed Atlanta-based Treasure Fingers. Tomorrow, May 15th, Treasure Fingers teams up with rising bloghouse master Kill The Noise for the "School's Out Forever Tour" at Wrongbar, courtesy of the boys at Dopplehertz. Plus there is the added treat of a DJ set from local favourite Vaneska.

This weekend, Toronto was impossible to miss at Miami's Winter Music Conference and Ultra Music Festival.

One of the biggest complaints that Toronto hip hop artists have is that they are ignored by local media, and, for the most part, they're right. Drop the Needle hopes to help remedy this by checking in with some of the city's finest artists each month to see what's up.

It's Canadian Music Week and that means there's an unusually large number of hip hop shows going on. KRS-One will be teachin' at The Opera House on Saturday as he continues his Stop the Violence movement. RZA dons his Bobby Digital mask on Sunday at the Phoenix. There's also grimy New York hip-hop (M.O.P. on Friday), French rap (DJ Orgasmic and Cuizinier on Thursday), and a strong showcase of local talent (Friday's Exclaim! event).

The organizers of Nuit Blanche held a launch event at OCAD this morning to announce this year’s curators—Wayne Baerwaldt, Director and Curator of Exhibitions at the Illingworth Kerr Gallery at the Alberta College of Art and Design; Dave Dyment, Director of Programming at Mercer Union, Toronto; Gordon Hatt, a writer and curator who lives in Kitchener; and Haema Sivanesan, Executive Director of Toronto’s South Asian Visual Arts Centre—and allow them to outline their individual visions for the event.

Since January 2006, quirky black-and-white brushstroke illustrations have graced the back page of the The New York Times Magazine. The work is that of Toronto-based designer and OCAD teacher Bob Hambly, who just completed his 500th illustration—a bus—for the prestigious Sunday newspaper supplement.

City sells "the McDonald's site" on Bloor for a fairly low price. However, Adam Vaughan insists there are upsides to the deal, such as being able to limit the height of the condo development that will take its place, because who would want tall buildings in the downtown core?

Photo of Julie Wilson, courtesy of Julie Wilson.

Torontoist Environment Editor Chris Tindal is currently engaged in a federal by-election campaign. This weekly column is an attempt to offer a behind the scenes glimpse into what it's like to be that mysterious Other: a politician.

Leave it to CanStage to somehow, in the midst of extreme internal upheaval what is maybe their darkest financial hour, be simultaneously running two of their strongest shows by far in recent memory. In fact, Palace of the End (which closes tomorrow night) and The Clean House (which runs until March 8) aren't just good shows for CanStage, they would be amazing shows for anywhere. Hopefully, they can win the audiences they deserve, but it's certainly disheartening to finally see the company do something really, really right while knowing what's in store for the future. The abrupt departure of new Artistic Director David Storch a few weeks ago was enough of an unpleasant surprise. But further news reported in The Toronto Star was even more alarming. A total of 10 CanStage staff members have apparently been laid off, including dramaturge Iris Turcott, who, like Storch, will henceforth bear the dubious title of "consultant."

For some men, a suit feels like an unnatural and constricting male uniform; a way of burying individuality in the conventional business attire of dark suit, white shirt, and tie. There are certainly a fair share of businessmen, bankers and lawyers wandering through the PATH corridors beneath the Financial District who carry themselves in exactly this fashion. For those attuned to the subtle details of masculine appearance, however, the suit offers a perfect canvas for the conspicuous display of their personality and taste. The distinctions between the two may seem slight, but for the individiual responding to the homogenization of life—that the exact same ready-to-wear designer suit is available in Toronto, Dubai or Barcelona—a bespoke suit is the ultimate means of self-expression.

The history of Michael Hollingsworth's "epic play-cycle" The History of the Village of the Small Huts is almost as storied (and confusing) as the events they represent. Many are familiar with the plays only since 2000, when VideoCabaret's residency began in the back room at the Cameron House. Since then, they have produced a new Hollingsworth play every year (with the exception of 2004), making the currently-running Laurier the eighth play in the cycle. However, the original play-cycle began all the way back in 1985 with the play New France, and ended in 1999 with The Life & Times of Brian Mulroney (the only Small Huts show to be co-written with other VideoCabaret playwright-in-residence Deanne Taylor). There was even a Laurier show back in 1991. Since the Cameron House residency began, the shows have been re-imagined and re-written, and some entirely new shows have been inserted to more fully flesh out the nation's history. So, while this Laurier is the eighth in the cycle, the original was only the fifth.

