2014 Toronto Fringe Festival Preview
With more than 130 shows and additional programming, the Toronto Fringe Festival can be overwhelming. And since the shows are picked mostly via a lottery system, finding one that will be worth your time and money can be a crapshoot—though the best shows can and have gone on to eventual Broadway runs and major film adaptations. We’ll help you get the most out of your Fringe experience with a rundown of the festival’s promising and potentially can’t-miss shows—and we’ll be back with reviews as the festival progresses.
The festival begins with opening ceremonies behind Honest Ed’s at 4 p.m. on Wednesday, July 4, and features some afternoon and evening premieres that day and Thursday, July 3. The festival really kicks off on Friday, July 5, and there’ll be programming every day from noon to midnight until Sunday, July 13.
Impress your friends with your newfound knowledge of tea after attending Secret Teatime, a Japanese ceremony and workshop. Learn about “chanoyu,” the ritual tea ceremony, and how to make the perfect cup of matcha. Bring two dollars and a few non-perishable items to donate to the Red Door Family Shelter: they’ll get you tea and a secret sweet treat.
The Bull and the Rose
Summer heat with a Spanish twist comes to the Red Sandcastle Theatre as it welcomes some of Toronto’s finest flamenco artists for The Bull and the Rose, an evening of dance, music, and wine. The intimate performance stars Virginia Castro Durán, a graduate of Málaga’s Superior Conservatory of Dance, and features Tamar Ilana on vocals backed by the event’s producer, Dennis Duffin, on guitar.
Mean Girls at Harbourfront Centre
Put down that burn book, find a picnic blanket, and head down to Harbourfront Centre for a screening of Mean Girls. It’s the opening film in the Centre’s Free Flicks summer series, which this year focuses on funny women. Tina Fey’s ten-year-old film was also shot in Toronto, so you and your best frenemies can have fun spotting local sites on the big screen.
TIFF 2014 Scenes: Tuesday–Thursday Nights, Featuring Good Kill, Maps to the Stars, The Imitation Game, Jauja, Laggies, and More
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
Want more TIFF coverage? Torontoist‘s film festival hub is right over here.
Vulnerability, Suffering, and Strength
“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon
“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore
These quotations, which welcome visitors to “Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.
TIFF Unveils Bruce LaBruce’s Skin Flicks
Anyone seeking proof that all it takes for a radical to become part of the establishment is a little bit of endurance need only look to “Skin Flicks,” TIFF Cinematheque’s retrospective of the films of Toronto zine impresario, radical, occasional pornographer, and queercore filmmaker Bruce LaBruce.
A farm boy who left his rural digs for a more urban life in Toronto in the mid-‘80s, LaBruce first turned heads on the scene with his publication (along with partner and Fifth Column frontwoman G.B. Jones) of the seminal queer punk zine J.D.s, which distinguished itself from punk culture through its queer vision, and from mainstream LGBT culture through its aggressive DIY aesthetic and radical politics. From that fertile underground world came the first of LaBruce’s experimental Super 8 shorts, including Boy, Girl—ground zero for later thematic obsessions such as neo-skinheads and surveillance.
Bent Lens: Pride on Screen
Every part of our city will be drenched in WorldPride this summer, including the TIFF Bell Lightbox. Bent Lens: Pride on Screen comprises nearly two months of screenings, exhibits, and speaking engagements that reflect the broadness of our LGBT community. Check out films under the stars in David Pecaut Square, take in a conversation with Laverne Cox of Orange is the New Black, and much more.
This post originally stated that the outdoor screenings of Bent Lens will focus on Derek Jarman and Bruce LaBruce, but that is not the case.
Terry O’Neill: The Man Who Shot the Sixties
Our fascination with fame and celebrity isn’t new—and this is illustrated in Izzy Gallery’s newest exhibit, Terry O’Neil: The Man Who Shot the Sixties. A photographer from the U.K., O’Neill snapped iconic shots of everyone from The Beatles and Rolling Stones to Brigitte Bardot and Faye Dunaway. The opening party features an appearance by O’Neill himself, and his “photographs from the frontline of fame” will remain on display until the end of August.
Twelve Angry Men
If you haven’t heard of Twelve Angry Men, you’ve likely seen it parodied in a number of movies and television shows over the years. Now here’s your chance to see the real deal, on stage, thanks to the Soulpepper Theatre Company. Watch the drama unfold in a claustrophobic deliberation room as one dissenting juror unravels what is supposed to be an open-and-shut murder case.