Somewhere in the first half of this decade there was a handful of female artists and bands churned out into mainstream Canadian music and steered towards an edgy look and sound—for example, Avril Lavigne became an international Top 40 star, while Vancouver then-teens Live On Release and their single "I'm Afraid of Britney Spears" were banished to the one-hit-wonder subconsciousness of regular Muchmusic viewers. Based mostly on timing (oh, and uh, total gender association), innocent bystanders Magneta Lane got lumped into a similar rundown of names, and even after releasing their excellent third album, Gambling with God (while also jumping from indie powerhouse Paper Bag to powerhousier Last Gang Records), they might still be suffering from the initial wrong-place-wrong-time impression.

Newsstand: November 19, 2009
These days, everyone and their grandmother has a celebrity gossip blog. Perez Hilton became a millionaire by 
Toronto may be the business capital of Canada, but it's often an old dog with few new tricks. We also uncomfortably proclaim ourselves the cultural capital, not because Southern Ontario has much of its own, but because we import the most from elsewhere.