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	<title>Torontoist &#187; &#8220;mad pride&#8221;</title>
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	<link>http://torontoist.com</link>
	<description>Torontoist is about Toronto and everything that happens in it</description>
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		<title>Off Key Comedy Aims to Fuse Stand-Up and Song</title>
		<link>http://torontoist.com/events/event/off-key-comedy-aims-to-fuse-stand-up-and-song/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=off-key-comedy-aims-to-fuse-stand-up-and-song</link>
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		<pubDate>Thu, 23 May 2013 18:15:44 +0000</pubDate>
		<dc:creator>Chris Dart</dc:creator>
		
		<guid isPermaLink="false">http://torontoist.com/?post_type=event&#038;p=255401</guid>
		<description><![CDATA[A musical-comedy showcase tries to shake the genre's lame reputation.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2013/05/off-key-comedy-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="Robert Keller and Rush Zilla enjoy a pre-show cocktail. Photo courtesy of Robert Keller." /><p class="rss_dek">Even with the success of acts like Lonely Island and Flight of the Conchords, people still tend to view musical comedy with some suspicion, and not without reason. Those high-profile success stories aside, at the club level, musical comedy is too often the province of people who aren’t quite good enough to make it as [...]</p></p>]]></description>
				<content:encoded><![CDATA[A musical-comedy showcase tries to shake the genre's lame reputation.<p class="rss_dek"><p>Even with the success of acts like <a href="www.hiphopdx.com/index/singles/id.24476/title.the-lonely-island-f-solange-semicolon-" target="_blank">Lonely Island</a> and <a href="http://www.youtube.com/watch?v=WGOohBytKTU" target="_blank">Flight of the Conchords</a>, people still tend to view musical comedy with some suspicion, and not without reason. Those high-profile success stories aside, at the club level, musical comedy is too often the province of people who aren’t quite good enough to make it as musicians, but not quite funny enough to make it as comedians.</p>
<p>Two local comics, Robert Keller and Rush Zilla, are out to change that perception with their show, <strong><a href="https://www.facebook.com/OffKeyComedy" target="_blank">Off Key Comedy</a></strong>, which features a wide variety of acts whose only commonality is that they combine music and comedy in one form or another. The third edition of the monthly show will take place on May 23, at Comedy Bar.<span id="more-255401"></span></p>]]></content:encoded>
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		<title>Of a Monstrous Child is Caught in a Complex Romance with Lady Gaga</title>
		<link>http://torontoist.com/events/event/of-a-monstrous-child-is-caught-in-a-complex-romance-with-lady-gaga/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=of-a-monstrous-child-is-caught-in-a-complex-romance-with-lady-gaga</link>
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		<pubDate>Thu, 23 May 2013 15:00:29 +0000</pubDate>
		<dc:creator>Carly Maga</dc:creator>
		
		<guid isPermaLink="false">http://torontoist.com/?post_type=event&#038;p=254908</guid>
		<description><![CDATA[Alistair Newton's new play dives into the history of performance art to explain our cultural fascination with the House of Gaga.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2013/05/20130521_gagamusical-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="Kimberly Persona as Lady Gaga in Of a Monstrous Child: A Gaga Musical. Photo by Alejandro Santiago." /><p class="rss_dek">Despite the fact that the last show in Buddies in Bad Times Theatre&#8217;s 2012/2013 season is titled Of a Monstrous Child: A Gaga Musical, Lady Gaga herself takes a secondary role. There are no homages to raw-meat dresses and gold-plated wheelchairs here. Instead, writer and director Alistair Newton uses the House of Gaga as a [...]</p></p>]]></description>
				<content:encoded><![CDATA[Alistair Newton's new play dives into the history of performance art to explain our cultural fascination with the House of Gaga.<p class="rss_dek"><p>Despite the fact that the last show in Buddies in Bad Times Theatre&#8217;s 2012/2013 season is titled <strong><em><a href="http://buddiesinbadtimes.com/shows/of-a-monstrous-child-a-gaga-musical/">Of a Monstrous Child: A Gaga Musical</a></em></strong>, Lady Gaga herself takes a secondary role. There are no homages to raw-meat dresses and gold-plated wheelchairs here. Instead, writer and director Alistair Newton uses the House of Gaga as a pathway into the history of the notable performance-art stars that came before her in the pantheon of queer iconography, and how she is and isn&#8217;t a construct of all of them put together.<span id="more-254908"></span></p>]]></content:encoded>
