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BookThug is welcoming the warmer weather and celebrating the release of several new works with a Spring Launch event. On top of readings by Jacob Wren, Aisha Sasha John, Wayne Clifford, and Guadalupe Muro, there will be a special panel discussion, and a musical performance by Songs for Runaway Girls.
Despite its provocative title, there’s actually very little that’s controversial about Mike Bartlett’s Cock, making its Canadian premiere at the Theatre Centre. Its subject matter might have been viewed as more controversial in 2009, when the play premiered at the Royal Court in London—but after five years, this story of a love triangle between two men and a woman has lost part of its taboo-challenging appeal. Luckily, though, its emotional appeal has endured.
Erin Shields’ Soliciting Temptation, premiering now at Tarragon Theatre, was highly anticipated—it’s the first new play since 2010 from the eminent female playwright, known for the Governor General Award-winning If We Were Birds. In some respects, it lives up to the hype. It deals with the difficult, often-overlooked subject of child sex tourism, and it does so thoughtfully and with nuance. The overall experience, though, is somewhat underwhelming, because the compelling ideas explored are undercut by an implausible premise.
If The Forbidden City: Inside the Court of China’s Emperors has a mascot, it’s Emperor Yongzheng. The image of the 18th-century Chinese ruler dominates the promotional material of the exhibition, which is one of the centrepieces of the Royal Ontario Museum’s centennial year. His portrait certainly has visual appeal, but Yongzheng is also a figure associated with surprising elements of life within the former imperial palace.
“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon
“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore
These quotations, which welcome visitors to “Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.
A week of performing arts programming created by artists 21 and under, The Paprika Festival features readings, theatre and dance performances, and social events that aim to encourage youth involvement in the arts and foster the creation of art by young people. The festival boasts many alumni in the arts and arts-related fields, and this year’s crop of budding writers, directors, and performers may give young-at-heart attendees a glimpse of future Dora-winning work. There’s a double bill of workshopped shows each night of the week, with readings beforehand and late-night cabaret programming afterward. Over the festival’s closing weekend, the evenings turn into full days of arts events. All main-stage shows are $5; unlimited access festival passes can be purchased for $50. Many events are free of charge. For the full programming schedule, consult the festival’s website.
Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.
Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.
Riding high on great reviews of their new album, Lost in the Dream, The War on Drugs are back for a two-night stand in Toronto. Night one on Monday takes place at The Horseshoe Tavern and features their tour mates, White Laces (the ‘Shoe is where the band played their first few appearances in Toronto). Night two on Tuesday is at Lee’s Palace, where Toronto’s own Andre Ethier is their opening guest.