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	<title>Torontoist &#187; Archaeological Services Inc.</title>
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	<link>http://torontoist.com</link>
	<description>Torontoist is about Toronto and everything that happens in it</description>
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		<title>Off Key Comedy Aims to Fuse Stand-Up and Song</title>
		<link>http://torontoist.com/events/event/off-key-comedy-aims-to-fuse-stand-up-and-song/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=off-key-comedy-aims-to-fuse-stand-up-and-song</link>
		<comments>http://torontoist.com/events/event/off-key-comedy-aims-to-fuse-stand-up-and-song/#comments</comments>
		<pubDate>Thu, 23 May 2013 18:15:44 +0000</pubDate>
		<dc:creator>Chris Dart</dc:creator>
		
		<guid isPermaLink="false">http://torontoist.com/?post_type=event&#038;p=255401</guid>
		<description><![CDATA[A musical-comedy showcase tries to shake the genre's lame reputation.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2013/05/off-key-comedy-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="Robert Keller and Rush Zilla enjoy a pre-show cocktail. Photo courtesy of Robert Keller." /><p class="rss_dek">Even with the success of acts like Lonely Island and Flight of the Conchords, people still tend to view musical comedy with some suspicion, and not without reason. Those high-profile success stories aside, at the club level, musical comedy is too often the province of people who aren’t quite good enough to make it as [...]</p></p>]]></description>
				<content:encoded><![CDATA[A musical-comedy showcase tries to shake the genre's lame reputation.<p class="rss_dek"><p>Even with the success of acts like <a href="www.hiphopdx.com/index/singles/id.24476/title.the-lonely-island-f-solange-semicolon-" target="_blank">Lonely Island</a> and <a href="http://www.youtube.com/watch?v=WGOohBytKTU" target="_blank">Flight of the Conchords</a>, people still tend to view musical comedy with some suspicion, and not without reason. Those high-profile success stories aside, at the club level, musical comedy is too often the province of people who aren’t quite good enough to make it as musicians, but not quite funny enough to make it as comedians.</p>
<p>Two local comics, Robert Keller and Rush Zilla, are out to change that perception with their show, <strong><a href="https://www.facebook.com/OffKeyComedy" target="_blank">Off Key Comedy</a></strong>, which features a wide variety of acts whose only commonality is that they combine music and comedy in one form or another. The third edition of the monthly show will take place on May 23, at Comedy Bar.<span id="more-255401"></span></p>]]></content:encoded>
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		<title>Of a Monstrous Child is Caught in a Complex Romance with Lady Gaga</title>
		<link>http://torontoist.com/events/event/of-a-monstrous-child-is-caught-in-a-complex-romance-with-lady-gaga/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=of-a-monstrous-child-is-caught-in-a-complex-romance-with-lady-gaga</link>
		<comments>http://torontoist.com/events/event/of-a-monstrous-child-is-caught-in-a-complex-romance-with-lady-gaga/#comments</comments>
		<pubDate>Thu, 23 May 2013 15:00:29 +0000</pubDate>
		<dc:creator>Carly Maga</dc:creator>
		
		<guid isPermaLink="false">http://torontoist.com/?post_type=event&#038;p=254908</guid>
		<description><![CDATA[Alistair Newton's new play dives into the history of performance art to explain our cultural fascination with the House of Gaga.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2013/05/20130521_gagamusical-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="Kimberly Persona as Lady Gaga in Of a Monstrous Child: A Gaga Musical. Photo by Alejandro Santiago." /><p class="rss_dek">Despite the fact that the last show in Buddies in Bad Times Theatre&#8217;s 2012/2013 season is titled Of a Monstrous Child: A Gaga Musical, Lady Gaga herself takes a secondary role. There are no homages to raw-meat dresses and gold-plated wheelchairs here. Instead, writer and director Alistair Newton uses the House of Gaga as a [...]</p></p>]]></description>
