It’s the final day of the festival, which is always rather maudlin one—although for those of us who try to cover it, the festival is largely a far too hectic, busy period of time, once things start to slow down the sudden lack of pressure is terribly deflating. Never mind—we’ll have some wrap up coverage for you next week. Tonight’s closing gala is Emotional Arithmetic, reviewed by Jonathan Goldsbie at the very beginning of our TIFF 2007 coverage. He called it a “highly-polished drama” but noted that it “plays out exactly as one would expect and is only rarely revelatory.” Head along to Roy Thompson Hall tonight to catch your last glimpse of the glamour and pageantry of the festival.
Results tagged “contemporaryworldcinema”
No Film Friday again today, as we’re still too busy with the festival A few of the films that played at the festival are out already, with Neil Jordan’s The Brave One, David Cronenberg’s Eastern Promises and Julie Taymor's Across the Universe all on general release. Not even new release Mr. Woodcock escapes a connection—it’s directed by Craig Gillespie, director of festival film Lars and the Real Girl.
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It begins! Tonight the Toronto International Film Festival opens officially with Jeremy Podeswa’s Fugitive Pieces, so if you want to start soaking up the atmosphere of the festival head down to Roy Thompson Hall before 8 p.m.
Well, this is it. The Toronto International Film Festival begins tomorrow, and this is the last of our previews, with coverage of Vanguard films Boy A (pictured above) and Help Me Eros from Jonathan Goldsbie and Mathew Kumar, and reviews of a selection of Short Cuts Canada shorts from Mathew Kumar (in which he has the audacity to hand out a 0/5).
If you missed it, yesterday our Toronto International Film Festival preview began with a look at the Gala and Contemporary World Cinema programmes, and if you didn’t know, tickets go on sale tomorrow morning online, at 416-968-FILM or 1-877-968-FILM and at the TIFFG Box Office at the Manulife Centre, 55 Bloor Street—so after you’ve read this, you might want to start queuing.
Our Toronto International Film Festival preview coverage is a little different this year. While last year, our reviews came from our film editor, this year we were lucky enough to have our reviews come from many of our Torontoist writers. Today we have our Gala Presentation and Contemporary World Cinema preview, with reviews of Emotional Arithmetic, Jane Austen Book Club, Sleuth, The Band’s Visit, Breakfast With Scot, The Counterfeiters and Jar City from Christopher Bird, Beth Bohnert, Jonathan Goldsbie, Kevin McBride, Marco Moldes and Johnnie Walker, with Christopher Bird awarding our first 5/5 mark of the festival to The Counterfeiters (pictured above).
The Toronto International Film Festival have announced 73 films today, which is, er, a lot. Too many for us to even pretend to give them even coverage, so as usual we’re just going to pick and choose from today’s announcements, which are made of films from international filmmakers, and tell you about the ones that interest us personally.
The Toronto International Film Festival madness began today with this year’s Canadian press conference—whereas last year we were unprepared for the experience, this year we were ready. We didn’t eat lunch, instead eating our fill of the finger food on offer. Result!
9:00pm - Red Road (Varsity 8)
9:00pm - Exiled (Visa Screening Room (Elgin)) - see our Day 7 coverage.
2:30pm - Velvet Goldmine (Al Green Theatre)
6:00pm – The Fountain (Visa Screening Room (Elgin))
5:45pm – Programme 1 (Cumberland 3) – See our Short Cuts coverage. Featuring Ninth Street Chronicles and Patterns 2&3!
Well, with day one done and dusted, this morning perhaps many people will still be sleeping off the opening night party, but for others (not least the staff and volunteers) it been another early morning to get the festival up and running. This is the first full day of the festival and as such it’s heavy with films to join the rush queue for. Let’s see what we’d give that honor to.
We've finished up our TIFF Preview, so today we begin our daily coverage of the festival, beginning with this, our picks for the first day. Or as we should perhaps say, the first night, because the festival doesn’t really kick off until this evening, other than one screening (Kenneth Branagh’s The Magic Flute, sneaking in early). It’s rather odd that the opening Gala isn’t literally the first film, but we guess that’s the way it is!
So tonight is the big opening of the Festival, with certain sections of the city all abuzz with poseurs yammering into cell phones, except now not in Canadian accents! All the staff and hardworking volunteers will be hoping it all goes off without a hitch, terrified and excited at the thought of nearly two weeks of celebrities, parties, networking… oh, and films, I guess. The opening night Gala tonight is Deepak Mehta’s Water, a film shut down by Indian extremists, forcing the director to film the rest of her examination of ostracized Indian widows in Sri Lanka. Torontoist, naturally, doesn’t have tickets, and due to Ontario’s severe laws won’t be scoring any on eBay either, so we're here with a look at the Contemporary World Cinema and Reel to Reel programmes.
