Cinema Politica takes a look at the power of art in Mars at Sunrise. This abstract film follows the struggles of two artists on opposite sides of Israel’s militarized borders, and explores the ways creativity can sustain one’s body and spirit in even the most treacherous of situations.
You were there for the first times, the heartbreaks, the pregnancies, and a whole lot of other awkward teenage situations. Now, harness those memories and turn them into prizes and prestige with the Degrassi edition of TV Trivia Night. Form a team of six people and get ready to answer a slew of questions in the form of skits, audio clues, and straight-up trivia. Special treats are in store for those who come dressed up (and really, how can you resist the ’80s fashions?).
Your two favourite ’70s feminists are back for another round of Terrific Women. Presented in the style of a cable access program, the night of sketch and stand-up comedy sees comediennes Steph Kaliner and Sara Hennessey welcome many of their funny friends, including Carolyn Taylor, Dawn Whitwell, Lianne Mouladin, David Dineen-Porter, Nigel Grinstead, Joel Buxton, and DJ Demmers.
While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).
Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup.
Artist Sarah Anne Johnson delves into life’s most intimate moments in “Wonderlust.” Using photography and visual arts, she explores the emotional attachment, romance, and self-consciousness that come with sex.
Bollywood is the force that brings two stories of self-exploration together in Same Same But Different. After her mother’s life is changed by a run-in with the world of Indian cinema, Aisha—a Canadian-born actress—realizes that she must face her prejudices about nationality and skin colour in order to rise to stardom.
Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.
The image most commonly associated with Franz Kafka’s most famous work, the 1915 novella The Metamorphosis, is that of a giant insect trapped inside a bare, dirty room with a rotting apple lodged in his back—the bug was formerly a man named Gregor Samsa, and the room was formerly his bedroom. As we all know, this distressing and inexplicable transformation from man to bug happened in an instant, although its emotional and literary after-effects have been haunting English students ever since.
The stage adaptation of The Metamorphosis by the Icelandic company Vesturport Theatre and London’s Lyric Hammersmith, on now at the Royal Alexandra Theatre with Mirvish Productions, is much more watchable than this introduction would suggest. The only bug you’ll see in this version is a trick of light and shadow. And that’s not the only trick up this show’s sleeve (or perhaps antenna?).
You can be taken out of a war, but can you truly remove the war from within you? This question is posed in Kawa Ada’s The Wanderers, a Buddies in Bad Times production about a father and son who flee a battle-worn Afghanistan. Though they start a new life in Canada, the horrors from their homeland refuse to be left behind.