				<content:encoded><![CDATA[Alistair Newton's new play dives into the history of performance art to explain our cultural fascination with the House of Gaga.<p class="rss_dek"><p>Despite the fact that the last show in Buddies in Bad Times Theatre&#8217;s 2012/2013 season is titled <strong><em><a href="http://buddiesinbadtimes.com/shows/of-a-monstrous-child-a-gaga-musical/">Of a Monstrous Child: A Gaga Musical</a></em></strong>, Lady Gaga herself takes a secondary role. There are no homages to raw-meat dresses and gold-plated wheelchairs here. Instead, writer and director Alistair Newton uses the House of Gaga as a pathway into the history of the notable performance-art stars that came before her in the pantheon of queer iconography, and how she is and isn&#8217;t a construct of all of them put together.<span id="more-254908"></span></p>]]></content:encoded>
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		<title>Twin Showcases at the TIFF Bell Lightbox Herald Student Filmmakers</title>
		<link>http://torontoist.com/events/event/twin-showcases-at-the-tiff-bell-lightbox-herald-student-filmmakers/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=twin-showcases-at-the-tiff-bell-lightbox-herald-student-filmmakers</link>
		<comments>http://torontoist.com/events/event/twin-showcases-at-the-tiff-bell-lightbox-herald-student-filmmakers/#comments</comments>
		<pubDate>Wed, 22 May 2013 16:30:46 +0000</pubDate>
		<dc:creator>Kevin Scott</dc:creator>
		
		<guid isPermaLink="false">http://torontoist.com/?post_type=event&#038;p=254807</guid>
		<description><![CDATA[TIFF presents a night of films by directors who are still in high school or university.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2013/05/teamwork052013-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="Still from Tor Aunet&#039;s Team Work. Image courtesy of TIFF." /><p class="rss_dek">It&#8217;s entirely possible that an early work by the next Atom Egoyan or David Cronenberg will screen on Wednesday night at the TIFF Bell Lightbox. With the 2013 Student Film Showcase featuring the best from post-secondary schools around the country and the Next Wave Presents: Jump Cuts Young Filmmakers Showcase kicking off the evening with [...]</p></p>]]></description>
				<content:encoded><![CDATA[TIFF presents a night of films by directors who are still in high school or university.<p class="rss_dek"><p>It&#8217;s entirely possible that an early work by the next Atom Egoyan or David Cronenberg will screen on Wednesday night at the TIFF Bell Lightbox. With the <strong><a href="http://tiff.net/filmsandschedules/tiffbelllightbox/2013/2550007524">2013 Student Film Showcase</a></strong> featuring the best from post-secondary schools around the country and the <strong><a href="http://tiff.net/filmsandschedules/tiffbelllightbox/2013/2550007519">Next Wave Presents: Jump Cuts Young Filmmakers Showcase</a></strong> kicking off the evening with Toronto-area high-school students&#8217; films, the night will be a coming-out party for a new crop of talent. Judging by the polished creativity of some of the entries, it&#8217;s safe to say that young people are more prepared than ever to start telling stories on film from an early age.<span id="more-254807"></span></p>]]></content:encoded>
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		<title>Prehistoric Toronto: Glacial Lake Iroquois</title>
		<link>http://torontoist.com/2012/03/prehistoric-toronto-glacial-lake-iroquois/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=prehistoric-toronto-glacial-lake-iroquois</link>
		<comments>http://torontoist.com/2012/03/prehistoric-toronto-glacial-lake-iroquois/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 20:15:22 +0000</pubDate>
		<dc:creator>Daniel Sellers</dc:creator>
				<category><![CDATA[cityscape]]></category>
		<category><![CDATA["Lake Ontario"]]></category>
		<category><![CDATA[Archaeological Services Inc.]]></category>
		<category><![CDATA[chloe cushman]]></category>
		<category><![CDATA[glacial lake iroquois]]></category>
		<category><![CDATA[prehistoric toronto]]></category>
		<category><![CDATA[Rob MacDonald]]></category>

		<guid isPermaLink="false">http://torontoist.com/?p=146703</guid>
