Most women are familiar with conversations about how to avoid, deal with, and recover from violence at the hands of men. Isn’t it time we started including the other half in these discussions? Guy Talk does just that, by providing a venue for men and boys to talk about, learn about, and end violence against women. The featured panel of young male activists includes Jeff Perera of White Ribbon, WomenatthecentrE’s Courtwatch delegate Adam Helfand-Green, and many more.
Often regarded as a meaningless and irritating genre, disco inspires yet more negative sentiment in this month’s Rue Morgue CineMacabre screening. Discopath takes place in 1970s New York, where an unassuming man murders his date at nightclub. Escaping to Montreal, he takes cover at a girl’s school, which proves to be a poor choice as the sounds of disco provoke him into another homicidal rampage. Specially created concession treats and alcoholic drinks catering to the morbid tastes of horror fans will be available for consumption during the film. And prizes! Lots of prizes!
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon
“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore
These quotations, which welcome visitors to “Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.
A week of performing arts programming created by artists 21 and under, The Paprika Festival features readings, theatre and dance performances, and social events that aim to encourage youth involvement in the arts and foster the creation of art by young people. The festival boasts many alumni in the arts and arts-related fields, and this year’s crop of budding writers, directors, and performers may give young-at-heart attendees a glimpse of future Dora-winning work. There’s a double bill of workshopped shows each night of the week, with readings beforehand and late-night cabaret programming afterward. Over the festival’s closing weekend, the evenings turn into full days of arts events. All main-stage shows are $5; unlimited access festival passes can be purchased for $50. Many events are free of charge. For the full programming schedule, consult the festival’s website.
Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.
Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.
We’ll bet you’ve never had a dinner party quite as interesting as this one. Mark Leith invites you to sit down with the founder of political spin, Edward Bernays; the inventor of propaganda, Dr. Joseph Goebbels; and the spearhead of the war on terror, Karl Rove—in the Act 2 Studio Works production of Dinner With Goebbels.
Meet Cathy and Jamie, a mid-twenties New York couple who fall in and out of love over the course of half a decade. While it doesn’t involve a groundbreaking premise, The Last Five Years chooses to tell the story of their relationship in a unique fashion: Cathy’s perspective starts from the end and works backward, while Jamie’s simultaneously moves forward chronologically. The only intersection of their narratives occurs during their wedding, at the halfway point of the play.
Despite its provocative title, there’s actually very little that’s controversial about Mike Bartlett’s Cock, making its Canadian premiere at the Theatre Centre. Its subject matter might have been viewed as more controversial in 2009, when the play premiered at the Royal Court in London—but after five years, this story of a love triangle between two men and a woman has lost part of its taboo-challenging appeal. Luckily, though, its emotional appeal has endured.
Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.