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		<title>Psychosis and Stigma, in Graphic Detail</title>
		<link>http://torontoist.com/2012/07/psychosis-and-stigma-in-graphic-detail/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=psychosis-and-stigma-in-graphic-detail</link>
		<comments>http://torontoist.com/2012/07/psychosis-and-stigma-in-graphic-detail/#comments</comments>
		<pubDate>Thu, 26 Jul 2012 18:30:17 +0000</pubDate>
		<dc:creator>Desmond Cole</dc:creator>
				<category><![CDATA[culture]]></category>
		<category><![CDATA["Centre for Addiction and Mental Health"]]></category>
		<category><![CDATA["mad pride"]]></category>
		<category><![CDATA[comics]]></category>
		<category><![CDATA[Grahpic Novels]]></category>
		<category><![CDATA[mental health]]></category>
		<category><![CDATA[psychiatry]]></category>
		<category><![CDATA[sarafin]]></category>

		<guid isPermaLink="false">http://torontoist.com/?p=182550</guid>
		<description><![CDATA[A Toronto artist's graphic novel chronicles her time in a local schizophrenia ward.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2012/07/20120726artistdiaries-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="Three frames from Asylum Squad Side Story: The Psychosis Diaries. Click for a zoomed-in view." /><p class="rss_dek">Toronto-based graphic novelist Saraƒin (she prefers not to use her birth name) has been creating comics since she was a teenager. One of her earliest, a collection of stories called Asylum Squad, featured, in her words, &#8220;superheroes who pop pills.&#8221; The artist had experienced some depression in her youth, and found refuge in graphic storytelling. [...]</p></p>]]></description>
				<content:encoded><![CDATA[A Toronto artist's graphic novel chronicles her time in a local schizophrenia ward.<p class="rss_dek"><div id="attachment_182977" class="wp-caption alignnone" style="width: 650px"><a href="http://torontoist.com/2012/07/psychosis-and-stigma-in-graphic-detail/20120726artistdiaries/" rel="attachment wp-att-182977"><img src="http://torontoist.com/wp-content/uploads/2012/07/20120726artistdiaries-640x235.jpg" alt="" title="20120726artistdiaries" width="640" height="235" class="size-large wp-image-182977" /></a><p class="wp-caption-text">Three frames from <em>Asylum Squad Side Story: The Psychosis Diaries</em>. Click for a zoomed-in view.</p></div>
<p>Toronto-based graphic novelist <a href="http://asylumsquad.com/">Saraƒin</a> (she prefers not to use her birth name) has been creating comics since she was a teenager. One of her earliest, a collection of stories called <em>Asylum Squad</em>, featured, in her words, &#8220;superheroes who pop pills.&#8221; The artist had experienced some depression in her youth, and found refuge in graphic storytelling. </p>
<p>It was an outlet she would return to in 2008, as she struggled with psychosis and spent the better part of a year in the schizophrenia ward at the <a href="http://www.camh.ca/en/hospital/Pages/home.aspx">Centre for Addiction and Mental Health</a> on Queen Street.</p>
<p><span id="more-182550"></span></p>
<p>We spoke with Saraƒin at the third annual <a href="http://www.bmc.med.utoronto.ca/graphicmedicine/" title="Comics and Medicine conference">Comics and Medicine conference</a>, where she was invited to present a paper on her experience creating <em>Asylum Squad Side Story: The Psychosis Diaries</em>. The graphic novel, her first, is a revamp of her original concept, and it features young characters struggling with visions, delusions, and what Saraƒin describes as &#8220;psychiatric incarceration.&#8221; </p>
<p>Saraƒin describes her time in CAMH as a constant struggle with voices and images in her mind, but also with those responsible for caring for her. &#8220;Saying the wrong thing, looking at the staff the wrong way, could have consequences,&#8221; she told us. &#8220;I had to learn to adapt to the environment, or else risk being overmedicated to conform.&#8221;</p>
<p>Saraƒin acknowledges her own confused state, but adds that, &#8220;Anybody, regardless of their state of mind, would get upset after a certain point about the bad food, the bad lighting, the lack of activity, the low ceilings.&#8221;</p>
<p>In the midst of her mental and emotional trauma, Saraƒin decided to resurrect the <em>Asylum Squad</em> theme and retool the characters to speak to her experiences. She remembers how the noise of people in her ward shouting and pleading for staff &#8220;sometimes made it impossible to concentrate and write.&#8221; She gradually earned the right to leave the CAMH grounds on a day pass, and would walk to nearby St. Christopher House to upload her comics to the web.  </p>
