Everyone knows that teenage years are difficult. Imagine what it would be like going through that same period while not fitting the standard definition of what it’s like to be a boy or girl. Artists Ivan Coyote and Rae Spoon did, and now they’ve joined forces to tell their stories in book form. Gender Failure chronicles the journey from falling between the metaphoric gender identity cracks to self-acceptance and realization. Visual artist Clyde Petersen is joining them to help launch the book, with a multimedia show on the same topic, featuring music, visuals, and words.
Every year, Playwright Project brings theatre lovers together to celebrate one deserving writer. This year, Caryl Churchill’s works will get the spotlight treatment for two weeks at The Downstage. Vinegar Tom, A Number, Drunk Enough to Say I Love You, and Three More Sleepless Nights will each be showcased several times throughout the festival.
While we wish “the C-word” didn’t exist, there’s hope that events like this one might improve your chances of avoiding it. Join nutritionist Marni Wasserman for a Cancer Fighting Foods Workshop, part of her Wisdom Wednesday series. Learn about alkaline diets, plant-based meals, antioxidants, and how they can change your life—all while snacking on delicious samples, of course!
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon
“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore
These quotations, which welcome visitors to “Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.
Up until Ben Affleck and Jennifer Lopez made that movie, the word “Gigli” was associated with images of beauty, the splendour of the opera, and, more specifically, the renowned Italian tenor Beniamino Gigli. In Irish playwright Tom Murphy’s The Gigli Concert, originally written in 1983 and on stage now at Soulpepper Theatre, the singer’s voice represents not only beauty, but hope itself—the one saving force that can pull its two central characters from deep depressions. And, thankfully, the journey to the other side is infinitely more watchable than the previously mentioned Hollywood film.
It’s 1977, and a group of friends in England are gathering for a soirée. A pretty standard concept, that’s for sure, but Mike Leigh’s Abigail’s Party takes things to another level with a playful romp through the lives of these suburban socialites. Witness the hilarity and awkwardness as the hostess from hell metaphorically tears her guests to pieces.
Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.
We’ll bet you’ve never had a dinner party quite as interesting as this one. Mark Leith invites you to sit down with the founder of political spin, Edward Bernays; the inventor of propaganda, Dr. Joseph Goebbels; and the spearhead of the war on terror, Karl Rove—in the Act 2 Studio Works production of Dinner With Goebbels.
Despite its provocative title, there’s actually very little that’s controversial about Mike Bartlett’s Cock, making its Canadian premiere at the Theatre Centre. Its subject matter might have been viewed as more controversial in 2009, when the play premiered at the Royal Court in London—but after five years, this story of a love triangle between two men and a woman has lost part of its taboo-challenging appeal. Luckily, though, its emotional appeal has endured.
If you’re in the mood for a murder mystery with a religious twist, you’ll want to check out The Last Confession. David Suchet (Poirot) and Richard O’Callaghan star in this play about the mysterious death of Pope John Paul I in 1978. After only 33 days in office, and having warned three cardinals that they would be replaced, he is found dead. Though the Vatican refuses to open an official investigation, Cardinal Benelli goes out in search of the truth.
Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.