		<description><![CDATA[As the last Ice Age glacier retreated from above Toronto, its meltwater, for a time, overwhelmed the city.<p class="rss_dek"><img width="100" height="100" src="http://torontoist.com/wp-content/uploads/2012/03/20120328glaciallake-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="The blue border shows the outline of the lakes today. The colour shapes with the wavy lines show the glacial lakes as they were 12,000 years ago." /><p class="rss_dek">Mammoths, mastodons, and giant beavers! Prehistoric Toronto looks back—wayyyyyy back—and explores the terrain that is now Toronto, as it developed through the ages. For 100 years, Casa Loma has sat just a short, steep ridge away from the intersection of Spadina and Davenport roads, and gazed out over downtown Toronto. But, at one time, the [...]</p></p>]]></description>
				<content:encoded><![CDATA[As the last Ice Age glacier retreated from above Toronto, its meltwater, for a time, overwhelmed the city.<p class="rss_dek"><p><em>Mammoths, mastodons, and giant beavers! <a href="http://torontoist.com/tag/prehistoric-toronto/">Prehistoric Toronto</a> looks back—wayyyyyy back—and explores the terrain that is now Toronto, as it developed through the ages.</em></p>
<div id="attachment_146986" class="wp-caption alignleft" style="width: 650px"><img src="http://torontoist.com/wp-content/uploads/2012/03/20120328glaciallake.jpg" alt="" title="20120328glaciallake" width="640" height="442" class="size-full wp-image-146986" /><p class="wp-caption-text">The blue border shows the outline of the lakes today. The colour shapes with the wavy lines show the glacial lakes as they were 12,000 years ago.</p></div>
<p>For 100 years, Casa Loma has sat just a short, steep ridge away from the intersection of Spadina and Davenport roads, and gazed out over downtown Toronto. But, at one time, the view looking south from what is now the castle grounds would have been all water as far as the eye could see; in the very late <a href="http://torontoist.com/2012/03/prehistoric-toronto-the-ice-age/">Pleistocene epoch</a>, Davenport was the beach above vast Lake Iroquois.<br />
<span id="more-146703"></span><br />
“I think a lot of people go up and down that ridge every day and don’t even give much thought to it,” says Rob MacDonald of heritage conservation consultants Archaeological Services Inc. “But that was [a] shoreline 12,500 years ago.”</p>
<p>Some 8,000 years before that, a massive glacier called the Laurentide Ice Sheet covered most of Canada, and had managed to extend as far as present-day Ohio at the tail end of its slow creep south. Then it began to melt and retreat, and, eventually, huge basins in the Great Lakes region, formed by previous glaciers and further gouged out under the movement of the Laurentide, would fill with meltwater.</p>
<p>An early version of Lake Erie appeared. Further west, the lakes we now call Michigan and Huron made up the bulk of glacial Lake Algonquin. Lake Iroquois formed in the basin of today&#8217;s Lake Ontario; it was bounded by ice to the northeast and drained through New York state’s Mohawk River.</p>
<p>The glacier continued to recede.</p>
<p>By about 12,000 years ago, the ice over the St. Lawrence River had disappeared. Lake Iroquois, finding this new, lower outlet, drained quickly and dramatically to as much as 85 metres below present-day water levels; an ancient shoreline now found at the bottom of Lake Ontario is evidence of this.</p>
<p>This smaller lake would not last long, either. After millennia beneath a heavy glacier more than a kilometre thick, Toronto was going through a process called isostatic rebound.</p>
<p>“Isostatic rebound is kind of like memory foam,” MacDonald explains. “If you push down on a bed that has a memory foam top on it, and take your hand away, you can still see the impression of your hand, but it’ll gradually come back up. So, the tectonic plates of the Earth are similar to that in some respect, in that if there’s a great weight added to them they will be depressed and then, gradually, over time, rise back up.”</p>
<p>This rebound from beneath the glacier—which is still slowly ongoing today—did not happen evenly. With land rising faster near early Lake Ontario’s northeastern outlet than it did in the south and the west, drainage along the St. Lawrence slowed. Water in the lake began to rise once more, reaching its current level some 4,500 years ago.</p>
<p>Of course, Laurentide ice did more than just temporarily create a giant lake. Much of Toronto’s present geography has been formed by the city’s history of repeated glaciation.</p>
<p>“If you strip up all the glacial sediment and just looked at the bare bedrock in southern Ontario, you’d see a landscape that’s similar, but in some ways different than what you see on the surface,” MacDonald says. “Most of the landforms [here] are of glacial origin.”</p>
