Results tagged “cinema”

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the bellwether of rep cinemas: Bloor Cinema.

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the model used by Cinematheque Ontario.

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the renovated Fox Theatre and its battle! against! the! killer! dvds!

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the rebirth of the Revue Cinema and its focus on the Roncesvalles community.

Every day this week, Torontoist is exploring the future of repertory cinema in Toronto. We spoke to the theatre managers of four major rep cinemas to hear if rep cinema is dying, what it's like to exist in a YouTube society, and what original programming has them most excited. Today, we look at the fall of Festival Cinemas, which sparked fears that rep cinema would disappear from the city.

Do you fear that just one night of Spice won't suffice? Did you sleep in when tickets went on sale the first time... then again, and again, and again once more?

Hello readers! If you were lucky enough to win tickets to the screening of There Will Be Blood last night you will have already made your mind up about the film (well, we hope), but we’re going to subject you to our opinion of it anyway.

Torontoist is ending the year by naming our Heroes and Villains of 2007––the people, places, and things that we've either fallen head over heels in love with or developed uncontrollable rage towards over the past twelve months. Get your dose, starting Boxing Day and running into the new year, three times a day––sunrise, noon, and sunset.

We’re going to take a break from our usual Torontoist style in this post because the passing of John Harkness, the film critic for Now magazine since its inception in 1981, is something that has particular importance for me. As the writer of Torontoist's weekly “Film Friday” column, which, as you know, very often quotes the reviews from local critics, I have probably quoted John Harkness more than anyone.

Andy Warhol's Factory parties were the ultimate hot spot for an elite cabal of celebrities, radicals, drag queens and porn stars. There has never been a better place to rock out while on an amphetamine high amid mass-produced silkscreen paintings and a fleet of floating silver balloons.

Photo by Jeremy Farmer from Flickr.

The Toronto One Minute Film & Video Festival turns five tomorrow. Not to be lumped in with our typical neverending, city-spanning, celebrity-scoping, press-pass flossing film fests, this one usually comes and goes gracefully before anyone even knows it exists. Sixty films, 60 seconds each, played back-to-back at the Bloor Cinema. You couldn’t get bored if you tried. Founded in 2003 as the result of a dare among friends and former-filmmakers in Toronto, the idea is...

This what a bioterrorist looks like, according to the FBI. Dr. Steven Kurtz (right) is a Professor of Art at SUNY Buffalo and member of Critical Art Ensemble (CAE), an art and theatre collective co-founded by Kurtz and his late wife, Hope. In May 2004, the Kurtzes were preparing a piece called Free Range Grains, which allowed participants to test food for the presence of genetically modified organisms, when Hope died of heart failure...

Five days of Pan-Asian cinema in the city kicks off tomorrow night, as the Reel Asian International Film Festival celebrates its eleventh annual incarnation. Bloor Cinema will present the Opening Night Gala film, Finishing the Game, at 7 p.m., followed by a Q&A session with lead actor Roger Fan and producer Julie Asato. Added bonus: local comedy troupe Asiansploitation will perform beforehand on the red carpet. This year's festival is poised to impress. And...

If there’s one thing Torontoist likes to do, it’s moan about stuff, but on the face of it, that Palme d’Or winner 4 Months, 3 Weeks and 2 Days receiving a theatrical release here is something that should be received without complaint. After all, journalists have praised the film, including Norm Wilner at Metro, who calls the film "marvellous filmmaking." But really, it just gives us a chance to moan about the lack of a theatrical release for Reprise (also distributed by Mongrel Media) again. Nice to see they have faith in a Romainian flick about abortion that won an award in France, but not, you know, just about the best film ever that won an award right here in Toronto.

The Royal St. George's College "Focus on the Environment" speaker series continues with David Suzuki at the Bloor Cinema on Monday night. This year's series kicked off in September with Jane Goodall and continues through the rest of the school year with guest speakers ranging from writer Roy MacGregor to polar explorer Geoff Green. In contrast, the only guest speakers we remember from our high school years were actuaries and federal civil servants telling us how important it was to study calculus and French.

