ROM Lecture: Women With Bows

  • Royal Ontario Museum (100 Queens Park)
  • 10 a.m.

Katniss Everdeen may be pretty popular these days, but she’s not the first woman ever to pick up a bow and arrow. Join Gayle Gibson, a teacher at the Royal Ontario Museum, for Women With Bows. From Greek goddess Artemis to Maid Marian, she’ll discuss female archers throughout history, and why women are so often associated with this skill.

Details: ROM Lecture: Women With Bows

Making a Living. Making Art: Honouring & Protecting Your Creative Rights

  • Pinewood Toronto Studios (225 Commissioners Street)
  • 12:30 p.m.

You dreamed about making art your career, and then you did it! Now how do you make sure that you don’t get ripped off? Your first step should be to attend the Making a Living. Making Art: Honouring & Protecting Your Creative Rights workshop. Ashley McKenzie-Barnes (MANIFESTO Festival), Derrick Chua (entertainment lawyer), Jonathan Bunce (Wavelength Music Series), and Christine Moyihan (Dance Umbrella) make up the panel of industry experts who will be doling out advice for everyone from independent artists to arts organizations.

Details: Making a Living. Making Art: Honouring & Protecting Your Creative Rights

Forgiveness: a theatrical poem Is Not One to Forget

Photo by Jon Lauener.

Photo by Jon Lauener.

  • The Great Hall (1087 Queen Street West)
  • 2 p.m.

Okay, okay: hear us out. Yes, the term “theatrical poem” might not appeal to everyone at first. Yes, it sounds a little pretentious. And sure, that might play into some people’s unfounded opinions about theatre. But it also aptly describes this unique work by Modern Times Stage Company in association with several dance companies: Bora Bora, Don*Gnu, Laboratoriet, and Dreamwalker Dance Company.

At the very beginning of Forgiveness: a theatrical poem, on stage at the Great Hall’s Black Box Theatre for a limited time, the show’s five performers, three male and two female, end up in an all-out brawl—the traumatic event or argument that makes forgiveness necessary. What ensues is an in-depth exploration of all the messy things that come with it: the role played by time, the nature of the people being forgiven and doing the forgiving, the fact that some can forgive and others cannot, and the question of whether true forgiveness is even possible at all. Director Soheil Parsa, writers Peter Farbridge and Barbara Simonsen, and the choreographing team of Don*Gnu use various physical and spoken sequences to explore the many dimensions of forgiveness—indeed, an attempt to capture this layered perspective without the poetry would fail.

Details: Forgiveness: a theatrical poem Is Not One to Forget

Queer Fear: The Lost Boys

  • Videofag (187 Augusta Avenue)
  • 8 p.m.

Queer Fear has one goal: to unearth the homoerotic undertones in as many horror movies as possible. Well, that, and to have fun screening these films with like-minded fans. This time around, it’s taking a look at 1987′s The Lost Boys. Because there’s something going on with a bunch of guys nibbling on each others’ necks, isn’t there?

Details: Queer Fear: The Lost Boys

Ongoing…

The Guggenheim Comes to the AGO

KRocca_THE IMITATION GAME-8346

While the Toronto International Film Festival may have shifted into a more relaxed mode, it’s still offering plenty of opportunities to gawk at movie stars—they’re just a little more spread out. Midweek, fans could catch the premieres of Good Kill (Ethan Hawke as a drone pilot), Maps to the Stars (David Cronenberg’s new bit of oddness), The Imitation Game (Benedict Cumberbatch as World War II cryptographer Alan Turing), Jauja (Viggo Mortensen, and we don’t know much else really), Laggies (Sam Rockwell and Keira Knightley in a comedy about people taking their sweet time to grow up), October Gale (Patricia Clarkson and Scott Speedman in a thriller/drama set in a remote cabin), Pawn Sacrifice (about the chess duels between Boris Spassky and Bobby Fischer), The Cobbler (Adam Sandler’s latest) and Escobar (Benicio Del Toro is the famous drug kingpin).


Want more TIFF coverage? Torontoist‘s film festival hub is right over here.
Details: TIFF 2014 Scenes: Tuesday–Thursday Nights, Featuring Good Kill, Maps to the Stars, The Imitation Game, Jauja, Laggies, and More

Life Is Good, When it’s This Cabaret

Photo by Seanna Kennedy.

Photo by Seanna Kennedy.

