Descant Magazine: Cartooning Degree Zero

Storytelling gets visual in the 164th issue of Descant Magazine. Image courtesy of Shannon Gerard.

Storytelling gets visual in the 164th issue of Descant Magazine. Image courtesy of Shannon Gerard.

  • The Handlebar (159 Augusta Avenue)
  • 7 p.m.

Descant Magazine is ready to release its 164th issue, and this time around, it’s expanding its content beyond the written word. Cartooning Degree Zero explores the idea of visual storytelling, and focuses on Canadian comic artists. Join contributors Shannon Gerard, Chris Kuzma, Rachel Richey, Andy Verboom, Gillian Goerz, Mark Connery, and Maurice Vellekoop for live readings, snacks, and raffles at the launch party.

Details: Descant Magazine: Cartooning Degree Zero

True Stories Told Live

  • The Garrison (1197 Dundas Street West)
  • 7:15 p.m.

True Stories Told Live isn’t just a snazzy title—it’s the description of what’s going down in the back room of the Garrison on this fine Tuesday evening. Come by, have a drink, and listen to real people telling real stories. Without using notes, Rob Norman, Erin Rodgers, Jennifer Walls, Brian Spitz, and Ted Morris will each present completely true tales under ten minutes long.

Details: True Stories Told Live

A God in Need of Help Gets Some From Its Friends

From back to front: Ben Irvine, Daniel Kash, Tony Nappo, Jonathan Seinen, Dmitry Chepovetsky, and Alden Adair. Photo by Cylla von Tiedemann.

From back to front: Ben Irvine, Daniel Kash, Tony Nappo, Jonathan Seinen, Dmitry Chepovetsky, and Alden Adair. Photo by Cylla von Tiedemann.

  • Tarragon Theatre (30 Bridgman Avenue)
  • 8 p.m.

We’re nearing the end of Tarragon Theatre‘s 2013/2014 season, and it appears we’ve also arrived at the final stage of its theme: love, loss, wine, and the gods. But that doesn’t mean the Tarragon, which has seen some major hits this year in Lungs, The Double, and The Ugly One, is phoning it in. Sean Dixon’s ambitious new script, A God in Need of Help, has produced not only one of the longer plays in the Tarragon season, but also easily the most dense and layered, mixing as it does historical fact and fiction with timeless issues of art, religion, and politics. Fortunately, that makes it the strongest mainstage show of the season thus far (we’ll see how Tarragon’s final show, The God That Comes, co-created by and featuring Hawksley Workman, performs in June).

Details: A God in Need of Help Gets Some From Its Friends

Ongoing…

A Journey Into the Forbidden City

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While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).


Want more TIFF coverage? Torontoist‘s film festival hub is right over here.
Details: TIFF 2014 Scenes: Tuesday–Thursday Nights, Featuring Good Kill, Maps to the Stars, The Imitation Game, Jauja, Laggies, and More

Vulnerability, Suffering, and Strength

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  • Art Gallery of Ontario (317 Dundas Street West)
  • All day

“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon

“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore

These quotations, which welcome visitors to Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.

Details: Vulnerability, Suffering, and Strength

Abigail’s Party

Claire Burns (left) and Anna Hardwick (right) in Abagail's Party. Photo by Daniel Notarianni.

Claire Burns (left) and Anna Hardwick (right) in Abagail's Party. Photo by Daniel Notarianni.

  • Theatre Passe Muraille Backspace (16 Ryerson Avenue)
  • 7:30 p.m.

It’s 1977, and a group of friends in England are gathering for a soirée. A pretty standard concept, that’s for sure, but Mike Leigh’s Abigail’s Party takes things to another level with a playful romp through the lives of these suburban socialites. Witness the hilarity and awkwardness as the hostess from hell metaphorically tears her guests to pieces.

Details: Abigail’s Party

Belleville

  • Berkeley Street Theatre (26 Berkeley Street)
  • 8 p.m.

Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.

Details: Belleville

Asian Music Series

  • Multiple venues
  • 8 p.m.

Small World Music Society is celebrating Asian and South Asian Heritage Month with the Asian Music Series. Zakir Hussain and Masters of Percussion, Sultans of String, Jonita Gandhi, and Shafqat Amanat Ali are among the many talented artists who will perform in venues across the city throughout April and May.

Details: Asian Music Series

The Last Confession

David Suchet and Richard O’Callaghan star in The Last Confession. Photo by John Haines.

David Suchet and Richard O’Callaghan star in The Last Confession. Photo by John Haines.

  • Royal Alexandra Theatre (260 King Street West)
  • 8 p.m.

If you’re in the mood for a murder mystery with a religious twist, you’ll want to check out The Last Confession. David Suchet (Poirot) and Richard O’Callaghan star in this play about the mysterious death of Pope John Paul I in 1978. After only 33 days in office, and having warned three cardinals that they would be replaced, he is found dead. Though the Vatican refuses to open an official investigation, Cardinal Benelli goes out in search of the truth.

Details: The Last Confession

Soliciting Temptation: First Impressions and Misguided Missions

Derek Boyes and Miriam Fernandes in Soliciting Temptation by Erin Shields. Photo by Cylla von Tiedemann.

Derek Boyes and Miriam Fernandes in Soliciting Temptation by Erin Shields. Photo by Cylla von Tiedemann.

  • Tarragon Theatre, Extra Space (30 Bridgman Avenue)
  • 8 p.m.

Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.

Details: Soliciting Temptation: First Impressions and Misguided Missions

Beatrice & Virgil: Yann Martel’s Monkey and Donkey Hit the Stage

Damien Atkins as Henry, peering at a taxidermied donkey and ape, Beatrice and Virgil. Photo by Joanna Akyol.

Damien Atkins as Henry, peering at a taxidermied donkey and ape, Beatrice and Virgil. Photo by Joanna Akyol.

  • Factory Theatre (125 Bathurst Street)
  • 8 p.m.

Most unsolicited messages from admirers to famous writers do not result in collaborations: but when Lindsay Cochrane, kindergarten teacher and English literature grad, emailed Yann Martel, the acclaimed author of Life of Pi, about adapting one of his novels into a stage play, the two ended up joining forces. The result is Cochrane’s first play, Beatrice & Virgil, on now at Factory Theatre (in a co-production with Ottawa’s National Arts Centre). With the help of director Sarah Garton Stanley, Cochrane has made an impressively valiant effort to wrangle some large, abstract, and troublesome ideas into a well-crafted work of live theatre.

Details: Beatrice & Virgil: Yann Martel’s Monkey and Donkey Hit the Stage