<p>A turning point for Saraƒin was her interaction with people at <a href="http://www.thesecrethandshake.ca/" title="The Secret Handshake">The Secret Handshake</a>, a &#8220;peer support program created by and for people with schizophrenia.&#8221; A man there heard about her work and encouraged her to contribute to a zine he was editing. &#8220;I&#8217;ve always denied my label of Schizoaffective disorder,&#8221; Saraƒin says, &#8220;and they respected that.&#8221; </p>
<p>When she was finally discharged from CAMH, Saraƒin had created 44 comic strips. She decided to accept the wordy and sometimes disjointed nature of that collection as an authentic record of her psychosis, and worked to complete the book in the same style. &#8220;I hadn&#8217;t seen a lot of comics on psychotic states. I wanted to speak to people who have had psychotic experiences and say, &#8216;You can come out the other end. It doesn&#8217;t have to be chronic&#8230;you don&#8217;t have to be medicated for life.&#8217;&#8221;</p>
<p>While Saraƒin described herself as &#8220;extremely happy&#8221; about her invitation to present at the Comics and Medicine conference, she was also dealing with the anxiety of sharing her experiences with psychiatrists who might not relate to them. &#8220;I&#8217;m not completely anti-psychiatry,&#8221; she told us, &#8220;but I admire the spirit of those who are, and I can see why they feel that way.&#8221; Nevertheless, she has found acceptance from medical professionals. &#8220;All the doctors that I&#8217;ve talked to have been extremely supportive,&#8221; she said. &#8220;I&#8217;m learning to be less stigmatizing and angry.&#8221;</p>
<p>Nowadays, Saraƒin is working on the next book in the <em>Asylum Squad</em> series, and advocating with groups like <a href="http://torontoist.com/2011/07/mad_pride_breaks_out_of_the_asylum_and_storms_the_streets_of_parkdale/">Mad Pride</a> to humanize the treatment and perceptions of people dealing with mental-health challenges. She blamed a lack of resources and training for the conditions she experienced at CAMH. &#8220;It&#8217;s understaffed, especially at [the site on] Queen Street. They can only talk to you for so long&#8221; before care takes the form of pacification or discipline.</p>
<p>(We invited CAMH to talk about the issue of funding. A CAMH representative said only that CAMH is &#8220;committed to providing comprehensive, client-centred care in a supportive healing environment.&#8221;)</p>
<p>Saraƒin imagines mental-health interventions that could have avoided, in her case, &#8220;things done to my body for my own safety.&#8221; She wants to see more art programming, housing support, and improved nutrition programming for people living with mental illnesses. Her ability to channel pain, confusion, and isolation through art has allowed her to view her experience at CAMH as a transformative blessing in disguise. &#8220;Tragedy is a gift for creative minds,” she said.</p>
</p>]]></content:encoded>
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		<title>Mad Pride Breaks Out of the Asylum and Storms the Streets</title>
		<link>http://torontoist.com/2011/07/mad_pride_breaks_out_of_the_asylum_and_storms_the_streets_of_parkdale/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mad_pride_breaks_out_of_the_asylum_and_storms_the_streets_of_parkdale</link>
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		<pubDate>Tue, 19 Jul 2011 13:00:00 +0000</pubDate>
		<dc:creator>Max Hartshorn</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA["human rights"]]></category>
		<category><![CDATA["mad pride"]]></category>
		<category><![CDATA["Pride Parade"]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[CAMH]]></category>
		<category><![CDATA[mental health]]></category>
		<category><![CDATA[Parkdale]]></category>
		<category><![CDATA[psychiatry]]></category>

		<guid isPermaLink="false">http://torontoist.com/2011/07/mad_pride_breaks_out_of_the_asylum_and_storms_the_streets_of_parkdale/</guid>
		<description><![CDATA[<p class="rss_dek">The organizers of last week's <a href="http://madpridenetwork.com/">Mad Pride festival</a> want you to know that the property on Queen and Shaw, currently home to the <a href="http://www.camh.net/">Center for Addiction and Mental Health (CAMH)</a>, harbours an unsavory past. To glimpse this history, one need only look at the historic brick walls that line the premises. These century-old partitions were built almost entirely by patients of the former Provincial Lunatic Asylum—without pay—just one example of the exploitative labour practices that played a central role in the operation of that controversial institution.
