Disco and classic rock aren’t the only types of music to come out of the 1970s. The Punk vs. Rap Photography Exhibit showcases the most iconic performers and performances of that decade. Come dance to tunes by the featured artists while checking out the artistry of photographers Allan Tannenbaum, Sheila Rock, Jess Baumung, Lex Van Rossen, and many more. Please RSVP to firstname.lastname@example.org to gain admission.
It’s common to feel as if your voice isn’t being heard by your government, but that could change! Learn about proportional representation at the Action on Climate Change town hall meeting. A panel made up of Bruce Hyer, deputy leader of the Green Party of Canada; former British Columbia environment minister Joyce Murray; and journalist Linda McQuaig will discuss climate change and how we can get our government to make changes. A question-and-answer period will follow the presentation.
You’re likely well acquainted with the quote about not being able to please everyone all the time. It rings particularly true when it comes to the staging of well-known and loved plays. Re-inventions are almost always disappointments, which means the only real option is to present the piece exactly as it always has been… but somehow make it better (or at least just as good as the original). It’s a tricky situation—and exactly what The Lower Ossington Theatre is up against with its production of The Sound of Music.
If you’ve been looking to add more funny females to your life, your cup will overflow for three straight days thanks to the SheDot Festival. As you might guess, every performer identifies as a woman, and uses that perspective in their comedy. There will be everything from sketches to storytelling, stand-up to improv, with each of the 12 showcases dedicated to a certain theme—like sassy, LBT, and mom.
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon
“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore
These quotations, which welcome visitors to “Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.
Every year, Playwright Project brings theatre lovers together to celebrate one deserving writer. This year, Caryl Churchill’s works will get the spotlight treatment for two weeks at The Downstage. Vinegar Tom, A Number, Drunk Enough to Say I Love You, and Three More Sleepless Nights will each be showcased several times throughout the festival.
It’s 1977, and a group of friends in England are gathering for a soirée. A pretty standard concept, that’s for sure, but Mike Leigh’s Abigail’s Party takes things to another level with a playful romp through the lives of these suburban socialites. Witness the hilarity and awkwardness as the hostess from hell metaphorically tears her guests to pieces.
Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.
If you’re in the mood for a murder mystery with a religious twist, you’ll want to check out The Last Confession. David Suchet (Poirot) and Richard O’Callaghan star in this play about the mysterious death of Pope John Paul I in 1978. After only 33 days in office, and having warned three cardinals that they would be replaced, he is found dead. Though the Vatican refuses to open an official investigation, Cardinal Benelli goes out in search of the truth.
Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.
Most unsolicited messages from admirers to famous writers do not result in collaborations: but when Lindsay Cochrane, kindergarten teacher and English literature grad, emailed Yann Martel, the acclaimed author of Life of Pi, about adapting one of his novels into a stage play, the two ended up joining forces. The result is Cochrane’s first play, Beatrice & Virgil, on now at Factory Theatre (in a co-production with Ottawa’s National Arts Centre). With the help of director Sarah Garton Stanley, Cochrane has made an impressively valiant effort to wrangle some large, abstract, and troublesome ideas into a well-crafted work of live theatre.
We’re nearing the end of Tarragon Theatre‘s 2013/2014 season, and it appears we’ve also arrived at the final stage of its theme: love, loss, wine, and the gods. But that doesn’t mean the Tarragon, which has seen some major hits this year in Lungs, The Double, and The Ugly One, is phoning it in. Sean Dixon’s ambitious new script, A God in Need of Help, has produced not only one of the longer plays in the Tarragon season, but also easily the most dense and layered, mixing as it does historical fact and fiction with timeless issues of art, religion, and politics. Fortunately, that makes it the strongest mainstage show of the season thus far (we’ll see how Tarragon’s final show, The God That Comes, co-created by and featuring Hawksley Workman, performs in June).