Sexual Diversity and the Sochi Olympics: No More Rainbows

  • Toronto Public Library, Eatonville Branch (430 Burnhamthorpe Road)
  • 2 p.m.

Unless you spent the winter under a pretty big rock, you heard about the homophobic controversy Russia sparked while hosting the Olympics. Helen Lenskyj’s newest book, Sexual Diversity and the Sochi Olympics: No More Rainbows, takes a look at the anti-gay laws that were put into place, and how they affected gay athletes and fans. Join her for an engaging discussion on equality and the treatment of LGBTQ athletes in the sports world.

Details: Sexual Diversity and the Sochi Olympics: No More Rainbows

Snow Bride

Katie Hood stars in Snow Bride. Image courtesy of Romantic Animal Theatre Collective.

Katie Hood stars in Snow Bride. Image courtesy of Romantic Animal Theatre Collective.

  • The Box Theatre (89 Niagara Street)
  • 8 p.m.

Talk about striking while the iron is hot—David James Brock’s Snow Bride is hitting the stage just in time for wedding season… and some other stuff in the news. When no one shows up for Helena’s bachelorette party, she turns to her oldest and most trusted friend: cocaine. Using humour, the play touches on the difficulties surrounding a life of addiction and its effects on interpersonal relationships.

Details: Snow Bride

Mies Julie Is a Powerhouse Production

Hilda Cronje as Julie in Yael Farber's Mies Julie. Photo by Rodger Bosch.

Hilda Cronje as Julie in Yael Farber's Mies Julie. Photo by Rodger Bosch.

  • Harbourfront Centre, Enwave Theatre (231 Queens Quay West)
  • 8 p.m.

On Tuesday night, it was a clear and calm evening by the waterfront—a little warm, even. It was a hint of what (we’re hoping) is in store for us this summer, and created a serene and restful atmosphere.

That feeling was promptly destroyed by the production currently playing at the Harbourfront Centre’s Enwave Theatre, Yael Farber’s Mies Julie. It’s angering, devastating, and terrifying—but in the best way possible.

Details: Mies Julie Is a Powerhouse Production

Ongoing…

A Journey Into the Forbidden City

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While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).


Want more TIFF coverage? Torontoist‘s film festival hub is right over here.
Details: TIFF 2014 Scenes: Tuesday–Thursday Nights, Featuring Good Kill, Maps to the Stars, The Imitation Game, Jauja, Laggies, and More

Vulnerability, Suffering, and Strength

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  • Art Gallery of Ontario (317 Dundas Street West)
  • All day

“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon

“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore

These quotations, which welcome visitors to Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.

Details: Vulnerability, Suffering, and Strength

Canadian Music Week 2014

Photo by Renee Navarro from the Torontoist Flickr pool.

Photo by Renee Navarro from the Torontoist Flickr pool.

  • Multiple venues
  • All day

If you’re thinking that it seems longer than usual since Canadian Music Week last rolled around, good news: you’re not crazy. For its 2014 edition, the event left behind its typically lousy March weather and moved to the comparatively balmier conditions of early May. So instead of being viewed as the next major festival after SXSW, it’ll perhaps now be seen more as a sibling of NXNE. Thanks to a radius clause introduced by NXNE that makes sure the two festivals feature different acts, though, they’ll have to carve out their own separate identities as concert extravaganzas.

What hasn’t changed about CMW in 2014 is its range of offerings—it still features a diverse lineup of music from artists both established and emerging, complemented by smaller samplings of film and comedy. With headlining performances from the likes of Canadian duo Tegan and Sara and a wide array of showcases carefully programmed for different genres and—in some cases—countries, there’s something on the schedule for everyone.

Details: Canadian Music Week 2014

The Gigli Concert: Therapy Through Music, Comedy, and Sex Stories

Diego Matamoros and Stuart Hughes as JPW King and Irish Man. Photo by Cylla von Tiedemann.

Diego Matamoros and Stuart Hughes as JPW King and Irish Man. Photo by Cylla von Tiedemann.

  • Young Centre for the Performing Arts (50 Tank House Lane)
  • 7:30 p.m.