  • Lower Ossington Theatre (100 Ossington Avenue)
  • All day

It’s 1931 in Berlin, and the Nazis are on the brink of supremacy. But there remains another side to the city—one that’s decadent, permissive, and artistic. And that’s the world we meet when we’re beckoned into the extravagant and sleazy Kit Kat Klub by eccentric Emcee and his troupe of saucy dancers, performing “Willkommen.”

Cabaret’s primary plotline begins with the arrival of American writer Cliff Bradshaw (David Light). Without a real agenda, he’s come to Berlin to work on his novel and teach English. A patron of the Kit Kat Klub, he catches the eye of the star performer Sally Bowles (Kylie McMahon). A natural stunner, Sally is a bubbly young Brit with a powerhouse voice, a dancer’s grace, and a reputation for flitting from man to man like a bumblebee in a flowerbed. It’s not long before she and Cliff fall in love—though the question of whether he’ll be able to satisfy her wild side constantly hangs over their heads. The sweetness lacking in their relationship can be found in the romantic pairing of the boarding house landlord Fraulein Schneider (Adeen Ashton Fogle) and Jewish shop owner Herr Schultz (Don Berns). As appealing as they are, though, these middle-aged lovebirds are just as susceptible to trouble and heartbreak as their younger counterparts.

Details: Life Is Good, When it’s This Cabaret

From Geisha to Diva: The Kimonos of Ichimaru

Ichimaru playing the shamisen. Image courtesy of the Art Gallery of Greater Victoria.

Ichimaru playing the shamisen. Image courtesy of the Art Gallery of Greater Victoria.

  • Textile Museum of Canada (55 Centre Avenue)
  • 11 a.m.

Ichimaru—once one of Japan’s most famous geishas—left the profession in the 1930s to pursue a career in entertainment. Never really leaving her past life, she became known for adorning herself in the traditional geisha garb when performing in concert or on television. “From Geisha to Diva: The Kimonos of Ichimaru” exhibits several decades’ worth of outfits and personal effects, shedding light on the woman behind the makeup.

Details: From Geisha to Diva: The Kimonos of Ichimaru

Aboard the Orient Express

  • Young Centre for the Performing Arts (50 Tank House Lane)
  • 1:30 p.m.

Soulpepper brings together music, theatre, history, and travel in a new and immersive way in its Salon Series. Aboard the Orient Express invites the audience to traverse the war-threatened Europe of 1939 on a train ride that stops in city centres like Paris, Munich, Vienna, and Istanbul. CBC host Tom Allen provides narration for this story, which celebrates history and music across cultural lines.

Details: Aboard the Orient Express

Heartbeat of Home

  • Ed Mirvish Theatre (244 Victoria Avenue)
  • 2 p.m., 8 p.m.

The producers of Riverdance have spawned yet another on-stage extravaganza. With a talented cast of 38, Heartbeat of Home is a high-energy show, combining Irish, Latin, and Afro-Cuban music and dance. Torontonians get the honour of seeing the production’s North American debut—take it in before it’s gone!

Details: Heartbeat of Home

Idiot’s Delight: Not Exactly Theatre for Dummies

Dan Chameroy and Raquel Duffy. Photo by Cylla von Tiedemann.

Dan Chameroy and Raquel Duffy. Photo by Cylla von Tiedemann.

  • Young Centre for the Performing Arts (50 Tank House Lane)
  • 7:30 p.m.

The word “idiot” was originally used in ancient Greece to describe a person unconcerned with public affairs like politics, but dedicated to following private pursuits. The setting of Robert E. Sherwood’s 1936 romantic comedy Idiot’s Delight, a failing luxury hotel in the Italian Alps called the Hotel Monte Gabriele, initially seems to be full of idiots: newlyweds on their honeymoon, a group of burlesque singers and their manager, a blissfully genial waiter, and a couple of ornery managers sour over the lack of business. And when a spark flies between a beautiful and mysterious Russian and a smooth-talking American showbusinessman, while the other guests dance, drink, eat, and sing, there’s another piece of juicy plot that can be used to distract themselves, and the audience, from the war that’s literally raging outside the hotel windows.

Details: Idiot’s Delight: Not Exactly Theatre for Dummies

Same Same But Different

Anthony Malarky and Anita Majumdar from Same Same But Different. Photo by Michael Cooper.

