Get Lit

  • Neubacher Shor Contemporary Gallery (5 Brock Avenue)
  • 6 p.m.

Musicians, writers, and athletes are coming together to Get Lit in support of a great cause. Several notable Canadians will take the stage to read from pieces of literature that inspired their success. Participants include Fucked Up’s Damian Abraham, the Globe and Mail‘s Robyn Doolittle, Olympic hurdler Perdita Felicien, artist and fashion designer Jeremy Laing, the Lang & O’Leary Exchange‘s Amanda Lang, and Frank Viva, the creative director of Viva & Co. All proceeds from the event will go to The Running & Reading Club, an after-school program that promotes literacy and physical activity among economically challenged children across the country.

Details: Get Lit

Beatrice & Virgil: Yann Martel’s Monkey and Donkey Hit the Stage

Damien Atkins as Henry, peering at a taxidermied donkey and ape, Beatrice and Virgil. Photo by Joanna Akyol.

Damien Atkins as Henry, peering at a taxidermied donkey and ape, Beatrice and Virgil. Photo by Joanna Akyol.

  • Factory Theatre (125 Bathurst Street)
  • 8 p.m.

Most unsolicited messages from admirers to famous writers do not result in collaborations: but when Lindsay Cochrane, kindergarten teacher and English literature grad, emailed Yann Martel, the acclaimed author of Life of Pi, about adapting one of his novels into a stage play, the two ended up joining forces. The result is Cochrane’s first play, Beatrice & Virgil, on now at Factory Theatre (in a co-production with Ottawa’s National Arts Centre). With the help of director Sarah Garton Stanley, Cochrane has made an impressively valiant effort to wrangle some large, abstract, and troublesome ideas into a well-crafted work of live theatre.

Details: Beatrice & Virgil: Yann Martel’s Monkey and Donkey Hit the Stage

BeerProv Presents The Draft

Up-and-coming improvisors battle it out at BeerProv's The Draft. Photo courtesy of RAW Photography.

Up-and-coming improvisors battle it out at BeerProv's The Draft. Photo courtesy of RAW Photography.

  • Comedy Bar (945 Bloor Street West)
  • 9:30 p.m.

In the city there exists an event where the beer flows freely and the spirit of competition inspires top-notch comedic performances. That event is BeerProv’s The Draft. What is it? A slew of amateur improvisers going head to head in a series of elimination games in hopes of getting the honour of drinking from the Mini-Mug of Champions. Watch Anesti Daniels, Dale Wells, Emma Viola-Robinson, Jordan Markowski, Nicole Dunn, Simon McCamus, and many others give their all in what should be a brew-tal battle.

Details: BeerProv Presents The Draft

Ongoing…

A Journey Into the Forbidden City

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  • Royal Ontario Museum (100 Queens Park)
  • All day

If The Forbidden City: Inside the Court of China’s Emperors has a mascot, it’s Emperor Yongzheng. The image of the 18th-century Chinese ruler dominates the promotional material of the exhibition, which is one of the centrepieces of the Royal Ontario Museum’s centennial year. His portrait certainly has visual appeal, but Yongzheng is also a figure associated with surprising elements of life within the former imperial palace.

Details: A Journey Into the Forbidden City

Vulnerability, Suffering, and Strength

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  • Art Gallery of Ontario (317 Dundas Street West)
  • All day

“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon

“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore

These quotations, which welcome visitors to Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.

Details: Vulnerability, Suffering, and Strength

Playwright Project

  • The Downstage (798 Danforth Avenue)
  • 7 p.m.

Every year, Playwright Project brings theatre lovers together to celebrate one deserving writer. This year, Caryl Churchill’s works will get the spotlight treatment for two weeks at The Downstage. Vinegar Tom, A Number, Drunk Enough to Say I Love You, and Three More Sleepless Nights will each be showcased several times throughout the festival.

Details: Playwright Project

Abigail’s Party

Claire Burns (left) and Anna Hardwick (right) in Abagail's Party. Photo by Daniel Notarianni.

Claire Burns (left) and Anna Hardwick (right) in Abagail's Party. Photo by Daniel Notarianni.

  • Theatre Passe Muraille Backspace (16 Ryerson Avenue)
  • 7:30 p.m.

It’s 1977, and a group of friends in England are gathering for a soirée. A pretty standard concept, that’s for sure, but Mike Leigh’s Abigail’s Party takes things to another level with a playful romp through the lives of these suburban socialites. Witness the hilarity and awkwardness as the hostess from hell metaphorically tears her guests to pieces.

Details: Abigail’s Party

Belleville

  • Berkeley Street Theatre (26 Berkeley Street)
  • 8 p.m.

Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.

Details: Belleville

Dinner With Goebbels

  • Red Sandcastle Theatre (922 Queen Street East)
  • 8 p.m.

We’ll bet you’ve never had a dinner party quite as interesting as this one. Mark Leith invites you to sit down with the founder of political spin, Edward Bernays; the inventor of propaganda, Dr. Joseph Goebbels; and the spearhead of the war on terror, Karl Rove—in the Act 2 Studio Works production of Dinner With Goebbels.

Details: Dinner With Goebbels

Let the Cock Fight Begin

Jessica Greenberg and Andrew Kushnir in Mike Bartlett's Cock. Photo by Kari North.

Jessica Greenberg and Andrew Kushnir in Mike Bartlett's Cock. Photo by Kari North.

  • The Theatre Centre (1115 Queen Street West)
  • 8 p.m.

Despite its provocative title, there’s actually very little that’s controversial about Mike Bartlett’s Cock, making its Canadian premiere at the Theatre Centre. Its subject matter might have been viewed as more controversial in 2009, when the play premiered at the Royal Court in London—but after five years, this story of a love triangle between two men and a woman has lost part of its taboo-challenging appeal. Luckily, though, its emotional appeal has endured.

Details: Let the Cock Fight Begin

The Last Confession

David Suchet and Richard O’Callaghan star in The Last Confession. Photo by John Haines.

David Suchet and Richard O’Callaghan star in The Last Confession. Photo by John Haines.

  • Royal Alexandra Theatre (260 King Street West)
  • 8 p.m.

If you’re in the mood for a murder mystery with a religious twist, you’ll want to check out The Last Confession. David Suchet (Poirot) and Richard O’Callaghan star in this play about the mysterious death of Pope John Paul I in 1978. After only 33 days in office, and having warned three cardinals that they would be replaced, he is found dead. Though the Vatican refuses to open an official investigation, Cardinal Benelli goes out in search of the truth.

Details: The Last Confession

Soliciting Temptation: First Impressions and Misguided Missions

Derek Boyes and Miriam Fernandes in Soliciting Temptation by Erin Shields. Photo by Cylla von Tiedemann.

Derek Boyes and Miriam Fernandes in Soliciting Temptation by Erin Shields. Photo by Cylla von Tiedemann.

  • Tarragon Theatre, Extra Space (30 Bridgman Avenue)
  • 8 p.m.

Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.

Details: Soliciting Temptation: First Impressions and Misguided Missions