<p>The Scarborough Bluffs, for instance, are an erosional feature representing a section of Lake Iroquois shoreline. High Park’s Grenadier Pond—and other lagoons and estuaries at the mouths of Toronto’s rivers—formed when isostatic rebound caused lake tributaries to back up. And sediments being pulled laterally across the north shore of the lake by a current were deposited near the mouth of the Don River, forming a long, sandy spit that would eventually be the Toronto Islands.</p>
<p>Amid all of this geographical formation, life in Toronto forged ahead. Spruce, birch, poplar, and alder trees populated mixed post-glacial forests. Humans had already crossed over the Bering land bridge from Siberia to Alaska, and would soon be in Toronto.</p>
<p>Just before they arrived, an extinct deer about which we know almost nothing was making its living in this city&#8217;s west end. And then one springtime day, that animal lay down and died. Some 11,300 years later, after an unsuspecting TTC worker discovered a fragment of its fossilized remains, it would come to be known as Torontoceros.</p>
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		<title>What Lies Beneath an Irish Reel?</title>
		<link>http://torontoist.com/2009/04/what_lies_beneath_an_irish_reel/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what_lies_beneath_an_irish_reel</link>
		<comments>http://torontoist.com/2009/04/what_lies_beneath_an_irish_reel/#comments</comments>
		<pubDate>Wed, 08 Apr 2009 17:00:00 +0000</pubDate>
		<dc:creator>Kevin Plummer</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[Archaeological Services Inc.]]></category>
		<category><![CDATA[Ballinran Productions]]></category>
		<category><![CDATA[Craig Thompson]]></category>
		<category><![CDATA[Death or Canada]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Immigration]]></category>
		<category><![CDATA[Ireland]]></category>
		<category><![CDATA[Irish]]></category>
		<category><![CDATA[Mark McGowan]]></category>
		<category><![CDATA[Ron Williamson]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://torontoist.com/2009/04/what_lies_beneath_an_irish_reel/</guid>
		<description><![CDATA[<p class="rss_dek">Still from Death or Canada courtesy of Ballinran Productions. The recently aired docu-drama Death or Canada tells the tragic story of one family fleeing the Great Famine in Ireland by immigrating to Canada in the summer of 1847. En route, John and Mary Willis lost four of their five children to typhus before arriving in [...]</p>]]></description>
				<content:encoded><![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;">
<div class="image-none" style=" width:640px; "> <img alt="2009_04_08DeathOrCanada2.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2009_04_08DeathOrCanada2.jpg" width="640" height="360" /> <br /> <i>Still from <span style="font-style:normal">Death or Canada</span> courtesy of Ballinran Productions.</i></div>
</p></form>
<p>The recently aired docu-drama <a href="http://www.deathorcanada.com/main.html"><em>Death or Canada</em></a> tells the tragic story of one family fleeing the Great Famine in Ireland by immigrating to Canada in the summer of 1847. En route, John and Mary Willis lost four of their five children to typhus before arriving in Toronto in mid-June. Shortly afterward, as the family moved inland, John and the last son died of the disease, and Mary Willis disappeared from the historical record. They were but one family in a flood of thirty-eight thousand Irish refugees who overwhelmed Toronto, at the time a town of only twenty thousand. But their story puts a human face on a period that, despite having become a common point of identity for Irish-Canadians, is rarely discussed in any detail in Canada or Ireland. And the film, which aired last month to critical acclaim <a href="http://www.deathorcanada.com/blog/?p=139">and strong viewership</a>, marks an effective convergence between the thorough research of academic history and the personal narrative details that help make history appealing to a broad public audience.<br />