Up until Ben Affleck and Jennifer Lopez made that movie, the word “Gigli” was associated with images of beauty, the splendour of the opera, and, more specifically, the renowned Italian tenor Beniamino Gigli. In Irish playwright Tom Murphy’s The Gigli Concert, originally written in 1983 and on stage now at Soulpepper Theatre, the singer’s voice represents not only beauty, but hope itself—the one saving force that can pull its two central characters from deep depressions. And, thankfully, the journey to the other side is infinitely more watchable than the previously mentioned Hollywood film.

Details: The Gigli Concert: Therapy Through Music, Comedy, and Sex Stories

Abigail’s Party

Claire Burns (left) and Anna Hardwick (right) in Abagail's Party. Photo by Daniel Notarianni.

Claire Burns (left) and Anna Hardwick (right) in Abagail's Party. Photo by Daniel Notarianni.

  • Theatre Passe Muraille Backspace (16 Ryerson Avenue)
  • 7:30 p.m.

It’s 1977, and a group of friends in England are gathering for a soirée. A pretty standard concept, that’s for sure, but Mike Leigh’s Abigail’s Party takes things to another level with a playful romp through the lives of these suburban socialites. Witness the hilarity and awkwardness as the hostess from hell metaphorically tears her guests to pieces.

Details: Abigail’s Party

The Last Confession

David Suchet and Richard O’Callaghan star in The Last Confession. Photo by John Haines.

David Suchet and Richard O’Callaghan star in The Last Confession. Photo by John Haines.

  • Royal Alexandra Theatre (260 King Street West)
  • 8 p.m.

If you’re in the mood for a murder mystery with a religious twist, you’ll want to check out The Last Confession. David Suchet (Poirot) and Richard O’Callaghan star in this play about the mysterious death of Pope John Paul I in 1978. After only 33 days in office, and having warned three cardinals that they would be replaced, he is found dead. Though the Vatican refuses to open an official investigation, Cardinal Benelli goes out in search of the truth.

Details: The Last Confession

Beatrice & Virgil: Yann Martel’s Monkey and Donkey Hit the Stage

Damien Atkins as Henry, peering at a taxidermied donkey and ape, Beatrice and Virgil. Photo by Joanna Akyol.

Damien Atkins as Henry, peering at a taxidermied donkey and ape, Beatrice and Virgil. Photo by Joanna Akyol.

  • Factory Theatre (125 Bathurst Street)
  • 8 p.m.

Most unsolicited messages from admirers to famous writers do not result in collaborations: but when Lindsay Cochrane, kindergarten teacher and English literature grad, emailed Yann Martel, the acclaimed author of Life of Pi, about adapting one of his novels into a stage play, the two ended up joining forces. The result is Cochrane’s first play, Beatrice & Virgil, on now at Factory Theatre (in a co-production with Ottawa’s National Arts Centre). With the help of director Sarah Garton Stanley, Cochrane has made an impressively valiant effort to wrangle some large, abstract, and troublesome ideas into a well-crafted work of live theatre.

Details: Beatrice & Virgil: Yann Martel’s Monkey and Donkey Hit the Stage

A God in Need of Help Gets Some From Its Friends

From back to front: Ben Irvine, Daniel Kash, Tony Nappo, Jonathan Seinen, Dmitry Chepovetsky, and Alden Adair. Photo by Cylla von Tiedemann.

From back to front: Ben Irvine, Daniel Kash, Tony Nappo, Jonathan Seinen, Dmitry Chepovetsky, and Alden Adair. Photo by Cylla von Tiedemann.

  • Tarragon Theatre (30 Bridgman Avenue)
  • 8 p.m.

We’re nearing the end of Tarragon Theatre‘s 2013/2014 season, and it appears we’ve also arrived at the final stage of its theme: love, loss, wine, and the gods. But that doesn’t mean the Tarragon, which has seen some major hits this year in Lungs, The Double, and The Ugly One, is phoning it in. Sean Dixon’s ambitious new script, A God in Need of Help, has produced not only one of the longer plays in the Tarragon season, but also easily the most dense and layered, mixing as it does historical fact and fiction with timeless issues of art, religion, and politics. Fortunately, that makes it the strongest mainstage show of the season thus far (we’ll see how Tarragon’s final show, The God That Comes, co-created by and featuring Hawksley Workman, performs in June).

Details: A God in Need of Help Gets Some From Its Friends