It’s entirely possible that an early work by the next Atom Egoyan or David Cronenberg will screen on Wednesday night at the TIFF Bell Lightbox. With the 2013 Student Film Showcase featuring the best from post-secondary schools around the country and the Jump Cuts Young Filmmakers Showcase kicking off the evening with Toronto-area high-school students’ films, the night will be a coming-out party for a new crop of talent. Judging by the polished creativity of some of the entries, it’s safe to say that young people are more prepared than ever to start telling stories on film from an early age.

According to CBC’s Chris Boyce, the goal of this weekend’s CBCMusic.ca Festival is twofold. First and foremost, the CBC wants to celebrate Canadian music. Second, it wants to celebrate CBC Music, the broadcaster’s online music service, which launched a little over a year ago.

In 1996, Theatre Columbus premiered playwright Michael O’Brien’s “freely adapted” take on the famous Beaumarchais play The Barber of Seville, which was written in 1775. O’Brien’s version mixed in music from the 1816 opera of the same name by Gioachino Rossini, as well as original tunes by composer John Millard. The adaptation also propelled the story forward a couple centuries, with pop culture references galore. With Theatre Columbus co-founder Leah Cherniak at the helm, the musical ended the season with six Dora Award nominations (it won three) and plenty of critical acclaim.

Seventeen years later, Soulpepper Theatre is remounting this zany reimagination of The Barber of Seville, updated once again by O’Brien, Millard, and Cherniak. But, for some reason—the change in decade, or company, or sense of humour—whatever had made the original so magical, has faded, save for a few key performances.