If today’s column title gets Rachel Sweet’s Hairspray stuck in your head for the rest of the day, good! Because then we’ll have made our point that the version of Hairspray hitting this weekend isn’t as good as the John Waters original. Though the music not being as good is only part of it. There’s also the inherent irony about making a musical in which one of the central themes is integration through a shared love of largely-African American music that features only music written by a couple of white dudes. Hell, the irony of just making a musical about that. Musicals are basically the whitest form of entertainment we can imagine.
Results tagged “adamsandler”
Going to see all three films in Nicolas Winding Refn's Pusher Trilogy, one after another in one night, is one of this Torontoist’s most treasured cinema memories, and although we did it at 2005’s Toronto International Film Festival, anyone who missed that chance can now do it at the Brunswick Theatre (296 Brunswick Avenue) tonight and tomorrow night starting 7 p.m. It’s $10 for one film or $15 for the lot, so obviously you should see all three.
Clement, looking a little bit like Ben Folds, acted as his own road crew while he set up his elaborate show. When he picked up the guitar, you couldn't help but expect an unoriginal Adam Sandler type tune or a song about a breakup gone awry, but oh no, no way, nuh-uh, that's not Clement. Instead, he belted out a gem about getting it on with one conjoined twin, while the other one hangs dead off of her chin and you're all like "whoa, whoa, whoa! That's not The Hanukkah Song at all... that's awesome!"
Right. Well, first up, a quick reminder to you about the post which lies a bit below this one – the most pleasing way to say goodbye to the Revue and the Royal will be to check out tonight’s Kung Fu Friday at the Revue (Crippled Avengers, people! The Wu-Tang Clan like it! What’s stopping you?) And then checking out Dion Conflict’s Trailer Trash 2 at the Royal on Saturday. And then cry buckets of tears, probably. Torontoist expects to have a bit of a bubble at the end of the final Kung Fu Friday, anyway (hey. It means a lot to us.)
Happy New Year, film fans! Or, perhaps, not. For we’ve slammed like so much booze filled new year vomit upon the tarmac of the post-Christmas lull, in which basically nothing of interest is released in any format. Certainly this week fans of more high brow cinema will have to hang on like those last few drips of chunky bile saliva for Cinematheque Ontario’s winter programme, starting on January 13th, which we’ll probably talk about then, and which features yet more Mikio Naruse, but lots of other exciting stuff like a limited run of The Passenger, the long lost hidden by Jack Nicholson flick.

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