</p>]]></description>
				<content:encoded><![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;">
<div class="image-none" style=" width:640px; "> <img alt="20110716-TOist-MadPride-01.jpg" src="http://torontoist.com/attachments/MaxHartshorn/20110716-TOist-MadPride-01.jpg" width="640" height="427" /> <br /> <i>Mad Pride supporters gather by the historic, patient-built walls outside CAMH in Parkdale. </i></div>
<p> </span><br />
The organizers of last week&#8217;s <a href="http://madpridenetwork.com/">Mad Pride festival</a> want you to know that the property on Queen and Shaw, currently home to the <a href="http://www.camh.net/">Center for Addiction and Mental Health (CAMH)</a>, harbours an unsavory past. To glimpse this history, one need only look at the historic brick walls that line the premises. These century-old partitions were built almost entirely by patients of the former Provincial Lunatic Asylum—without pay—just one example of the exploitative labour practices that played a central role in the operation of that controversial institution.<br />
In recognition of the past and present struggles of Toronto&#8217;s <a href="http://en.wikipedia.org/wiki/Consumer/Survivor/Ex-Patient_Movement">psychiatric consumer/survivor</a> community, self-identified &#8220;mad&#8221; people and their allies gather each July by the CAMH grounds for their annual Bed Push. Armed with signs, drums, and more face paint than seems reasonable on a sweltering summer afternoon, the marchers literally break out of the historic asylum and parade through the streets of Parkdale.<br />
&#8220;And we do it,&#8221; says organizer Elizabeth Carvalho, &#8220;escaping on gurney.&#8221;</p>
<p><span id="more-61383"></span><br />
The Bed Push is the centrepiece of Toronto&#8217;s Mad Pride festival, which has taken place annually in some form or another since the early &#8217;90s.<br />
&#8220;At its core, Mad Pride is about community celebration and development, rights education, and recognition of our community and its members,&#8221; notes Carvalho. It&#8217;s a global movement that draws heavily on disability and gay rights struggles.<br />
Just as LGBTQ pride activists seek to reclaim terms like &#8216;queer&#8217; and &#8216;fag&#8217; from misuse, &#8220;Mad Pride activists,&#8221; says Carvalho, &#8220;seek to reclaim terms such as &#8216;mad,&#8217; &#8216;nutter,&#8217; &#8216;crazy,&#8217; &#8216;lunatic,&#8217; &#8216;maniac,&#8217; and &#8216;psycho.&#8217;&#8221;<br />
&#8220;You can cut through language like &#8216;consumer/survivor&#8217; by saying &#8216;crazy,&#8217;&#8221; she goes on. &#8220;People kind of know what you mean when you say crazy, and it can be shocking because people have an expectation of what that means. Are you dangerous? Are you unreliable? And you end up seeing people who are just fun—who are just people.&#8221;<br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;">
<div class="image-none" style=" width:640px; "> <img alt="20110716-TOist-MadPride-05.jpg" src="http://torontoist.com/attachments/MaxHartshorn/20110716-TOist-MadPride-05.jpg" width="640" height="427" /> <br /> <i>Parkdale-High Park MPP Cheri DiNovo leads the Bed Push west along Queen Street, towards the Parkdale Community Centre. </i></div>
<p> </span><br />
Mad Pride activists aim to reduce the stigma surrounding mental illness by presenting &#8220;madness&#8221; in a positive context. In doing so, they hope to provide an alternative to the &#8220;you&#8217;re broken and you have to get fixed&#8221; message many see as inherent in psychiatric diagnosis. &#8220;It&#8217;s not about needing to overcome your disability. The disability becomes a part of your identity. It&#8217;s who you are.&#8221;<br />
While Mad Pride Toronto does not align itself with the <a href="http://en.wikipedia.org/wiki/Anti-psychiatry">anti-psychiatry movement</a>, or presuppose any common ideology among its members, it&#8217;s fair to say the attitude at Saturday&#8217;s parade wasn&#8217;t <em>pro</em>-psychiatry.<br />
&#8220;The medical model doesn&#8217;t always provide a way out,&#8221; says Carvalho. &#8220;It provides some people an understanding of what&#8217;s happening—that my brain is damaged and it needs to be fixed—and that can be very comforting. But it&#8217;s a negative comment on who you are. Whereas <em>different</em> is not always negative.&#8221;<br />
