Results tagged “adamnayman”

Now if there’s something you know about our Film Friday columns, it’s usually the place where we spout our opinions on films based on either the trailer or the reviews that we’ve read. But this week we have a dilemma! On which do we base our opinion of Pineapple Express?

Dr. Steve Brule. Now, that name either fills you with joy, and probably running straight to YouTube, or it rings absolutely no bells at all. We mention him—John C. Reilly's character from Tim & Eric Awesome Show Good Job!—because he's pretty much the reason we rate Reilly so highly. Initially he was lumped in with the list of "people who have been in Paul Thomas Anderson films that we are ambivalent about," but Dr. Steve Brule is such work of comedic genius, he's on the list of "good guys" now.

If there’s something that all critics know, it’s that it’s great fun to rip apart something that’s incredibly bad. Especially if you know the person who made it deserves it. So as a result there’s a regular bounty of great criticism thrown at Roland Emmerich’s 10,000 B.C. The guy has foisted some of the worst, laziest, most idiotic films on the public ever (his take on Godzilla should have had him tried in the Hague) and just the trailer of 10,000 B.C. seemed like it was intentionally trying to make us stupider.

The coolest movie opening this week is Be Kind Rewind, which is a treasure trove of Things White People Like, as it stars Jack Black and his black friend played by Mos Def, and is directed by Michel Gondry, and has lots of irony, seeing as how it is about a couple of people who erase all the videotapes in their video store and then make their own mocking versions of the movies they erased. In all seriousness, though, it looks pretty funny, so possibly people who are not white will like it as well!

We managed to see Cloverfield a few weeks ago, and with the release of Diary of the Dead (above) this week, we have to say it's rather timely to discuss our opinion of it. As tired as this quote is, there's really no better way to describe Cloverfield than to take from Macbeth's famous soliloquy: "Full of sound and fury, signifying nothing."

So, who else remembers that is simply reprehensible."

Films! Films films films films. Sometimes it’s hard to get this column started, so we just sit in front of a blank word document and type the word "films" until it doesn’t make any sense to us any more. But by then, we’ve got started typing, at least, and so we continue.

Hello readers! If you were lucky enough to win tickets to the screening of There Will Be Blood last night you will have already made your mind up about the film (well, we hope), but we’re going to subject you to our opinion of it anyway.

Feeling “Christmassy” yet? We aren’t either (we've just assumed you weren’t, apologies if you are, or something), and there isn’t that much on at the cinema yet to start ramping up the festive joy. It’s a Wonderful Life is showing at the Fox starting tomorrow and Bad Santa is going to be on at the Revue this Wednesday. To be completely honest, if you’re going to check out anything at those cinemas, we recommend you go and see King of Kong (which we talked up last week) when it’s on. The Fox is showing This is England, too. Not Christmassy at all, but fantastic.

It’s funny that we mentioned in our introduction last week, because it’s showing tonight at 11:30 p.m. at the Bloor. It’s been a while, in our memory, since the last time it showed, which would imply that the fans in Toronto aren't as rabid as elsewhere, but we’d still recommend that you don't head along unless you’re very familiar with the film. Who knows what could happen.

We don’t think we’ve ever lead with the same film two weeks in a row, but there’s a first time for everything. Did you get a chance to see Blade Runner: The Final Cut this week? We did. It was amazing. We really can’t think of a film we’d rather lead with (and there’s some good stuff this week). If you didn’t get a chance to see it, consider yourself massively lucky, because it’s still on at the Regent. Basically, you have to see it. It’s a cinema experience that you’ll regret missing for the rest of your life, probably.

It’s not been a week since the Toronto International Film Festival left us, and this week’s new releases make it hard for us to move on despite a couple of TIFF premieres leading the way.

When it premiered at TIFF last year, Radiant City, ostensibly a documentary about urban sprawl, stirred up a bit of controversy. Its portrayal of the soul-rotting effects of the suburban environment on one aggressively average family was met with a variety of bemused reactions, some positive, others less so. (End of Suburbia this wasn't.) Torontoist's Mathew Kumar, for example, savaged it in his spoiler-happy review. But three months later a panel of "filmmakers, festival programmers, journalists, and industry professionals" decreed it one of the ten best Canadian films of the year. And when it opened in New York last May, even the hard-to-please Village Voice seemed to like it, deeming it "enlightening and disturbingly funny."

Have you entered our Hot Rod competition yet, readers? It's still running. You probably should enter, as it’s the most exciting film you could see this week, in our humble opinion. We really like Andy Samberg, you see. It’s so rarely worth struggling through an episode of Saturday Night Live just to see him (he’s so often wasted) but Hot Rod could be good! It really could!

Cinematheque Ontario’s summer season begins tonight, and we’ve got one pair of tickets to give away to their opening night screening, the celebrated silent film classic Sunrise: A Tale of Two Humans, argued to be one of the greatest films ever made by countless critics. It’s tonight at Jackman Hall at 6:30 p.m., so if you can make it and you’re randomly selected from the people who email us at contests@torontoist.com, we’ll notify you by 4:30 p.m. today that you’re the winner. (The contest is now closed. Thanks to all who entered.)