Anthony Malarky and Anita Majumdar from Same Same But Different. Photo by Michael Cooper.

  • Theatre Passe Muraille Mainspace (16 Ryerson Avenue)
  • 7:30 p.m.

Bollywood is the force that brings two stories of self-exploration together in Same Same But Different. After her mother’s life is changed by a run-in with the world of Indian cinema, Aisha—a Canadian-born actress—realizes that she must face her prejudices about nationality and skin colour in order to rise to stardom.

Details: Same Same But Different

Arrabal

Juan Cupini and Micaela Spina star in Arrabal. Photo by Eugenio Mazzinghi.

Juan Cupini and Micaela Spina star in Arrabal. Photo by Eugenio Mazzinghi.

  • Panasonic Theatre (651 Yonge Street)
  • 8 p.m.

Told through South American music and dance, Arrabal is the story of a young girl desperate to find out what happened to her father after the Argentine military made him disappear when she was just a baby. Her search leads her to the Tango clubs of Buenos Aires, where she discovers both the truth, and herself.

Details: Arrabal

Tribes

  • Berkeley Street Theatre (26 Berkeley Street)
  • 8 p.m.

Even though Billy was born deaf, his family strived to raise him the same way they would have a hearing-able child. Tribes sees him learn what it is to hear and be heard when he meets Sylvia, a young woman who is gradually becoming deaf herself. Presented by A Theatrefront Production, Canadian Stage, and Theatre Aquarius, this emotional play stars Stephen Drabicki and Holly Lewis.

Details: Tribes

Bare Bones and Up Front Indie Music Series

  • Toronto Centre for the Arts (5040 Yonge Street)
  • 8 p.m.

The Toronto Centre for the Arts is stripping away the glossy layers of the music industry with their Bare Bones and Up Front Indie Music Series. Every Wednesday for eight weeks, two local musicians will be given the chance to show off their songs and skills in an intimate setting. Some of the featured acts include Rehan Dalal (March 12), Meredith Shaw (March 26), and Lindy (April 9).

Details: Bare Bones and Up Front Indie Music Series

The Metamorphosis Is a Topsy-Turvy Spectacle

Unnur Ösp Stefánsdóttir as Greta and Björn Thors as Gregor in The Metamorphosis. Photo by Simon Kane.

Unnur Ösp Stefánsdóttir as Greta and Björn Thors as Gregor in The Metamorphosis. Photo by Simon Kane.

  • Royal Alexandra Theatre (260 King Street West)
  • 2 p.m., 8 p.m.

The image most commonly associated with Franz Kafka’s most famous work, the 1915 novella The Metamorphosis, is that of a giant insect trapped inside a bare, dirty room with a rotting apple lodged in his back—the bug was formerly a man named Gregor Samsa, and the room was formerly his bedroom. As we all know, this distressing and inexplicable transformation from man to bug happened in an instant, although its emotional and literary after-effects have been haunting English students ever since.

The stage adaptation of The Metamorphosis by the Icelandic company Vesturport Theatre and London’s Lyric Hammersmith, on now at the Royal Alexandra Theatre with Mirvish Productions, is much more watchable than this introduction would suggest. The only bug you’ll see in this version is a trick of light and shadow. And that’s not the only trick up this show’s sleeve (or perhaps antenna?).

Details: The Metamorphosis Is a Topsy-Turvy Spectacle

Afterplay

  • Campbell House Museum (160 Queen Street West)
  • 8 p.m.

What would happen if two characters from different books were to meet up outside their narratives? This is the basis of Brian Friel’s Afterplay, which explores the hypothetical relationship between two Anton Chekhov creations—Sonya from Uncle Vanya and Andrey from Three Sisters. For the price of admission, you’ll also get to indulge in authentic Russian tea during the performance, courtesy of the Campbell House.

Details: Afterplay

SHREW

  • Theatre Passe Muraille Backspace (16 Ryerson Avenue)
  • 8 p.m.

Recently, the Storefront Theatre (which received an honourable mention in our 2013 Heroes section) found itself literally underwater when a water main break dumped seven feet of water in its basement. A campaign to help the indie venue recover from the flood is ongoing, but in the meantime, the show must (and will) go on: its production of SHREW, a witty adaptation of Shakespeare’s comedy of the sexes using puppets and a Klondike Gold Rush setting, will close out its run at Theatre Passe Muraille.

Details: SHREW