Photo by christine mullen photography from the Torontoist Flickr Pool.

With the final film line-up announced and special guests already booking flights to Toronto (legendary horror dude Uwe Boll! Direct from Germany!), the acclaimed Toronto After Dark Film Festival is set to play out its second year. Starting tomorrow night through to the 25th, the Bloor Cinema will play host to over 50 new independent and international horror/sci-fi/fantasy/action/animation and generally offbeat works from across North America, Europe and Asia.

Darryl’s Hard Liquor and Porn Film Festival (covered by Amanda Buckiewicz earlier this week) is at the Bloor Cinema this Saturday, October 13 at 8 p.m, but if you’re a person of milder tastes (soft liquor and corn?) this week’s festivals of interest include the Toronto Latin Film Festival, the Macedonian Film Festival, the DNA Film Festival (it’s a busy week for festivals!), and the ImagiNATIVE Film Festival, which continues to win us over every year with its brilliant poster designs.

Chances are, if you're like us, your first experience with pornography was a mix of titillation, curiousity, and shame. Maybe it's still that way, but at least for one weekend you can be free from shame if you join fellow pervs at the Hard Liquor And Porn Film Festival.

The Revue cinema is due to reopen its doors on October 4th, and if you’ve been waiting for the chance to buy tickets for the opening night, they’re now on sale at She Said Boom (393 Roncesvalles Avenue) at $20 for the film and the after-party or $10 for just the party at the Lithuanian Hall (1573 Bloor Street West). The opening night film is secret, but it was selected by an online poll, so it’s one of the films on this page, probably!

It’s the final day of the festival, which is always rather maudlin one—although for those of us who try to cover it, the festival is largely a far too hectic, busy period of time, once things start to slow down the sudden lack of pressure is terribly deflating. Never mind—we’ll have some wrap up coverage for you next week. Tonight’s closing gala is Emotional Arithmetic, reviewed by Jonathan Goldsbie at the very beginning of our TIFF 2007 coverage. He called it a “highly-polished drama” but noted that it “plays out exactly as one would expect and is only rarely revelatory.” Head along to Roy Thompson Hall tonight to catch your last glimpse of the glamour and pageantry of the festival.

No Film Friday again today, as we’re still too busy with the festival A few of the films that played at the festival are out already, with Neil Jordan’s The Brave One, David Cronenberg’s Eastern Promises and Julie Taymor's Across the Universe all on general release. Not even new release Mr. Woodcock escapes a connection—it’s directed by Craig Gillespie, director of festival film Lars and the Real Girl.

Today’s Contest:

Today’s Contest:

After much patient waiting (and after $74,000 in donations), the Revue Film Society announced tonight that the Revue Cinema will re-open its doors on Thursday, October 4, 2007.

Today’s Reviews:

Today’s Reviews:

Today's Review:

Though Brad Pitt might be sitting this one out, the Toronto After Dark Film Festival just unveiled the first seven of fourteen feature premieres for their critically acclaimed horror/fantasy fest. Now entering its second year, the current lineup includes (wait for it) David Arquette's horror film debut as writer/director, The Tripper (starring Paul Reubens, Jason Mewes, Lukas Haas, etc). As if that wasn't a sufficient enough reason to grab tickets, other flicks include the highly anticipated new zombie musical from Troma Films' Lloyd Kaufman (Poultrygeist: Night of the Chicken Dead) and the most expensive Russian fantasy film ever made (The Wolfhound). Also, a new sci-fi animation from Korea (Aachi & Ssipak, whose IMDB entry reads "In a future where energy is made from fecal matter...small-time hustlers try to get rich while fending off the mutated Diaper Gang"), two critically acclaimed new zombie outbreak films (Mulberry Street and Automaton Transfusion) and an award-winning documentary about one priest's attempt to shoot a Christian version of Star Wars (Audience Of One). Yes, sir. Torontoist is excited.