The fifth annual Waterfront Night Market, held a stone’s throw from the lake, on Cherry Street, will feature a vast array of “street food,” predominantly Asian-style. There will also be several performance stages, a midway and “kids zone,” and plenty of late-night attractions, such as the sports court and an interactive karaoke exhibit.
Owen Ashworth certainly doesn’t have the market cornered on slo-lo-fi electronica, but for more than a decade, his Casiotone for the Painfully Alone project was a prime example of indie music you’d want to ruminate on—and maybe gently toe-tap to. Ashworth retired CFTPA in 2010, and his new solo project, Advance Base, features an expanded palette—though it’s not going to be mistaken for thrash-rock. Local promoters The Indie Machine have bookended Advance Base’s set with Toronto acts Our Founders and Omhouse, plus Daniel Benjamin of Moon King, who will close the night out with a DJ set.
If The Forbidden City: Inside the Court of China’s Emperors has a mascot, it’s Emperor Yongzheng. The image of the 18th-century Chinese ruler dominates the promotional material of the exhibition, which is one of the centrepieces of the Royal Ontario Museum’s centennial year. His portrait certainly has visual appeal, but Yongzheng is also a figure associated with surprising elements of life within the former imperial palace.
You’d be hard-pressed to think of a filmmaker more frequently linked to his national cinema in the popular imagination than Satyajit Ray, whose work in the 1950s brought an independent streak to the production of Indian cinema as famously as Jean-Luc Godard’s Breathless countered the establishment of French costume dramas around the same time. Yet prior to the 1990s, you might have found it equally difficult to name a major international figurehead who was as underrepresented at repertory screenings, so dire was the state of the films’ prints.
Twenty years after the Academy Film Archive restored the Bengali director’s deteriorating and otherwise endangered negatives and made proper retrospectives possible, TIFF Cinematheque offers “The Sun and the Moon: The Films of Satyajit Ray,” a far-ranging program that gives Toronto audiences the opportunity to see the fruit of that labour as well as the work of arguably India’s most influential filmmaker.
The Waterfront Blues Festival (July 11–13), now in its 10th year, has recently “merged” with the wildly popular Beaches Jazz Festival (July 18–27), making the second half of July all-music-all-the-time in the Beach. Woodbine Park is the hub for both of these festivals, with things being rounded out by the Beaches Jazz Festival’s StreetFest along Queen Street East. Those looking for jazz will likely be disappointed by StreetFest—what you will get, though, is a fun Taste of the Danforth vibe and some epic people-watching. It’ll also be ground zero for Toronto’s well-heeled Baby Boomer set, so if you’re anxious to bust out your favourite Hawaiian shirt, now’s your chance. But if you aren’t into dancing to “Play That Funky Music White Boy” played on a pan flute, get yourself directly to one of the Beach’s fine patios, and check out one of our top picks for the Waterfront Blues Festival and Beaches Jazz Festival.
Every part of our city will be drenched in WorldPride this summer, including the TIFF Bell Lightbox. Bent Lens: Pride on Screen comprises nearly two months of screenings, exhibits, and speaking engagements that reflect the broadness of our LGBT community. Check out films under the stars in David Pecaut Square, take in a conversation with Laverne Cox of Orange is the New Black, and much more.
This post originally stated that the outdoor screenings of Bent Lens will focus on Derek Jarman and Bruce LaBruce, but that is not the case.
The Beaches International Jazz Festival has grown over the years into 10 days chock-full of diverse programming, including a jazz run, a street festival, a food truck fest, and much more. It’s as much a celebration of the Beaches area and community itself as it is a jazz fest, although an appreciation for the music is evident throughout. Artists playing main-stage concerts include Trampled Under Foot, Paul James, and Dumpstaphunk—check out our top picks.
With so many sold-out shows at this year’s Toronto Fringe Festival, there were plenty of people who didn’t get to see many of Torontoist‘s top picks. Not to worry: as they have for several years now, the Toronto Centre for the Arts is presenting Best of Fringe, a two-week additional run for some of the most popular shows at this year’s festival, including Theatre Brouhaha’s Punch-Up, Pea Green Theatre’s Three Men in a Boat, and The Howland Company’s 52 Pick-Up. We strongly suggest double billing shows over an evening (each show runs about an hour) and buying tickets well in advance, as each show gets only three performances.
Our fascination with fame and celebrity isn’t new—and this is illustrated in Izzy Gallery’s newest exhibit, Terry O’Neil: The Man Who Shot the Sixties. A photographer from the U.K., O’Neill snapped iconic shots of everyone from The Beatles and Rolling Stones to Brigitte Bardot and Faye Dunaway. The opening party features an appearance by O’Neill himself, and his “photographs from the frontline of fame” will remain on display until the end of August.
Do Right! Music and the Gardiner Museum have teamed up with food, beer, and wine sponsors (including Steam Whistle and Southbrook Vineyards) for Scene on the Plaza, a month’s worth of Friday-night parties hosted on the expansive plaza on the Gardiner’s grounds just south of Bloor and Avenue. Maylee Todd kicks off the first night on June 27, The Soul Motivators play the following week, and a slate of DJs from Do Right! and MILK CREW will make appearances in the three remaining weeks.
So far, this summer has seen music, film, theatre, and food in the spotlight, and now it’s time to focus on the foxy females (with a few guys thrown in for good measure). The Toronto Burlesque Festival is taking over Revival Bar, the Mod Club, and the Hyatt Regency Hotel for four days of shows, classes, and parties with some of the sexiest performers from across the continent.
Fans of oddball British humour—rejoice! The Lower Ossington Theatre has brought the genius of Monty Python’s Eric Idle to Toronto with their rendition of Spamalot. Watch as flying cows, killer rabbits, and all sorts of bizarre elements come together to tell a twisted version of the legendary story of King Arthur and the Knights of the Round Table.