In the music industry's latest attempt to lazily claw itself out of the grave, the Songwriters Association of Canada (SAC) is proposing a $5.00 per month licence fee on Canadian Internet accounts that would legalize music downloads. They're calling it the Right to Equitable Remuneration for Music File Sharing, a "reasonable and unobtrusive system of compensation" that will allow consumers to fill their bellies full of all the music they can handle from any peer-to-peer network while creating added revenue for artists, publishers, and labels alike.

In the most important news story of the day, two people have been arrested in the mysterious case of Huckleberry, the dog who vanished from outside a Yonge Street bakery and was returned after his owner offered a $15,000 reward. Police haven't said whether they believe Huckleberry was in on the caper.

You really have to wonder how performance artist and sexual activist Louise Bak always manages to schedule the very best mix of the Toronto literary scene for her Box Salon series. The successful poet and CIUT "Sex City" host founded the event back in 1998, and a decade later it is still the most entertaining literary night out in Toronto. While many other reading series can be hit or miss, the Box is consistently fresh, fun and, well, not all that “literary”—Bak curates an evening that keeps testing the boundaries of what literature is, regularly including filmmakers, playwrights, fashion designers, and musicians amongst the regular stock of poets and prose writers.

Photo by nevbrown.

Rabbit in the Moon, the legendary Los Angeles-based funky techno crew best known for their insane, pyrotechnic, costumed stage performances and dark, live beats, is headlining the last ever all-ages party at The Sound Academy, a.k.a. The Docks, this Saturday at Destiny's Together As One. This will be the first time Rabbit in the Moon has performed within city limits since 1999, which should prove to be a frenetic, immersive performance with wearable lasers, futuristic weapons that shoot geysers made of sparks, and plenty of weird surprises from the guy dancing on stage.

Founded in 1888, Whaley, Royce & Co. quickly billed itself as "Canada's Greatest Music House." Initially manufacturing a wide range of instruments, the company focused on brass and drums from the 1920s onwards under the Imperial, Sterling and Ideal brands. The company maintained a publishing arm until a fire in 1969 destroyed its stock.

Have you ever wondered what you could learn from a computer pioneer? You'll have your chance to find out when Michael Dell rolls into town for a free speaking engagement at Convocation Hall later this month. Okay, so Dell isn't exactly a pioneer: he's famous not for inventing anything, but merely for improving the process of assembling a bunch of parts into a serviceable computer, shipping it somewhere, and making a boatload of money while causing relatively few fires and explosions along the way.

Everyone's favourite appropriately-named party leader hasn't been having a great time over the past few months. Ever since John Tory's upsetting dual loss in October's provincial election, the vultures have been circling over him. Both established and grassroots party members have been calling for Tory's head, and they'll finally have a chance to oust him at the Progressive Conservative Party's General Meeting at the end of the month.

Photo by Media Eater.

If you're up for a little subversion on Thursday night from 5–7 p.m., check out our old pal Fauxreel's talk, Resistance in the City, at the Justina M. Barnicke Gallery at U of T (7 Hart House Circle). Done in association with Signals in the Dark: Art in Shadow of War, an exhibition opening that evening, Fauxreel will "talk about his work as a street artist and give a mini-demo/workshop on techniques and tactics for transforming mass media into a critique of itself."

Many of us developed an affection for opera early in life through Looney Tunes versions of Rossini and Wagner. For some, having Elmer Fudd chant “Kill the Wabbit” to the tune of “Ride of the Valkyries” in Chuck Jones's animated masterpiece taught us everything we wanted to know about opera. But if your ambition to appreciate the finer things in life extends beyond Bugs Bunny, real opera could be an intimidating world of old rich people, dead composers, elitist intellectualism and impenetrable European languages.

Hello readers! If you were lucky enough to win tickets to the screening of There Will Be Blood last night you will have already made your mind up about the film (well, we hope), but we’re going to subject you to our opinion of it anyway.

Torontoist is ending the year by naming our Heroes and Villains of 2007––the people, places, and things that we've either fallen head over heels in love with or developed uncontrollable rage towards over the past twelve months. Get your dose, starting Boxing Day and running into the new year, three times a day––sunrise, noon, and sunset.

Torontoist is ending the year by naming our Heroes and Villains of 2007––the people, places, and things that we've either fallen head over heels in love with or developed uncontrollable rage towards over the past twelve months. Get your dose, starting Boxing Day and running into the new year, three times a day––sunrise, noon, and sunset.