Zack and Abby are the couple that others envy—the ones who seem to have it all. But secrets hide behind the beautiful home, the loving marriage, and the promising careers. Company Theatre’s Belleville—produced in association with Canadian Stage—explores the darkness that’s revealed in this seemingly perfect relationship after Abby finds her husband at home one day when he’s supposed to be at work.
If you love poetry, can memorize entire pieces of writing, or are the kind of person who will do anything for money, Brains, Words & Voices will be right up your alley. This monthly gathering celebrates the written word through a selection of classic pre-1975 poems, recited from memory. Everyone is welcome to apply for a spot in this competition, which awards $100 cash to the best performer of the night.
To showcase its graduating class’s musical talents, Ryerson Theatre School has programmed two nights of a musical revue of songs by composer Allen Cole. The Highest Tides in the World will feature music and text by Cole, plus additional text by Canadian theatre creators like Melody Johnson and Rick Roberts, with songs and movement performed, of course, by Ryerson students.
If The Forbidden City: Inside the Court of China’s Emperors has a mascot, it’s Emperor Yongzheng. The image of the 18th-century Chinese ruler dominates the promotional material of the exhibition, which is one of the centrepieces of the Royal Ontario Museum’s centennial year. His portrait certainly has visual appeal, but Yongzheng is also a figure associated with surprising elements of life within the former imperial palace.
“The greatest art always returns you to the vulnerabilities of the human situation.” – Francis Bacon
“In the human figure one can express more completely one’s feelings about the world than in any other way.” – Henry Moore
These quotations, which welcome visitors to “Francis Bacon and Henry Moore: Terror and Beauty,” immediately establish the exhibition’s tone and focus. Each artist’s distortions of the human figure, shaped by their wartime experiences, capture the vulnerability of our mortal forms.
If a period drama has ever inspired you to visit the past, but you couldn’t because you didn’t have access to a time machine, listen up! The Spadina Museum is taking history, television, and fashion fans alike back to the Edwardian era with its “Dressing for Downton: The Costumes of Downton Abbey” exhibit. Twenty pieces from the hit show will be on display, along with the City of Toronto’s own collection of garments from the time. Attendees will also be treated to Downton Abbey–themed tours of the century home.
Taking place in five Canadian cities for the second time, The Spur Festival brings together thinkers, innovators, and academic and creative types for a series of lectures, meetings, and performances on “nationally relevant and locally nuanced” ideas. Here in Toronto from April 3 to April 6, the festival will include noted lawyer Michael Geist on free speech, an urban planning panel moderated by Shawn Micallef, talks by author Cecil Foster and photojournalists Rita Leistner and Mike Kamber, and much more. Many of the events, including the opening and closing parties, are free; a few have ticket prices ranging from $10 to $30. For full details, visit the festival’s website.
Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup.
Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.
Sparrowhawk Theatre knows that times are tough, which is why it’s presenting two one-act plays for the price of one! Directed by Steven Holmberg, Norm Foster’s My Narrator and The Death of Me promise to be honest, unique, and un-pretentious theatre experiences for both audience and cast. Prepare to get up close and personal with stars Penelope Corrin, Roger Doche, Laura Jabalee, Jorge Molina, and Chris O’Sullivan at this intimate venue.
In line with Tarragon Theatre‘s theme for it 2013/2014 season– “Love, Loss, Wine and the Gods”—the company is currently presenting two one-act plays that document the journey of two very different romantic relationships. The first, in the Tarragon Extra Space, is Duncan MacMillan’s brilliant Lungs, which receives an equally brilliant production from director Weyni Mengesha and actors Lesley Faulkner and Brendan Gall. Lungs is a touching and entertaining portrayal of a couple in love—but above all, it’s honest. It’s that honesty that the show next door in the Tarragon Mainspace, Stephen Sondheim’s song cycle Marry Me a Little, is lacking.
Now in its fourteenth year, the ReelWorld Film Festival has expanded its reach. For five days in Toronto, followed by three in Markham, it’s bringing over 79 films to the screen. Diversity is the name of the game with features, shorts, webisodes, and music videos from twenty different countries on the bill.
Let’s be honest: you can’t call yourself a true film buff unless you’ve seen the classics—by which we mean those that came before the “talkies.” If you need a quick catch-up course, you’re in luck—the Toronto Silent Film Festival is taking over various theatres across the city for six straight days. One film will be showcased per day, and paired with live and improvised music. Even if you’re familiar with The Wind (1928), City Girl (1930), The Circus (1928), Seven Years Bad Luck (1921), The Last Command (1928), or every Charlie Chaplin film, you’ve never seen them quite like this!
“I think of them as chamber films,” Matías Piñeiro says of the four intimate and beautifully crafted films that make up an intensive TIFF Cinematheque program called Divertimentos: The Films of Matías Piñeiro, running from April 3 to April 6 at TIFF Bell Lightbox. Speaking to us over the phone ahead of the retrospective, which spans his still early but already accomplished career, the 32-year-old Argentine filmmaker seemed pleased with the title that programmer Brad Deane selected, which suggests something musical and modest—a host of informal ensemble pieces.