This is not a sentiment shared by the mainstream medical community. As psychiatrist Ken Nobel puts it, &#8220;If I had suicidal depression, I would damn well want to be <em>fixed</em>. If I had obsessive-compulsive disorder and couldn&#8217;t stop washing my hands or spinning in circles, I would damn well want to be <em>fixed</em>.&#8221;<br />
Disagreements like this are what separate Mad Pride from other pride movements: the reactions that it generates don&#8217;t fit neatly into progressive/regressive stereotypes.<br />
Even a seemingly innocent position, like the movement&#8217;s call for increased patient choice and self-determination in psychiatric care, can prove surprisingly controversial.<br />
Most psychiatrists believe that it is ethical to force a patient to accept treatment, if they become a danger to themselves or others. According to Dr. Nobel, &#8220;There are psychiatric illnesses where people completely lose contact with reality one way or another, or get actively suicidal and would kill themselves if you didn&#8217;t intervene against their will.&#8221;<br />
Now for some, the phrase &#8220;against their will&#8221; may conjure up images of <a href="http://www.youtube.com/watch?v=DCUmINGae44">Jack Nicholson being forced to endure soul-sucking, unmodified shock therapy</a>. But Dr. Nobel wants you to know that psychiatry has changed dramatically since the days of <a href="http://www.youtube.com/watch?v=NN1cCviBXmY"><em>One Flew Over the Cuckoo&#8217;s Nest</em></a> and <a href="http://www.youtube.com/watch?v=WsvbwBghF48"><em>Titicut Follies</em></a>. We know a great deal more, he argues, about the causes and effective treatments of mental illness.<br />
Despite these changes, Mad Pride activists still see themselves as engaged in a struggle for basic human rights.<br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;">
<div class="image-none" style=" width:640px; "> <img alt="20110716-TOist-MadPride-13.jpg" src="http://torontoist.com/attachments/MaxHartshorn/20110716-TOist-MadPride-13.jpg" width="640" height="427" /> <br /> <i>A Mad Pride activist states her case. </i></div>
<p> </span><br />
Take the <a href="http://www.thestar.com/article/1023976--goar-ontario-takes-a-backward-step-on-mental-health">recent act by Provincial Parliament</a> to place Ontario&#8217;s independent Psychiatric Patient Advocate Office (PPAO) under control of the Canadian Mental Health Association. It&#8217;s a move that Cheri DiNovo claims &#8220;absolutely takes away the independent right to complain about services.&#8221;<br />
A number of marchers sported signs supporting the newly formed <a href="http://cippao.com/">Coalition for an Independent PPAO</a>. For a population often wary of their treatment at the hands of the psychiatric establishment, losing an autonomous watchdog like this can feel like a low blow.<br />
But while arguments over medical models and rights issues provide the underlying chatter, politics at the Bed Push take a backseat to the pageantry of the parade itself. This is after all a reclamation of madness and mad culture. Unlike anti-psychiatry, whose main icons were themselves therapists, albeit unconventional ones, Mad Pride has been conceived, organized, and promoted almost entirely by psychiatric consumer/survivors.<br />
&#8220;What if Mad Pride challenges the very boundary between &#8216;madness&#8217; and &#8216;reason&#8217;?&#8221; asks Professor Stuart Murray, a Ryerson Medical Humanities scholar not affiliated with the movement. &#8220;Who is vested with the moral, legal, and medical authority to police that boundary […] and why?&#8221; These are the questions that Mad Pride compels us to ask.<br />
Carvalho pretty much sums it up. &#8220;There’s nothing inhuman about madness, it&#8217;s really a more extreme version of what people experience in their lives. We can be absolutely fine with that sort of diversity existing in our world, and those kinds of minds existing. We think those experiences have value, and add meaning to life, and they&#8217;re something to be proud of. They&#8217;re different—not bad, not broken, just crazy—and crazy ain&#8217;t bad.&#8221;<br />
<em>To learn more about Mad Pride in Toronto, visit <a href="http://madpridenetwork.com/">madpridenetwork.com</a>.<br />
Photos by D.A. Cooper/Torontoist.</em></p>
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