OMG! This week sees the release of Kickin' It Old Skool, a Jamie Kennedy vehicle. He plays a breakdancer who awakes from a 20-year coma and something that Jamie Kennedy probably considers hilarity ensues. We here at Torontoist Towers are astounded at the idea that somebody greenlighted a film with Jamie Kennedy in it. Absoultely gob-smacked.

So, although we’ve only just spent a whole post gushing about Sprockets, we can’t really forget about the other excellent stuff that’s going on this week. The Images Film Festival closes this weekend, and we’ve been told Live Images 4: Quasar, tonight at the Music Gallery (197 John) at 9:30 p.m. is the hot ticket, as it features “an army of modified 16mm projectors and a quadraphonic sound system to envelop the audience in a pulsating array of light and sound particles.” Stick that in your pipe and smoke it, IMAX!

So, this week's most noteworthy film featuring a horrible zombie is obviously Fido, considering it’s Canadian and stuff, but we’ve talked about it more than enough, so in this week’s column we’ll make do with the next best thing—the horrible freaky visage of Cillian Murphy!

After what feels like a surprisingly long gap of film festivals in the city, they’re back, with The Prisoner Justice Film Festival now running and Ozflix starting tonight with screenings of Ten Canoes and 2:37; We pretty much hated 2:37, though (but we’ve heard good things about Ten Canoes). Full details can be found at their respective websites.

Torontoist has never seen an Alejandro Jodorowsky film! Should we be ashamed to admit that? Possibly. We are, however, not ashamed to say we love that crazy guy anyway. Who couldn’t love a guy who killed three hundred rabbits with karate chops for a scene in his most well known work (and occasionally screened by Reg Hartt’s Cineforum) El Topo? Torontoist suspect we’ve lost everyone who likes rabbits. Okay then, how about his plan to film Dune with Salvador Dali as the Emperor? No? Come on! Be honest. Lynch’s version was rubbish.

Our title this week of course refers to Catch and Release, a film which has been so endlessly trailered on TV (and we don’t even watch that much) that Torontoist feels like we could recite the whole bloody film right now. “The man I was going to marry is dead! I’m sitting wearing my wedding dress and moping – it’s a girl thing! Kevin Smith is fat and talentless, but friends with Ben Affleck so he can be in this! I’ve fallen in love with you now, sexy and stereotypical unshaven male lead! The End!”

Well, after what could be considered a bit of a drought, there’s enough movies to choke a horse on release in Toronto this week; and that’s a horse which had previously won speed movie-eating competitions.

In the post-Christmas period, there aren’t usually a lot of films released, and this year it's no different; really we’re all just twiddling our thumbs waiting for the new Cinematheque season, right?

Can you believe that Unaccompanied Minors features three out of five Kids in the Hall? Neither can we! Or that the film is directed by Freaks and Geeks creator Paul Feig and features lots of other excellent folks such as The Office’s BJ Novak. We can still believe it sucks, though. Which, apparently, it does. Called “a generally lousy movie” by Now’s Deirdre Swain, she notes, oddly, that Tyler James Williams is a “particular standout, as uncomfortable as it is to see the black kid turned into a clown.”

The word on the street is that the hottest ticket in town is The American Astronaut, screening tonight at Innis Town Hall (2 Sussex) as part of U of T Cinema Studies Student Union’s Free Friday Film. Screening in 35mm, this black and white sci-fi western rock opera is “the best thing ever” according to Todd Brown from Twitch Film.

How unusual! Not a lot of festivals this week. Just the Indie Can Film Festival this weekend, and the Toronto Arab Film Festival starting on Wednesday.

Let it never be said that Torontoist’s fearless Film Friday column doesn’t use its peerless powers of precision to pick out the perfect film for your viewing pleasure! Yes, the other rags might have ignored it (probably no press screening) but this week’s pick above all others has to be Let’s Go To Prison, starring Toronto born Will Arnett (of Arrested Development) and directed by Mr. Show genius Bob Odenkirk, how could it possibly be anything other than completely excellent?

There are several films out this week. As there are every week. But for some reason Torontoist just isn’t that interested in them this time. Oh, sure, we could riff on the new Will Ferrell vehicle, Stranger than Fiction, but we are… Disinterested, as we said. Thankfully the professionals aren’t so undisciplined, with Eye Weekly’s Jason Anderson praising the script as “clever and idiosyncratic”, and Barrett Hooper from Now calling it “genuinely funny and surprisingly touching.”

Torontoist already has a documented history on disliking Death of a President (including arguing with a FIPRESCI jury member about it) and we don’t really need to go into it again, so let’s hear what the critics have to say. Eye’s Liz Clayton gives it three stars, but doesn’t seem that enthused; “ultimately doesn't insinuate anything more creepy and despairing than what turns up in the real news every day”, while NOW’s Cameron Bailey finds it more interesting to talk around the film rather than about it, finally admitting the film is “not paranoid enough to be really interesting”.

Yeesh; another week, another pile of movies which were at the Toronto International Film Festival. Considering there are, oh, 32,064 or so films at each TIFF we should probably get over this as soon as possible, otherwise every week our column is going to sound the same.