Results tagged “gulfwar”

Palace of the End, Judith Thompson's most recent play, is not only her most political work, it is also her best. As most auditioning actors in this country have discovered, Thompson's greatest strength has always been her monologues, and in this piece, she uses that strength to its full advantage. In fact, she dispenses with character interaction altogether and breaks her show into three long monologues, each spoken by someone who has been greatly affected by the political situation in Iraq from Saddam's rise to power to the present. Interestingly, while Thompson has created the text for the show, she has not created fictional characters. Though they are not credited as such in the program, the following becomes clear: Maev Beaty's "American Soldier" is none other than Abu Ghraib's favourite dishonourable dischargee, Private Lynndie England; Julian Richings' "British Microbiologist and Weapons Inspector" is WMD whistle-blower and Thom Yorke muse David Kelly; Arsinée Khanjian's "Iraqi Mother" is the less notorious Nehrjas al-Saffarh, a woman who was tortured along with her children during Saddam's reign and died in the first Gulf War.

won’t-be-down-with-that flick, being shown tonight as part of Cinematheque Ontario’s Canada’s Top Ten programme (8:45pm, Jackman Hall, Art Gallery of Ontario, 317 Dundas West). The showing is preceded at 6:30pm by a fascinating panel – Pop Culture as History/History as Pop Culture, featuring Atom Egoyan (of Canada’s Top Ten film Where the Truth Lies) and Jean-Marc Vallee (of the aforementioned C.R.A.Z.Y), curated by Eye Weekly’s Jason Anderson. Sadly completely sold out, you can arrive early and hope for a rush ticket hope there is a ticket scalper outside, but the film is available, sans panel, at the Bloor Cinema (506 Bloor West) all week long.