The people behind this collaborative effort—U of T historian Mark McGowan, Ron Williamson of Archaeological Services Inc., and Craig Thompson of Ballinran Productions—gathered at the City of Toronto Archives for a panel discussion. The first event in a series on <em>An Infectious Idea: 125 Years of Public Health in Toronto</em>, the discussion was ostensibly about the typhus epidemic of 1847. But it was equally insightful as a look into the historical process and how it can be translated into the popular imagination. The efforts of the two research specialists—with McGowan mining the archives and Williamson excavating the site of the 1847 hospital—were woven into Thompson&#8217;s dramatization to create a larger social history with more impact than what any of the three likely would&#8217;ve achieved on their own.</p>
<p><span id="more-48034"></span><br />
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The discussion was moderated by Robert Kearns, Chairman of the <a href="http://www.irelandparkfoundation.com/">Ireland Park Foundation</a>, who played a largely unseen role in the confluence of events that originally brought the three panellists together. Upon a chance meeting with Thompson, Kearns suggested that the documentary filmmaker—who already held a personal passion for his own family&#8217;s Irish history—explore the Great Famine and Irish immigration to Canada, and hooked him up with McGowan, who&#8217;d already been researching the topic.<br />
Last night, McGowan described his team&#8217;s tireless digging through the same archival sources genealogists use, including hospital ledgers, city directories, cemetery records, and even the diary of a Loreto Sister who witnessed the 1847 epidemic, to reclaim the experiences of the common, faceless Irish immigrants who arrived in Toronto. It was his serendipitous discovery of one small paragraph in The <em>Globe</em> describing the Willis family&#8217;s experience that provided Thompson the protagonists around which to build the narrative of his film. Thompson was so inspired by the research stage of the project that he incorporated footage of McGowan in the archives and Williamson on an archaeological dig as touching off points for the Willis family&#8217;s story.<br />
McGowan, who authored a companion book, <em>Death or Canada: The Irish Famine Migration to Toronto, 1847</em> (Novalis, 2009), also outlined a brief history of the typhus epidemic. The daily arrival of waves of Irish immigrants, who&#8217;d crossed the Atlantic to Quebec and travelled down the St. Lawrence, must have terrified the residents of Toronto. Many of the desperate refugees were stricken with typhus. Even those who seemed healthy might have already been infected and were encouraged to move inland from Toronto as soon as possible. In response, the city&#8217;s hospital, located at King and John, was converted to house the ailing refugees and sixteen &#8220;fever sheds&#8221; were constructed to house the overflow.<br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;">
<div class="image-left" style=" width:400px; "> <img alt="2009_04_08LadyHarbBadge_ASI.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2009_04_08LadyHarbBadge_ASI.jpg" width="400" height="361" /> <br /> <i>Image of Lady Harp Badge courtesy of <a href="http://www.archaeologicalservices.on.ca/">Archaeological Services Inc</a>.</i></div>
<p> </span>With TIFF planning to build their new headquarters at King and John, as Williamson recounted, Kearns pressured for the hospital site to be excavated, and Williamson was enlisted for the task. In his comments last night, Williamson provided remarkable insight into the archaeological process from the initial research through archival maps to pinpoint within metres where to dig, to the actual excavation of trenches.<br />
With Thompson&#8217;s crew filming, the Archaeological Services team <a href="http://www.heritagetoronto.org/news/blog/ron-williamson/toronto-s-first-general-hospital">uncovered thousands of artifacts</a>, including a Lady Harp Badge that became an evocative symbol in the film&#8217;s narrative. Some of these artifacts, which represent a tangible, material connection to nineteenth century Irish immigrants, will be returned to the site and put on display in the new TIFF building.<br />
