If today’s column title gets Rachel Sweet’s Hairspray stuck in your head for the rest of the day, good! Because then we’ll have made our point that the version of Hairspray hitting this weekend isn’t as good as the John Waters original. Though the music not being as good is only part of it. There’s also the inherent irony about making a musical in which one of the central themes is integration through a shared love of largely-African American music that features only music written by a couple of white dudes. Hell, the irony of just making a musical about that. Musicals are basically the whitest form of entertainment we can imagine.
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A brief aside; The London Film Festival is currently running and our sister site Londonist are covering it, and have already given a sterling review to one of our favourites from TIFF, Reprise. You might want to check it out.
Much has been made of the fact that lazy Scorcese has already snapped up the rights for an anglo remake starring DiCaprio and Damon. Like Shall We Dance, which went from slight beauty of a film to Gere Grotesque, and Fever Pitch, which Travis1051am points out looks to be the most fatuous of all the remakes, Torontoist fears that DiCaprio and Damon won't quite be able to pull off the Lau and Leungish brooding. And if these Infernal Affairs prove fiery, the lag time means no waiting for a sequel. There are two of them already made.

Newsstand: November 27, 2009