With warmer weather on the way (we hope), it’s only appropriate that we start thinking about updating our wardrobes. The Toronto Indie Arts Market Spring Fashion Extravaganza is a great place to start. Peruse the clothing, accessories, and handmade jewellery from more than 50 local artisans. Admission price proceeds will benefit the Corsage Project, an organization that provides prom wear for underprivileged teens.
When the deep freeze hits, most of us just want to stay inside. But what about trees—how do they survive? Find out at the Winter Trees Family Nature Walk. Learn how to identify different types of trees—even without their leaves—and meet the animals that make their homes in them.
If we’ve learned anything from Dwayne Gretzky’s success, it’s that Toronto loves its cover bands. Cue Graceband, an eight-member supergroup made up of local musicians who share a passion for Paul Simon’s work. After months of rehearsals, they’re ready to bring their Graceland Tribute Night to the masses. Singer-songwriter Gavin Slate will warm up the stage before these talented lads and lass play the classic album in its entirety.
If The Forbidden City: Inside the Court of China’s Emperors has a mascot, it’s Emperor Yongzheng. The image of the 18th-century Chinese ruler dominates the promotional material of the exhibition, which is one of the centrepieces of the Royal Ontario Museum’s centennial year. His portrait certainly has visual appeal, but Yongzheng is also a figure associated with surprising elements of life within the former imperial palace.
This Is Not a Reading Series founder, film critic, and all-purpose Renaissance Man Marc Glassman enters the spring festival fray with Pages Festival + Conference, a cross-disciplinary, mixed media celebration of the adaptability of the written word in an era when bookstores like Glassman’s own beloved Pages have closed their doors. As if that’s not enough, the festival at the Randolph Theatre will have a more theory-oriented companion in an all-day conference—taking place Friday at the Tranzac Club—on technology’s role in the new wave of publishing.
If a period drama has ever inspired you to visit the past, but you couldn’t because you didn’t have access to a time machine, listen up! The Spadina Museum is taking history, television, and fashion fans alike back to the Edwardian era with its “Dressing for Downton: The Costumes of Downton Abbey” exhibit. Twenty pieces from the hit show will be on display, along with the City of Toronto’s own collection of garments from the time. Attendees will also be treated to Downton Abbey–themed tours of the century home.
You should not, would not miss this event if you’ve ever read Cat in the Hat, How the Grinch Stole Christmas, or Green Eggs and Ham. Why? The Art of Dr. Seuss is coming to Casa Loma! Presented by Liss Gallery, the exhibit features over 30 paintings, drawings, and sculptures showcasing the mind of Theodor Seuss Geisel. Come during March Break (March 8-15) to take advantage of extra-Seussy programming, including storytelling, arts and crafts, and live performances.
Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup.
Artist Sarah Anne Johnson delves into life’s most intimate moments in “Wonderlust.” Using photography and visual arts, she explores the emotional attachment, romance, and self-consciousness that come with sex.
The senior students of U of T Scarborough’s Theatre and Performance Studies are dabbling in witchcraft with their production of Arthur Miller’s The Crucible. Set in Salem, Massachusetts, in 1692, this play reveals how quickly suspicion, prejudice, and fear can tear a community apart.
Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.
You can be taken out of a war, but can you truly remove the war from within you? This question is posed in Kawa Ada’s The Wanderers, a Buddies in Bad Times production about a father and son who flee a battle-worn Afghanistan. Though they start a new life in Canada, the horrors from their homeland refuse to be left behind.
The Toronto Sketch Comedy Festival (TOsketchfest) returns for its 9th year to promote the best of scripted live comedy, with a lineup of over 40 troupes from across North America. Not to be missed are the live reading of Kids In The Hall: Brain Candy, a headlining performance of Gavin Crawford’s Sh**ting Rainbows, or the Slings and Arrows panel with Mark McKinney, Susan Coyne, and Bob Martin.
In Duncan Macmillan’s Lungs, on now at the Tarragon Theatre Extraspace, two people—a man and a woman in their late twenties to mid-thirties—stand on an empty stage and talk. They talk at each other, mostly, about themselves and about more abstract thoughts, as time shifts in the script propel them from pivotal moment to pivotal moment. It’s a style of theatre that can go wrong in an instant—but it can also produce a work that invigorates, or even inspires, a passion for the art form.
Fortunately, this one does the latter.
Proving that 3-chord punk bands can actually amount to something, the award-winning American Idiot is coming to Toronto, having already captivated audiences in London and on Broadway. Featuring the music of Green Day, the story follows three best friends who must choose between following their dreams or staying in the safety of suburbia.
For three weeks straight, the Alumnae Theatre will be obsessing over freshness even more than your local grocery store. The New Ideas Festival is taking over for another year, bringing 15 new, developing, and experimental works to the stage. Each week of the festival, five new plays with a variety of themes will find themselves on the marquee, each one ranging from 10 to 60 minutes in length.
Circlesnake Productions closed out the Storefront Theatre’s 2013 season with their production of the TTC crime comedy Special Constables. Now, they’re the first full production in the space since February’s flooding, and space is where their new show is set—it’s a science-fiction adaptation of Joseph Conrad’s Heart of Darkness. Dark Matter follows Captain Marlow as she travels to a remote space colony to confront Commander Kurtz, who’s “gone rogue.” As per their previous show, expect a show that translates film’s big-budget effects into highly physical staging for the small stage.
In line with Tarragon Theatre‘s theme for it 2013/2014 season– “Love, Loss, Wine and the Gods”—the company is currently presenting two one-act plays that document the journey of two very different romantic relationships. The first, in the Tarragon Extra Space, is Duncan MacMillan’s brilliant Lungs, which receives an equally brilliant production from director Weyni Mengesha and actors Lesley Faulkner and Brendan Gall. Lungs is a touching and entertaining portrayal of a couple in love—but above all, it’s honest. It’s that honesty that the show next door in the Tarragon Mainspace, Stephen Sondheim’s song cycle Marry Me a Little, is lacking.
Gypsy big brass band collective the Lemon Bucket Orkestra is celebrating four years of public musical anarchy (and its first Juno nomination) with a two-night Birthday Party Carnival at Lee’s Palace, featuring special guests (Montreal’s Gypsy Kumbia Orchestra on Friday, and New York’s Raya Brass Band on Saturday) and a pre-show folk dance workshop on both nights.
Going into a play with no prior knowledge of the characters, plot, setting, or theatrical style can be a very liberating exercise—most of the time. However, for 6 Essential Questions, on now at Factory Theatre, that approach is highly discouraged.
The play is the theatrical debut of author-turned-playwright Priscila Uppal, and has been adapted from her acclaimed memoir Projection: Encounters With My Runaway Mother, which recounts a trip to Brazil during which she briefly reunited with the mother who’d abandoned her 20 years before. The play follows the same basic storyline, but that becomes clear only about halfway through the 90-minute performance. Uppal’s approach to playwriting appears to be heavy on the poetry and metaphor, and light on context and basic exposition. That can be fine, as long as the audience has a basic understanding of the world being explored, which sadly isn’t the case here.