While <em>Death or Canada</em>, which will be released on DVD this fall, represents an important collaboration crossing the boundaries between the academic and popular history, both McGowan and Williamson admitted that they&#8217;d been questioned by colleagues over their participation in a popular history or &#8220;myth-making,&#8221; as one of McGowan&#8217;s colleagues described it. Williamson provided the best rationale, arguing that if he produces a scholarly paper, he&#8217;ll likely reach hundreds of readers. For a book aimed at a popular audience, that number will jump into the thousands. But <em>Death or Canada</em> has already been seen by over a million people worldwide. With producers like Thompson, who thoughtfully integrate academic history into their projects without diluting it, there&#8217;s no reason why academics shouldn&#8217;t seek to stretch beyond strict disciplinary limits to find a broader audience for their work. And if the film&#8217;s viewership last month and the capacity crowd at last night&#8217;s lecture are any indication, Canadians care deeply about hearing our own historical stories.<br />
Information on the remaining two instalments of the <em>An Infectious Idea</em> speaking series can be found on the <a href="http://www.toronto.ca/archives/index.htm">City of Toronto Archives website</a>.</p>
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		<title>Historicist: Unearthing the Alexandra Site&#8217;s Pre-Contact Past</title>
		<link>http://torontoist.com/2008/11/historicist_unearthing_the_alexandr/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=historicist_unearthing_the_alexandr</link>
		<comments>http://torontoist.com/2008/11/historicist_unearthing_the_alexandr/#comments</comments>
		<pubDate>Sat, 22 Nov 2008 14:00:00 +0000</pubDate>
		<dc:creator>Kevin Plummer</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[Alexandra Site]]></category>
		<category><![CDATA[Archaeological Services Inc.]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Historicist]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Huron-Wendat]]></category>

		<guid isPermaLink="false">http://torontoist.com/2008/11/historicist_unearthing_the_alexandr/</guid>
		<description><![CDATA[<p class="rss_dek">Every Saturday morning Historicist looks back at the events, places, and characters—good and bad—that have shaped Toronto into the city we know today. Photograph of the remains of a longhouse at the Alexandra Site. Toronto has been a centre of human habitation for more than ten thousand years. In addition to a resource-rich environment, the [...]</p>]]></description>
				<content:encoded><![CDATA[<p><em>Every Saturday morning <a href="http://www.torontoist.com/tags/historicist">Historicist</a> looks back at the events, places, and characters—good and bad—that have shaped Toronto into the city we know today.</em><br />
<img alt="2008_11_20HouseWithExtensionsAtAlexandra2.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2008_11_20HouseWithExtensionsAtAlexandra2.jpg" width="640" height="416" /><br />
<font size="1">Photograph of the remains of a longhouse at the Alexandra Site.</font><br />
Toronto has been a <a href="http://www.toronto.ca/culture/history/history-first-peoples.htm">centre of human habitation for more than ten thousand years</a>. In addition to a resource-rich environment, the region&#8217;s rivers and overland trails made the area a natural crossroads. Yet little is known of this period before European contact because the Aboriginals who dwelt here left no written record. Our knowledge of their lives is based upon their own oral histories and traditions and on the archaeological traces they left behind. Archaeological sites therefore represent a vital but all-too-easily lost cultural resource. Archaeological Services Inc. estimates that around <a href="http://www.archaeologicalservices.on.ca/legislation.htm">eight thousand sites were destroyed between 1951 and 1991</a> in the name of development and urban growth. Since then, the situation has improved, with the <a href="http://www.toronto.ca/heritage-preservation/archaeology.htm">city&#8217;s planning policies taking a progressive stance</a> towards archaeological conservation, including the development of <em>A Master Plan of Archaeological Resources for the City of Toronto</em>, which, in addition to providing reliable guidance on whether history potentially lurks beneath a planned development, provides a thorough overview of the city&#8217;s pre-contact cultural heritage [<a href="http://www.toronto.ca/heritage-preservation/pdf/masterplan_arc.resources.pdf">PDF</a>]. Nowadays, sites of archaeological importance are uncovered regularly.<br />
The Alexandra Site, located in north Scarborough near the present-day site of Mary Ward Catholic Secondary School, is one such location that offers a glimpse into the region&#8217;s Aboriginal heritage. Here a <a href="http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&#038;Params=A1ARTA0003920">six hundred-year-old Huron-Wendat</a> village was found almost intact beneath a farmer&#8217;s field being redeveloped into a residential subdivision. The previously unknown site—a full 2.5 hectares in size—was <a href="http://www.archaeologicalservices.on.ca/reconstructions.htm">thoroughly excavated and documented</a> over the course of eight months in 2000-2001. The dig, undertaken by Archaeological Services Inc., unearthed evidence of longhouses, sweat lodges, and garbage pits. Among the nearly twenty thousand artifacts uncovered were bone awls, bone beads, ground stone axes, and ceramic pottery fragments that dated the village to about 1350 A.D., which falls into the Middle Iroquoian period. As a typical village of that period, the Alexandra Site and its artifacts reveal much about the culture and history of the Huron-Wendat people.</p>
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<img alt="2008_11_20PipeInSitu1.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2008_11_20PipeInSitu1.jpg" width="640" height="433" /><br />
<font size="1">A miniature pipe, found in a sweat lodge and shown in situ, that was likely used to promote health.</font><br />
Although the village&#8217;s name is lost to even the descendants of the Huron-Wendat—<a href="http://www.wendake.ca/nation/eng/nation_eng.htm">now located in Wendake, near Quebec City</a>—the Alexandra Site was once a booming community of eight hundred to one thousand people, one of the twenty-five or so villages scattered north of Lake Ontario that comprised <a href="http://www.quebec400.gc.ca/histoires-stories/huron-wendat-eng.cfm">the Huron-Wendat nation</a>. Early versions of Iroquoian settlements existed in the Toronto region from about one thousand one hundred years ago, but their nature and orientation evolved as the group&#8217;s cultural practices changed. Hunting, fishing, and gathering were always important—as evidenced by the remains of deer, lake trout, and wild berries found at the Alexandra Site—but, by the fourteenth century, a growing reliance on horticulture meant that settlements became larger and more permanent.<br />
<img alt="2008_11_20BoneBeads.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2008_11_20BoneBeads.jpg" width="450" height="503" class="right"/>The Alexandra Site village, as was common, was located on a small ridge overlooking a waterway—the now-diverted Highland Creek—that provided transportation and fishing and was surrounded by cultivated fields. Unlike some other villages, there were no palisades, suggesting that it probably wasn&#8217;t threatened with extensive conflict. The various Iroquoian and other Aboriginal communities demonstrated a high level of interaction and appear to have shared ideas and similar cultural practices.<br />
Beginning in the Early and Middle Woodland periods (1,000 B.C. to A.D. 600), the Huron-Wendat&#8217;s advantageous geographic position allowed them to become increasingly involved in extensive trading from the Great Lakes to Hudson Bay, the Saguenay, and beyond. At the Alexandra Site, beads made of sea shells from the eastern seaboard illustrate just how far the Huron-Wendat trading network stretched. Much later, in the early 1600s, these established trade networks incorporated white newcomers, and the Huron-Wendat <a href="http://www.indianamarketing.com/anglais/nations/hurons.htm">became indispensable middlemen in the French fur trade</a>.<br />
<img alt="2008_11_20Village1.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2008_11_20Village1.jpg" width="640" height="510" /><br />
<font size="1">Artist&#8217;s depiction of an Iroquoian village. The Alexandra Site, however, did not have palisades.</font><br />
Sixteen longhouses were unearthed at the Alexandra Site. The centre of these windowless structures, which housed extended families, was used for cooking and living, while walls were lined with raised bunks for sleeping. As the photograph illustrates, archaeologists could mark the exact outlines of longhouses because the poles that were bent to create the structure&#8217;s frame—and were then covered in saplings and bark—left residual organic stains in the soil. At the Alexandra Site, the longhouses ranged in size from only 5 metres long to more than 70 metres long. Longhouses were expanded or contracted or reconstructed numerous times, and additional longhouses were constructed to meet the evolving needs of the community.<br />
<img alt="2008_11_20SiteOverview1.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2008_11_20SiteOverview1.jpg" width="450" height="663" class="left" />One of the unusual features of the Alexandra Site, according to Archaeological Services Inc., is its large number of sweat lodges. Entered by a ramp leading into a large pit dug into the earth, a sweat lodge would be covered in an above-ground sapling and bark structure. Located throughout the village, these sweat lodges were warmed with steam from pouring water over heated rocks. They were used as social venues or for ritual purposes, likely for communicating with the spirit world. At the Alexandra Site, some of the sweat lodges had multiple entrances—indicating that they were shared by two households—and one even still had a woven mat on the floor.<br />
The Alexandra Site also illustrates the importance of agriculture in the lives of the Huron-Wendat. Over the course of the Transitional Woodland Period (A.D. 600 to A.D. 900), the introduction of corn, beans, and squash to Ontario from the south instigated a massive cultural shift. Rather than depending upon naturally occurring resources for subsistence, the Huron-Wendat came to rely on food production. Becoming a fully developed horticultural society meant sacrificing group mobility, and it resulted in larger and more permanent settlements, such as the Alexandra Site village. Crops of corn, beans, squash, sunflower, and tobacco ensured prosperity for the Huron-Wendat and reinforced their role as traders.<br />
The Huron-Wendat would have customarily worked the surrounding fields until the nutrients of the land were exhausted. Then, the community could reuse the village&#8217;s construction materials for firewood and move to a new site. The surrounding forest would reclaim the abandoned village, and nutrients would be naturally restored to the meadowlands. Typically, a village lasted for ten to twenty years. The Alexandra Site, on the other hand, was either used for a number of decades or occupied during several separate periods over the course of forty years.<br />
<img alt="2008_11_20ProjectilePointPlate.jpg" src="http://torontoist.com/attachments/toronto_kevinp/2008_11_20ProjectilePointPlate.jpg" width="640" height="569" /><br />
<font size="1">Projectile Point Plate.</font><br />
Eventually, during the Late Iroquoian period (A.D. 1400 to A.D. 1650), the Huron-Wendat who inhabited the Alexandra Site and others immediately surrounding Toronto relocated further north towards Georgian Bay. Although uncertainty surrounding the exact reasons for the move has long fuelled debate among historians and archaeologists, it was likely a combination of environmental and political factors. On one hand, the arable soil and opportunities for fish and game near Georgian Bay and Lake Simcoe would&#8217;ve been attractive. On the other, an evolving social structure resulted in these regional populations becoming politically allied in the <a href="http://en.wikipedia.org/wiki/Huron">Huron Confederacy</a>, in part to defend themselves against the incursion of the <a href="http://en.wikipedia.org/wiki/Iroquois">Five Nations Confederacy</a>.<br />
War and devastating epidemics drove the Huron-Wendat to disperse—some to Quebec, others to the American Midwest—in about 1650. Their departure to far flung locations makes their place in the Toronto region&#8217;s history easy to overlook. Yet, remarkable continuity existed between how the original Aboriginal inhabitants and the European settlers who followed used the land. &#8220;It&#8217;s not two different cities,&#8221; Ron Williamson, the president of Archaeological Services Inc., told <em>Toronto Life</em> for an October 2008 profile. Yonge Street, he continued, is just a &#8220;colonial incarnation of an ancient trail.&#8221; In this way, the earliest Aboriginal inhabitants have influenced the way the modern city has taken shape.<br />
<em>All images and photos courtesy of Archaeological Services Inc.</em></p>
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